Ivo Pogorelich, piano Ludwig van Beethoven Piano Sonata No. 27 in E minor, Op. 90 00:31 - Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck 08:38 - Nicht zu geschwind und sehr singbar vorgetragen Recorded in Italy, 1987
In some ways the second movement could have sustained the slow treatment better than the first movement. With all the sturm and drang of the first movement, the second movement sounds like it's being typed out.
Good !! Hermoso como siempre por Madame Alissa Nicolaievna..Lucía Basilievna..Kniáz Nicolai..y Goga ! Bravo..y todos al Supremo LUDWIG..camino a la Senda de DiOS !!!
Bellissimo e único Maestro..siempre busca la verdad dl Compositor..bello y sincero ETERNA BUSQUEDA Y PROTECTOR DE ALTA JUSTICIA ..AL SENTIDO MÍSTIC9 DL COMPOSITOR..DIVINO AMOR DE SU MAESTRA Y ESPOSA GRAN SEÑORA
Sometime I saw Pogorelich too dried. What I heard there surpassed all I thought of him. He provoked the vivid curiosity to each note , which I didn't feel in attitude to my favorite interpreters. Astonished. Then want acquaint with whole his heritage
shkedovb the magic of Beethoven is that even at the ridiculously relaxed pace of the opening movement, the poetry of this sublime piece still comes through! If anything, the work's majesty is enhanced by the slow tempo. The runs in the development section of the first movement actually resemble a cadenza!
To anyone who loves this sonata, I suggest listening to Schubert's piano production. There are surprising affinities! (It seems that Beethoven had viewed some musical notes that the Austrian composer had sent him!)
I think and feel Pogorelich really transmits the true Beethoven but Barenboim convinced me in op. 90 !Amazed by h Pogorelich 'spianism and the delicacy , invention ultimate communicativeness but Barenboim knows and convinces me in this music ! Wonderful in last only 2 movement Sonata .
