Keith Jarrett: OTHER WORLDLY - whatsoever Jarrett touches morphs into gold. For sheer musical diversity, Best Musician In The Whole History Of Music: NOBODY DOES IT BETTER!
The way he and DeJohnette groove in 2 (or whatever the hell they're doing) before going full four-beat swing is SO funky and out - from 1:30 to 3:09. They are the greatest, man.
@@edwardsah3 Wouldn't say easily.. It's a beautiful melody and a great vehicle for improvisation, perhaps the most essential qualities of a jazz tune. But the compositional achievement of the Blue Rondo can't be overstated.
@@rev.wookiemilson817 Yes. Blue Rondo broke new ground. 60 + years after it was composed, and after many listenings it still surprises somehow every time i hear it.
drummer is dope!!! theyre all great of course. this is a beautiful live music vibe and they are definitely vibing. cant ask for anything more nice honestly. not my fave band of all time or whatver but huge influence and great shit from these guys for sure. ,uch love to all and all the music community
the bridge starts at 3:29, but thanks anyway for bringing this section to our attention. love the way he seamlessly floats back into the final A at 3:39
"And records now reveal that it was HE , Keith himself who conceived and developed the 'Whammo WHOOPI CUSHION' for production,but it never caught on during the Fusion..I am captured by this performance because, you see they are perspiring and collecting their own sweat. {Krebb's Cycliclicly} . That plastic on top, a little condensation..put a little heat t' that..Woo! lil' drip of sound here and there.Maybe a splash..but really, it's just all about the Mud." wlp
Comparing two world class jazz legends in terms of who is "better", is as infantile and stupid as it gets. The day that one can play half as well as Keith OR Bill, is the day that they get to compare Keith and Bill.
When I was in college I bought a Bach recording by Glenn Gould. As I listened to it I noticed prominent low humming and thought "Holy smokes! What kind of sound engineer was working that day?" It annoyed me so much that I wrote to Columbia. They wrote back, a lovely letter that said in part "We keep telling Glenn to keep quiet but he insists on making his humming." Well, this was my intro to the marvel who was Glenn Gould. As for this KJT video, I have to say it does get pretty wacky.
There have been some concerts in the past that he did not do the scatting, like the solo concerts - Bremen Lausanne , Koln, or the 10 cd set in Japan, it seems that he got frustrated after his solo brilliance's perhaps, went back to the safety of performing standards with 'singing'.lol
So much technique and so less inspiration and emotion. I have been listening to Jarret for more than 30 years now, and he has never touched my soul. He is truly genial, but he will never be comsidered, in my opinion, a true Jazz Giamt.
@@bigPianist99 he's only 31, His dad played Jarrett for him when he was an infantso technically, he's a kinda early millennial, but still, millennial. like you, ya twat.
Apples and oranges my foot. Like it or not people compare players and you don’t have to Play the piano to choose who you think is the more dominant player. No one even comes close to Keith Jarrett. Bill Evans and Keith Jarrett both played classical music and eventually became famous jazz musicians. Their styles were very different but both of them had the same musical back grounds, being classical and eventually jazz. Apples and oranges??????????
最も優れたjazz piano playerの一人かと思うが、頻繁にターンテーブルに乗せたことがない。あのうなり声。Milesのグループを抜けoriginal trioを組んだ以降、特にECM時代以降、臨場感を出すためなのだろうがあのうなり声が耳に邪魔。正直あのウーウーと旋律をなぞるうなり声聞くだけで聴く気が失せる。今のデジタル化技術でうなり声だけ消せるでしょう。あ、そうすると彼の魅力半減？
Keith Jarrett's piano is often chaotic, unimpressive, lacking in depth and filled with his incessant whining, grunting and oh-so-terrible PHYSICAL JERKING AND QUIRKING. [ts a major distraction. Jarrett's piano style is a cheap cut-out. Jarrett might as well keep whining at the piano, Jarrett will never have the piano depth, piano brilliance, awesome creativity, textured beauty on all levels as the late great Bill Evans. Period
No, I don't like this. It's self-indulgent instead of Brubeck's best. This is a great tune, one of the greatest. Leave it alone. Some nice improvising but, as I said, overall, I don't like this. Listen to Kenny Drew and Kenny Barron. They do this song with all sorts of inventiveness but they don't rewrite it.
It sounds like you just like tunes done pretty straight up. That's fine, but many of us love hearing what you can do to a tune and still keep its essence. The first time I heard this tune was on a Kenny Drew trio album. When I go back, these many years later, it just sounds a little constrained. If your familiar with the tune, you don't need to hear it verbatim. I definitely want to hear a complete rethinking of a tune if it works. To my mind this really works. Incidentally, players have been rewriting tunes for a long time. Quasimodo, a tune by Bird, is just Embraceable You completely rewritten. Only the changes survive, and it's beautiful, IMO.
