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Julie Mehretu: American Artist Lecture Series | Tate Talks 

Tate Talks
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Julie Mehretu is an artist whose paintings have been described by curator Douglas Fogle as ‘perfect metaphors for the increasingly interconnected and complex character of the 21st century’. She frequently works on a large scale layering different media in compositions that make reference to contemporary issues of place, space, and time. Her 2012 work Mogamma, A Painting in Four Parts: Part 3 was recently acquired by Tate. This series takes its name from a government building on Cairo’s Tahrir Square, scene of the Arab Spring uprising and draws links to postcolonial pasts and political futures through the repeated motif of urban squares as sites of uprising and rebellion.
Speaking in conversation with Tim Marlow, Director of Artistic Programmes at The Royal Academy, Julie Mehretu’s talk is part of the American Artist Lecture Series, a partnership between Art In Embassies, Tate Modern and US Embassy London. It seeks to bring the greatest living modern and contemporary American artists to the UK in the name of cultural diplomacy.
Julie Mehretu was born in Addis Ababa, Ethiopia in 1970 and lives and works in New York City and Berlin.
Mehretu is a recipient of many awards, including the The MacArthur Award (2005), the Berlin Prize: Guna S. Mundheim Fellowship at The American Academy in Berlin, Germany (2007) and the Barnett and Annalee Newman Award (2013).

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17 авг 2016

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Комментарии : 20   
@kellyanquoe
@kellyanquoe 5 лет назад
"consuming images, deciphering images, and moving away from the language of pictures" are extremely useful ideas in weighing the affects on identity in this current atmosphere.
@lachlanmckee1919
@lachlanmckee1919 6 лет назад
Important
@ditzytony5113
@ditzytony5113 3 года назад
das crazy dawg
@teohproject
@teohproject 3 года назад
I can almost guarantee she went to RISD or Yale... I just think she is wicked smart like Bell Hooks...She is just a very analytical thinker and it’s her practice to speak with her work.. personally I enjoy an artist named Lilian Blades, gorgeous work, contemporary, approachable and engaging...aka, it’s easy to understand Blades, I struggle more with Mehretu but I love her work, phenomenal!!!
@kikeheebchinkjigaboo6631
@kikeheebchinkjigaboo6631 2 года назад
She's just a boring black Marxist
@emre28oz79
@emre28oz79 4 года назад
I don't like glibness to be used as a artistic skill , it's more of a some how stage manner thing I guess.
@teripower8597
@teripower8597 3 года назад
Are you painting or drawing?
@evangilman9735
@evangilman9735 2 года назад
Addis Adaba? c'mon now.
@kikeheebchinkjigaboo6631
@kikeheebchinkjigaboo6631 2 года назад
She's a cultural Marxist
@rebekahgizaw8768
@rebekahgizaw8768 Год назад
as an Ethiopian I was cringing every time she said it 😂
@IvanPerez-bh8sv
@IvanPerez-bh8sv 5 лет назад
ARTISTS ARE SO PRETENTIOUS. ART SHOULD SPEAK FOR ITSELF. ALL THIS FANCY LANGUAGE TO JUST RATIONALIZE SOME RECTANGULAR PLANE.
@marcatkinson5187
@marcatkinson5187 4 года назад
Thank you.... (And I am an artist as well.)
@jan-martinulvag1953
@jan-martinulvag1953 3 года назад
Yes. I don't want to listen to it.
@kikeheebchinkjigaboo6631
@kikeheebchinkjigaboo6631 2 года назад
She's A BLACK CULTURAL MARXIST
@kikeheebchinkjigaboo6631
@kikeheebchinkjigaboo6631 2 года назад
@Deborah O'Brien modern and contemporary art has Ben perverted via Cultural Marxism indoctrination in order to destroy western culture by any means necessary
@anthonylopez9594
@anthonylopez9594 4 года назад
Her thoughts on painting that she wrote in 2013 were totally written fully knowing she would recite them to a crowd some day 🤣. She is so cringey 😂😂😂Besides that her paintings are petty good
@kikeheebchinkjigaboo6631
@kikeheebchinkjigaboo6631 2 года назад
She's a black CULTURAL MARXIST
@LiamNice-hm3pu
@LiamNice-hm3pu Год назад
How did she manage to say so many words yet say absolutely nothing of substance
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