I wish every kind of synth let you control each harmonic. An EQ can be fine in quite some cases, at least with automation and the right freq values/notch shapes, but it's far from ideal. Do be mindful of that it can affect certain things, though, distortion won't sound the same coming from a different sound passing through it, which can be cool in and of itself. I guess in some cases you could also affect the signal with it's fundamental frequency and resample that back into a wavetable
Hi there love your work . there is another trick in serum for good reese base making sound .go to the little drow icon in the oscillator section go to process then remove fundamental (hpf)do this if you have 2 oscillators for both then you activate the sub oscillator sets it to -1 so now you don't have face problems with your low frequencies
From the raw stuff to the crazy elaborate stuff in modern neuro etc., it's truly something magical. I think back to when sound was all just a big mystery to me, dnb etc. was like a wonderland. The bass sounds, those crazy distorted resonant snares, the super clean snappy and textured drums in the deeper more minimal stuff, truly amazing to hear people master it to this day.
Kinda wish i discovered this tutorial 3 years ago before i bought Serum. I would have been fine using the 3x osc for my reece. But everyone at 5he time swore Harmor and Serum were the best tools.
RU-vid been listening to my thoughts. Lmfao. I can make actually every sound but, a Reese….but, a Reese with insane high end. Like, I want some Shit that sounds like an alarm in star wars or something. Closest I can get is a grain delay before a quantize distortion. But, like. I know there’s a stupidly easier way.
for the secret source, i'm not sure how this works on FL Studio, but with ableton exporting a reese and putting it in a simpler tends to create these movements, especially with the "transpose" option being automatable (thanks koan sound) oh, note that if you're doing this it's best to design your reese around one note
💡Bro Try this : 1. Go to OSC A edit (the pen a the right of the Osc A) then go to "Process" and valid "Remove Fundamental HPF" . 2. Back and go to the Sub , make it on Sine and -1 octave and adjust the volume. 3. Add organic touch to you're Reese Bass by adding Noise : Right on the Cut Off then Mod SOURCE/ Noise Osc (don't forget to set the noise level to 0). You can adjust that noise sound in the matrix by adjusting the Amount. Now you got that little extra thing in your reese bass that all the pros have :)
Dude, that idea of removing the fundamental and adding it in with a mono sub is clever! sounds very soothing, thank you. this is unrelated: i'm tryng to build something like a producer friend group (by going through lots of songs and production tutorials and reading the comments) where talented individuals can exchange tips and motivation. I'd create a discord for that. Let me know if you are interested
How to avoid when sounds hits 0db forcefully we want to turn the volume down for sounds but now its that not load enough, even I'm not using to many sounds to mess up. Do i put limiter on every sound. After exporting for mastering then we faces this loadness problem and it does not sound professional.
