Jonas Kaufmann & Thomas Hamspon - Verdi Don Carlo Dio, Che Nell'alma Infondere Amor 

oooh, ich auch; wieder und immer wieder !!!!

"bromance"? it's wedding vows.

Maria Schwartz Are you an idiot????!!!!?????

@@starwarsfanatic127 No, obviously she isn't, the duet is a great performance.

Philbert Chow haklısın abi

I take it you can't read Music??

​@@rationalsceptic7634forse ma ha molto orecchio per questi due cantanti tromboni....

operacat1 Listen to Hvorostovsky and Kaufmann,much better!

the one with Tezier

Yes..on Amazon

@@rationalsceptic7634 Fuck amazon. It's on vk.com for free

Maxwell McGrath Yeah, and sings like 300 days a year, LOL. If he had all the problems they claim he has, he would be long forgotten by now :)). They were actually a very good vocal match here, and i definitely hear the difference between tenor and baritone, and the match in timbre does not hurt at all. At least he doesn't sound like his throat is about to turn inside out and rip through his mouth and he's about to gag or throw up, like a lot of other tenors have throughout history, probably due to singing on the edge of their ability. He almost never does. There's always reserve. And just when you think he will never take that hight note, he always does, and surprisingly it usually sounds even better than the note right before it, which you thought was as good as it'll get. He knows what he's doing and is in control of the musical line! Always! And he has the technical ability to do any embellishment exactly when written, which you can't say for all of the 'great ones' of old that everyone now legendizes in their imaginations, like Corelli, who often passed on that stuff, but yeah, knew how to place his voice so it sounded like his guts were being turned inside out. Ugh.. hate that gagging sound. Kaufmann never, always the noble in-control quality to his sound. A very sound and secure technique indeed.

ArtShouldBeBeautiful Please STFU...you sound patently stupid and have no idea what the hell you're talking about. You like modern day rubbish wannabe opera singers and loath the best there ever was??? Hahahahha...very well then...I can't argue against what you consider beautiful and desirable. After all, flies love the taste of shit in their mouth, and so do you.

ArtShouldBeBeautiful FYI...Jonas Crapman's voice isn't even dog shit without mics. Get a fucking clue.

Mr. Lucky Ruffiano FYI... I've seen him live, without mics, at the Met, and i completely disagree

Ruffiano Madness Well, at least Domingo seems to disagree, I heard him calling Kaufmann one of the greatest tenors alive. So did my professor for classical singing by the way, and no offense, but I find them both just a bit more trustworthy than random RU-vid comments.

Un Carlos ingolato e stonato ma esteticamente piacevole

​@@sabaprojectinfatti... la piacevolezza gli ha aperto porte che sarebbero state chiuse... ma chi ha orecchio sa quel che vale...

What? You can't be serious......to me it is deeply moving.

​@@operacat1just for you...

Matti Salminen

ragnarkisten no, but his tone is darker.

Anybody is deeper than Hampson

Ingolato

I take it you can't read Music??

@Barone Vitellio Scarpia The great Baritone Leonard Warren could hit a high C...some Tenors cant...so what is your point?

@Barone Vitellio Scarpia I agree..Thom is 6ft 4 with a beautiful Lyric Baritone Voice...a great Artist...a close Pal and Colleague of the late Jerry Hadley...they sounded great together...but he is no Verdi Baritone! Caruso was very Baritonal near the end...as is Jonas..but great Singing isnt about a perfect voice..but musical Intelligence and insight,to phrase in telling the story or psychological state etc

@@rationalsceptic7634 I'm just joking, never mind…hh

Just looking for this comment haha. It’s amazing how Kauffman is the very definition of ingolato. People say it’s just a dark voice, they a should go listen a proper dramatic tenor like Vickers who had free, properly proyected sound, not this constricted throaty mess!

Operafiend22 I hear a clear difference

Jonas is the Tenor and Thomas is the Baritone, their voices are very distinctive ...

Who cares! It is awesome!

And so unimportant.

Is it possible that Verdi deliberately wrote it high for the baritone and low for the tenor to achieve that effect? Composers can do that, you know! !!!

It's a matter of taste, but I think it's sort of interesting to hear this sung by two voices that -- you're right -- don't really blend. I'm used to the Bjoerling/Merrill recording where it's one gorgeous flood of sound, but in this clip I'm hearing the baritone line thrown into relief -- less beautiful of course, but an interesting new perspective on the music.

Vuoi ascoltare verdi, il baritono verdiano per colore è Bastianini . Il colore non qualifica il registro di canto. Il registro di canto è dato dalla tessitura vocale e dal passaggio di registro

@@sabaproject ???

​@@sabaproject 1 Am I talking about registre ? No. My comment is about blending of two specific voices: Kaufmanns and Hampsons 2. Basttianini is not on the top of my list.

​@@spevoljubse Bastianini non e' in cima alla sua lista chi lo è... va. beh chi osanna questi due significa che si fa bastare quel che gli basta...

titusbeertsen Thomas handsome 😄

He is spun of ham.

Yeah, he always had a light voice

I think the best vocal match for Jonas is Ludovic Tézier (they also have amazing chemistry). One critic described them after the ROH Forza as blending like "coffee and cream".

Cathie Hubert g

Hampson is a great baritone

You got it right! :D

Bergonzi was a maestro (copertura della voce) not ingolato! Un maestro del legato e del respiro

Sordo?

No. Due tenori

@@gabrielvelascorios8892 no. Un Tenor i un Bariton.

Hampson Is an High baritone. Period.

No, un tenore che ingola e un baritono che sa cantare

Per ché

Concordo pienamente.

@@aliciaferretto1109 due cantanti sopravvalutati e vocianti... Tecnica disastrosa... Dovrei fare un elenco dei difetti e ma ci vorrebbe mezza pagina e sarebbe come sparare sulla Croce Rossa... Sa cosa mi spiace soprattutto, che ci sia cosi.poca preparazione da osannare due cantanti che ai tempi d'oro avrebbero fatto i coristi... E le garantisco che conosco coristi molto meglio di loro e lo dico con rammarico perche' significa che l'arte lirica è davvero valutata solo orecchiando... Senza approfondire. Peccato si eviterebbe di esaltare gente che dovrebbe almeno studiare seriamente prima di cantare... Specie se vengono pagati profumatamente... Si paga una prestazione artistica seria non una simpatia dal canto sgangherato... E come vede qui ci sono solo entusiasmi e peana... E mi preoccupa questo. Significa che ci si accontenta al ribasso perché questo basta...

@@numetutelareSo much bla and empty phrases. 😂

​@@jcmunich1je n'arrive pas à comprendre ces gens qui, cachés derrière leur écran, passent leur temps à salir l'art lyrique et des artistes aussi talentueux... sans aucun argument valable en plus ! Je ne suis pas spécialiste, mais mon Dieu, il suffit d'écouter et de regarder cette vidéo pour ressentir tant de beauté, tant d'émotions...👏🏵️🥰

Corelli con Bastianinni.... non plus ultra.

@@donjose8250 oh, dear!!! Jajaja It's true. I must have thought for my self of Forza del Destino instead of Don Carlo. I apologise, and thank you!

Mi piacciono di più Aragall con Bruson nel 1984.

Genuinely trying to understand your comment. What's superficial about Hampson?

Mirandu Kan I agree on Mirandu Kan !! Thomas Hamspon is an brilliant barytone. He and Jonas Kaufmann doesn't just sing well together, but you can smell the friendship going on between them! I think it works!

Hampson needs no defense -- but can you really be saying that Schubert's songs are for "skin deep" singers?

Perfect...you must know how to sing. Like to hear you