The kata SEIENCHIN performed by Antonio Diaz (VEN) at the 21st World Karate Championships in Paris, France. He placed first. Visit www.karatebyjesse.com for more info!
That's a unique interpretation of that particular Kata. I'd love to know the reasons behind it. He paused where I would traditionally go fast and went fast through where I would go slower. Interesting.
Also he didn’t do the butt thrust with the elbows. That’s actually the correct Shitoryu technique. As the elbows come out you thrust backwards with your butt at the same time it’s actually two attacks in one - didn’t see it hear.
I happen to be learning this kata right now for my brown belt. This is really helpful because I can almost never find someone doing it the same way that I’m learning to do it, but this is exactly the same.
The first 4 arms movements soon became my breathing routine for concentration: back of the hands coming together apnea, hands going up inhalation, fingers closing apnea, arms widening exhalation, backs of hands coming together apnea, hands going up inhalation...
Lindo kata movimento preciso para uma luta real não sei tem vários estilo que treinam, no goju-Ryu todos os kata tem suas aplicações treinando ataques e defesas..
Hey Jesse I’m a fan of you and I’m subscribed and I came 2nd at nationals for karate at Australia and I’m going to New Zealand on October 21st please wish me good luck
I'm gold belt just finished my 1st kata with it but since I'm 13 every kata I finish is one tip so I have to finish three katas in order to get a new belt now
Hey guys lifetime kumite player here, I never had a liking of Kata’s till recently and I want to learn more,where do the kata players from the comments learn or suggest to learn from
Накаяма собирался выпустить 12-ю книгу серии с описанием Джиин и Ванкан, но ушёл из жизни, не успев реализовать эти планы. Кроме того, в первой книге он упоминает Санчин, Тэншо, Сэйэнчин и Хякухачихо,
A pesar de que se nota que tiene fuerza y velocidad está completamente sacado de su base tradicional, la mayoría de los movimientos que hizo dejo la técnica a la.mitad y salto muchos detalles técnicos que hacen que este kata sea mucho más bonito y efectivo para aplicarlo al bunkai y posteriormente la vida real, no me gustó en lo particular porq le saco movimientos que son de generaciones atrás.
huh, my dojo does this kata differently. in my dojo it's more fluid, slow- and then, an abrupt stop. every move. the steps, except for the 45-degree-angle stance (i cannot phonetically spell it) which is sharp but still fluid thats cool
Stance are perfect, mouvement are perfect and it is verry fast excecuted, at least between the long poses. A grest visual treat. But le long stops are in direct conflict with the applications ( bunkai). Also it seems, to me, that some arms techmics (geidan barai) are not connected with the rest of the body , thus not creating real power. These kata where never made to becomme a displaying contest. One more step in an already long history of changes and adaptation of what was, first, a traditional martial art practised on the Okinawa islands with strong chinese and japanese martial arts influenses in it. and later had become a japanese budo disciplin.
Esibizione orribile kata completamente sbagliato. Nella partenza le mani non sono distese ma sono al petto poi ci sono altri passaggi completamente sbagliati tipo il montante lo fa solo di braccio. Non c’è nulla non c’è forza non c’è efficacia delle tecniche, molte tecniche sono fatte troppo veloci non si vedono, questo non è un kata è solo un balletto inutile che però a gli occhi di chi non capisce e non pratica il vero karate va anche bene.
