Gary is sort of responsible for the creation of this peculiar trio. In '77 he had to record his "Tales of another" album and recruited Keith and Jack. The rest is history...
I’m stunned every time by what Jack, Gary and Keith achieved in their standards recordings and concerts. The soul and sophistication, the speed, facility, their communication, the harmonic beauty. I have faith in humanity because there are audiences who can HEAR this and appreciate this. Even if 1 percent of humanity is tuned in to this beauty and excellence, that’s enough to keep us from hurtling into the abyss. Three million views? That’s hope for me.
My old bass teacher. I got to study with Gary in the early 70's in Seattle. We would usually end up talking about philosophy more than playing the bass. He is still inspiring me.
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I just found out Gary Peacock died on the 4th of September 2020 aged 85. Gary Peacock’s - Attitude toward music from Wikipedia: In a 2007 interview, Peacock stated: I follow a practice that I've done for about ten years. I go through an actual daily practice of greeting the instrument, positioning myself with the instrument, paying attention to my posture, my breathing, the texture, the feeling of the instrument... Sometimes that takes seconds, sometimes it takes five minutes. Just getting a physical-sensory connection. The next thing is when I actually start playing, I don't lose that physical connection. To be completely aware of the sound that I'm playing and also what my feelings are about the sound of the instrument. Just paying attention. I don't try to do anything about it necessarily, but I just play, letting it be there. I might be playing an arpeggio or a melody, but basically the attention is on the sensory-emotional aspect of my playing. And then I let it go. He also stated: "If you always wake up in the morning and realize, 'Oh my God, I'm just a beginner!,' then you're in a really good place. If you wake up in the morning and say, 'Oh, I've got that handled, I can do anything I want.' - hmm, I don't know." In another interview from 2010, Peacock said "If you've come close to death a few times or what you thought was death, you've realized there's no guarantee that you're going to be alive in the next instant. So my approach to playing is the realization that there are no guarantees anywhere. So where do I want to be, what kind of state to do I want to be in when I'm playing? It helped me to be really focused in a profound way and be really present." Peacock also discussed the relationship between music and his daily practice of zazen (sitting meditation): I think music actually prepared me in some ways in coming to zazen, because it was the only window in my life where I felt kind of a spiritual or religious sense. I looked at that, the essence of that and it was just bare awareness. Zazen is the same thing; it's a heightened sense of awareness. My daily mantra is a quote from my Zen teacher, John Daido Loori, Roshi. I asked him one time, "What is Zen?" He said, "Just do what you're doing while you're doing it." It's so simple, but it's so hard!
Jarrett is possibly the most complete jazz pianist since Bill Evans. His amazing improvisations and his ability to see opportunities in the old chord changes - it is absolutely outstanding!
I never had the privilege to see Bill Evans. But I feel very fortunate to have seen the Keith Jarrett Trio 4 times. Each was a concert I didn't want to end.
got to hear Bill Evans at the University of MD in the year or two before he died way too young. Absolutely my first and favorite jazz pianist, and finally now years and years later am discovering Keith Jarrett! I went to music school and became a classical pianist. Keith is just an amazing amazing musician. This is gorgeous and yes comments above are spot on! :-)
Bill Evans rarely allowed himself the kind of space that Jarrett almost always allowed himself. In fact the thought would never occur I suspect to Mr Evans because music in all it's glory was architecture to him. That WAS his source of freedom and flight, to know that he was touching on those bases (motivic, thematic, harmonic, and phrasing) that he considered to be supremely important. To assist with his very ambitious goals he rarely allowed the basic jazz rhythm matrix to be absent. Jarrett who never doubted that he will find in any given moment what is useful and profound was from his earliest recordings to the present, unencumbered by those kinds of constraints. Look in order for Miles to call you a genius(Jarrett) you pretty well have to be. PS Studied theory with Peacock the school year before he landed the Jarrett gig and he played with Bill Evans.
Algún día perdido en el tiempo entrarás a este concierto y verás mi mensaje regado. Mi amor por ti es casi tan grande como tu amor por Jarrett. Y pasará la vida y recordarás cada lágrima vertida en sus melodías, como muestra de este arrepentimiento que duele tanto. Algún día entrarás a tu tan amado concierto y mis palabras te recordarán cuánto te amo y con cuánta fuerza reclamo tu perdón. La vida es una, errar es humano, amar nos hace torpes...pero no vale la pena renunciar. Alhambra.
I discovered them a few time ago and now I can't but hearing and hearing again and again... They changed my life too. RIP Gary, but for me they are alive, they are living in my soul and in my heart forever, I love them and the music they made, I don't believe in a god, but it seems actually that music is coming from another planet, just for the human being becoming better... (Sorry for my english...)
These guys are all in the ecstasy of the music. Just look at their faces. What joy they bring us, too. Read about Gary Peacock's transformative experience (wikipedia is good) and his journey, breaking through normal paradigms of time and structure, and letting the music play through him. RIP Gary.
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Добрый вечер, как дела, только что увидела ваше сообщение на странице ютуба. и это привлекает мое внимание, поэтому я взял на себя смелость посетить ваш профиль, и я считаю ваш профиль очень интересным. по этой причине я хотел бы узнать вас лучше, лучше узнать вас, если вам интересно, можете ли вы отправить мне запрос в качестве друзей, чтобы мы могли поговорить наедине в мессенджере, а также я хотел бы позволить вам также мой gmial paulinedubois806 @ gmail. com
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Keith Jarrett and Bill Evans - not the technical wizards of, say, Oscar Peterson, but two of the finest jazz players that ever were and ever will be. And Gary Peacock - first there was Scott LaFaro, then came the new wave of bassists, players, thanks to LaFaro, who treated the bass as a solo instrument as well as a part of the rhythm section. After LaFaro came bassists such as NHOP, Eddie Gomez, Gary Peacock, and many more.
