Brother you read my mind. Working on project and is the really helpful. Like always great videos no bs and solid content. It just hit me that I never fast forward in your videos, because you actually great things to say. A lots of love and respect from Sweden
@@seandewispelaerebtw got your LUT package, not that I need it being a colourgrading overlord 😂. You have helped me so much it’s a pleasure to give some support back.
I've been watching your videos for a bit and LOVE your content. I use a ZVe10 but noticed it was really hard to shoot in slog I guess its a mix from the fact i am a complete noob but also the 8bit. not sure, I am going to shoot in a different profile for now lol. Keep it up man I'm glad your subscribers are growing i remember when i first saw your videos you only had a couple K and you deserve much more.
That is really cool of you, thanks for the note - deeply appreciated Agreed, I didn't love SLOG until I started using SLOG3 in 10-bit Plenty of room in the 8-bit in the ZV-E10 to make great looking videos
These are sick! I’ve got a 3 part question though. If it’s too long for the comments section maybe a video would be helpful? 1) can I use these IN camera on the A6700 - I know a lot of people have had trouble getting certain LUTS to work (if they’re a specific format) 2) what picture profile would/should/could I use when I use them in camera 2b) is it possible to use S-Cinetone as the PP & then apply these in post, or would it throw off the LUT balance? I know the part 2’s might be obvious to some people but I like how S-Cinetone looks, it’s just no where near as nice as these LUTs. However, when I shoot with no PP, I don’t know enough about the knee or detail (or any of the adjustments really) to get a good enough base image to ahead & apply these LUT’s to. Although your white balance & exposure videos have helped with that a LUT 🥸 see what I did there
Hey Blake, thank you, I'm really happy with how they are looking on my footage recently. Sure thing - see responses below 1) They do not, I'm not sure what format Sony wants at this point, but it seems like their official conversion LUTs are the only ones that I've had any luck with. 2a) Really anything will work. SLOG3 (after it is converted), S-Cinetone. No PP, Cine (although those might need a bit more love on the contrast slider vs something like S-Cinetone 2b) Absolutely and is one of my preferred methods next to SLOG3 I think that regardless of what PP you're using they look great after some love on the highlights, shadows, exposure, and contrast sliders depending on a variety of reasons Glad the White Balance and Exposure videos have helped you, I can't think of a more important topic outside of those 2 to make your footage look good. Thanks a LUT (touché) for the note, I think it will help a lot of people
Yea that’s a bit of an issue with Premiere I have a fix for that. Send me an email (email address is on my YT contact page) and I’ll get you the export LUT that fixes that
I just purchased your luts & I'm trying to load these onto my ZVE-10 M2, I know that you can drop luts to preview on camera when shooting in slog but these files aren't loading up on the camera. I see them there but it states the file is not supported. Any solutions to this so I can get the preview while i'm shooting or out on the field?
Thanks - I know you'll love them! At the moment (at least in my extensive experience), I can't get any non-native Sony LUTs to load up in-camera, but they should work wonders for you after applying in post
