They are related. 100% but the Artbat longer then life drops are sometimes killing the vibe if you want to be speaker hugging 🤗. If you check out Mike Rish - Tunnel People (title is as bad ass as the tune itself) you get what my preferred poison is
Dam your videos get me so inspired, love it!! Would you ever consider doing a Dawless Tech-house vídeo? I feel there is very little love for that type of electronic music in the Dawless space.
24:03 I truly am amazed that you have not collab'd with Hardwell. And to be honest...I think his music is probably mainstream complete yet still lacks that nuance of german industrial or rotterdam style punch. He is from NL yet still sounds a bit like "basic euro + NYC or Miami". Don't get me wrong here. That dude is an excellent DJ and composer....I just think he is not fully levelled up yet, and the lack of berlin/rotterdam style is noticeable imo. Edit: and don't joke about Brussels. I study music a bit and I still cannot properly explain that scene and most of the themes lol. That is some wild music.
I know Robert quite well actually. He’s in a different time zone though meaning he’s really in the big boy league. Did I joke about Brussels? I love Belgium 🇧🇪. Did make my biggest hits there.
@@AnalogKitchen I don't think that so called "big room" style will go the way of dubstep...yet I think there are some innovations that people haven't added to the genre yet. What that is, I don't know.
@@AnalogKitchen As I am a DJ and not a producer, it happened by accident. I experimented with progressive house. At the beginning I had a problem where the problem was. This method is especially used by English producers. For some reason, even after starting the syncho, everything was falling apart despite the same key and the same chord. As I don't like losing, I did some research and the technique is used when the bar starts right after beat 1 or enters beat 2. Normally you can't spot it, but you have to read a little to mix it. to make it clear what's wrong
Well, I said I didn’t think of it that way but I should say it’s been something I forgot. Back in the day we ‘shifted’ a midi track to start on the 2 and that gave us different options. On an octatrack you can also ‘nudge’ or ‘shift’ the position on where one track would start and that gives interesting rhythms.