The music, of course, is sublime. Jarrett is in a class of his own. But the video work is also exceptional. The opening shot, close up on Keith and then pulling all the way back to the whole trio. Slow moves around the group. Great shots of the musicians in the zone, and sensitively edited together. Some of the best video I've seen of this group!
You are right about the video production on the Keith Jarrett Trio in this concert. The sound has been captured very well, but the video is also very well done. The director must always know when a player is taking a solo, then focus on him. In music photos, or video, the three most important elements that the lens must capture is a musician's hands, face and instrument. Not always all three at once, but all three as much as possible.
These 142 "I do not like" would explain perfectly because there are rapists, murderers and torturers in the world Jaajaaaa!!!!!!!!!!!............ is that it is so sublime that I find it as inexplicable as the previous................... I must have heard it about two hundred times and it does not stop touching me ...
The sheer adoration of the song - his timing, his phrasing and melodic invention embellishing a composition of great beauty - the rare glimpse into the soul of Mr Keith Jarrett
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I've been a fan of so many great jazz artists for over 30 years (Coltrane, Miles, Kenny Garrett, Redman, Stanko..) and I am so embarrassed to admit I have just learned of Keith Jarrett. It's like I discovered a new religion.
@@Roj0620 I never thought I'd ever say this, but I may love his music more than Coltrane. I never thought any artist could exceed Coltrane but he might.
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Came from Miles Davis playing Autumn Leaves to the KJ Trio playing I Fall in Love Too Easily - can't think of a sweeter way to spent 20 minutes, and will do that combo again and again.
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Unbelievable! What a genius, there are no words to describe the spirit of this man and his music! I love it when he starts to improvise with a touch of Johann Seb. Bach (from 7:30)! You can only play like this if you show every hidden corner of your fragile human soul... Thank You, Keith!
El gran secreto de Keith Jarrett, lo que lo hace realmente especial, lo que define su música de una forma incontrovertible, es que jamás se aparta de la melodía inicial, pero la envuelve de tal forma que la convierte en algo nuevo mejor, sublime y único.
Ever since seeing keith with charles lloyd at ucla in the sixties to hearing gary peacock on clare fischers album "first time out" and albert aylers "spiritual unity" and bud shanks "new groove" albums" i knew they were both jazz giants. Keith is still with us but Gary has sadly departed. So many of our jazz greats have left recently...Lee Konitz, Ellis Marsalis, Roy Hargrove, Wallace Roney and too many others. Rest in piece Gary, you have enriched my life with your artistry and soul.
0:06 - 1:11 Heartbreakingly beautiful introduction. Tears of joy. 7:00 - 9:48 Classical improvisation. At 7:00 as Gary and Jack lay out and stop playing, you can tell that they both become audience members, as Keith plays only to them, and for them.
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Para mi es el mejor del mundo en ese estilo, nunca he podido descifrar su lógica de armonización. Jarrett posee un gusto muy especial en todo; frases o melodías, armonía. Es el pianista de jazz que más escucho, horas y días enteros he pasado escuchándolo.
Keith demeure toujours l'un des pianistes les plus créatifs de notre époque. Je ne me lasse jamais de l'entendre, inventif, sensuel, délicat, hypnotique...
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I saw Keith play at ArtPark in Lewiston NY a few years back .... he played When I fall in Love, made me cry.... not many do that to me..... he's killer.
Giving in piece the proper respect it deserves, I think Keith treated it more as a life form than a composition. You can feel the song grow, mature, develop, suffer, learn... all in ten minutes. He humanizes the piece- gives it a soul. Exceptional mastery!
Beautiful observation, thank you; you might be reviewing albums for a living and benefiting all of us by doing so. Gary P. told me something very similar when I was his student and I would have done well to make that happen!
Solche Stücke zu interpretieren bedingt Feeling. So wie M. Rassouli es spielt, gefällt es mir am besten, doch auch das Keith Jarrett Trio spielt es grossartig - Gratulation!
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If you've got decent speakers/headphones and you are listening with all of your attention, then the last 2 and a half minutes will annihilate you with the most heartfelt emotions you've felt in a long time. 8:26 is closer to the spot I'm talking about it starting, but the minute prior gives it that more in depth context that will make it more meaningful.
The greatest musician of our time. it's fascinating how much of his playing seems to have a poignant almost grief - like mood. I wonder what losses he has sustained.
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Well known from the start that Keith Jarrett was a great friend of Charles Lloyd and vice versa!! GOD has blessed both of them and all of us!! I most remember and enjoy them on the Forrest Flower Album!!
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Listening for the umpteenth time... my iPad plugged into my old wonderful Bose speakers here in my little manhattan apartment...... the Bach work at the end is simply superb .... warms the aesthetic heart of this old music teacher. Thank you so much for uploading this. Miss Jenny
so tender .. I never understand the public that needs to manifest immediately after the last note .. gosh ..this wonderful rendition needed a moment of silence .. thank you Keith Jarrett 🙏
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Keith! You're a genius - on the level of Mozart. I know the IMMORTAL interpretation of I Fall In Love Too Easily from the Blue Note recordings, but this is just so moving and inspiring to hear this interpretation on another night. It's never the same - and always in The Flow. How does he (and Gary & Jack) do it? I have no idea. And perhaps it's better to just keep it a mystery.......
the way this related to the original reminds me of when you put something in water and it gets refracted at an angle. It's like the song comes out of the water at points and it is I fall in love too easily then it goes back in and gets distorted into its new thing.
