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Joan Sutherland at Covent Garden - Midnight Gala - in aid for Darwin appeal fund -25 January 1975 

Vintage Live Classical
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This gala concert was organized at the last moment to raise funds for the victims of the Darwin cyclone, that had destroyed the city on Christmas eve 1974. It was given on television and recorded by Decca. Joan Sutherland was supported by several Australian singers as well Louis Quilico and Graham Clark. This concert was given in the midst of a series of Traviata performances given at Covent Garden with Kraus and Quilico ! This recording was part of the televised event, starting with the entrance aria from Maria Stuarda . This audio bit is from the tv relay. The rest of the audio comes from a different source, which is much better!
In the program :
Australian national anthem
Offenbach - Geneviève de Brabant
Verdi - Rigoletto - Cortigiani
Verdi - I Lombardi - trio
Verdi - Rigoletto - Quartet
Norma - Act 2 - sc. 1 Dormono entrambi and duet with Adalgisa
the first part of this scene was not televised, so there is stil, followed by Mira o Norma from the telecast.

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28 авг 2024

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Комментарии : 33   
@alanhadley1286
@alanhadley1286 6 месяцев назад
This is sheer vocal mastery. The brilliance of DJS voice is breathtaking. There isn’t a singer on the operatic stage today who could deliver such a vocally secure and thrilling performance. She has no equal.
@delosmike2030
@delosmike2030 6 месяцев назад
Love how she supports that final Db straight down through the floor and it just seems to come from all around her. Stunning. For those who never heard her live, those high notes had a visceral impact on the listener. The inner inner ear would be set buzzing and one couldn't help but roar approval. I liken it to seeing a huge chunk of ice falling off a glacier - you just stand there awestruck and then have to go, "OMG!!!!" The only other female singer I heard like that was Nilsson.
@ChrisStockslager
@ChrisStockslager 6 месяцев назад
LORD, I wish I could have seen her live! (Nilsson too) I imagine Flagstad had a similar "surround sound" effect - though obviously she didn't have the top notes of Nilsson, let alone Joan.
@wotan10950
@wotan10950 6 месяцев назад
I saw her quite a few times in New York, as well as recitals in Brooklyn and Buffalo, of all places. Her voice was unique in the sense that it got more brilliant the higher it went.
@michaeltortora8563
@michaeltortora8563 6 месяцев назад
The Sutherland Live Sound was thrilling. I was fortunate to have seen her in many operas at The Met & Carnegie Hall. Carnegie Hall: Semiramide Orfeo Ed Eurydice (Haydn) Met Opera: Lucia Traviata Sonnambula Fille Du Regiment Esclarmonde Norma Don Giovanni Rigoletto
@ahogbin2644
@ahogbin2644 6 месяцев назад
Lucky you. I heard her at Covent Garden from 1980 in Lucrezia Borgia, Trovatore, Esclarmonde, Lucia and Anna Bolena as well as some concerts and her farewell to the Paris Opera. The sound was unique and seemed to envelope one. Her superb musicianship is still underrated though I think.
@wotan10950
@wotan10950 6 месяцев назад
@@ahogbin2644I saw her onstage from 1973 to 1987. But I’m not sure people underestimated her musicianship. The biggest complaint I heard back then - and still today - was the accusation that she didn’t portray any drama, especially compared to you-know-who! IMO, Sutherland was as dramatic as necessary, and you-know-who overreacted to compensate for a tattered voice.
@jeffreymiller4814
@jeffreymiller4814 6 месяцев назад
Wow! Mezzo-soprano Margreta Elkins singing the high-lying soprano part of the Lombardi trio quite successfully! Of course Mr. Bonynge kept the tempo moving.
@wotan10950
@wotan10950 6 месяцев назад
I think Dame Joan was prepared to spend the entire Christmas holiday up on that high note! Btw, the concertmaster sitting behind her, Erich Gruenberg, had quite a noted career himself.
@BellaFirenze
@BellaFirenze 6 месяцев назад
An acephalic nincompoop (@marcelbureau2753) wrote disparaging comments about Joan Sutherland's diction and "skipping notes." A ridiculous assertion from someone who, apparently, knows nothing about singing or the Italian language. As an Italian, I understand every word she sings. As a musician, I do not hear any notes she skips. Dame Joan Sutherland was in great voice and so were her colleagues.
@AndreSchaap-tz1uq
@AndreSchaap-tz1uq 6 месяцев назад
Ah, you are from Firenze ? I hope to be in Firenze on May 5 for the Maggio Musicale with Gatti. Are you in for a drink ? André🍸
@brunoantony3218
@brunoantony3218 6 месяцев назад
What you’re all here for: 13:17
@marcelbureau2753
@marcelbureau2753 6 месяцев назад
Yes her vocalizing was superb and impressive! BUT singing is not only a musical instrument… there are words. Really incredible that she could make such a career skipping the words all together. All vowels are approximative and indistinguishable and the consonants, inexistent.
@Twisterjoe
@Twisterjoe 6 месяцев назад
It must feel so good to you to go to museums and look at Monet and complain to the curators that the water lilies don't seem to be very clearly painted.
@walteranibal8425
@walteranibal8425 6 месяцев назад
Montserrat Caballe cannot be understood at all in any of the languages she sings, and the vowels are all OOO, with the difference that Caballe singing is full of tricks and false notes, while Sutherland has no falsetto or tricks
@nostoon4332
@nostoon4332 6 месяцев назад
Fix your ears. I can understand every word.
@williammaddox3339
@williammaddox3339 6 месяцев назад
Actually her diction is good in this performance.
@marcelbureau2753
@marcelbureau2753 6 месяцев назад
Listen carefully from 38:42 for one minute: excellent operatic singing, the voice is free and the diction is perfect, the voice is well developed from top to bottom with rich and full low notes. The next minute following …. well this is Sutherland …
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