I love the fact that there’s some people replying to this legit just saying they don’t want Kikuos music to get recognition and fame because of a tiktok thing which they could literally ignore 💀
@@gold.piratebooty I actually do! Which is odd cause I almost never do things I think about doing cause I’m lazy. ru-vid.com/group/PLcEdc84qoLXjIzeGtOhD1Hg-A6Fco4ft9&si=yS99QA58XcKVeU2c
It starts out like you're a princess dancing ballet- in a sea of slumber and woe while the musicians/choir lets out the most terrifying symphony to pair it with.
As the lights begin to shine, this song begins to roar in all its sorrow. The crowd is beholden to the music, and they are enraptured. The recitals that led up to this point were magnificent to the very end, and this is no different. In fact... even those performing can see their progress from their start. The music is as graceful as its performers, though the emotions put in make it even greater. In the end, a round of applause from the entire audience can be heard, as the performers drown in their glory.
hanatans/Yurica's vocals sound more insane and desperate or mostly an happy evil emotion, Miku's here sound more calm but still evil sounding i absolutely love the difference
6/8 is a compound time signature which combined characteristics of both 2/4 and 3/4; it has a main strong beat and a semi-strong beat like 2/4, but under the strong beat I just talked about there are another two beats, just like 3/4 (strong-weak-weak). In short, each bar has 2 groups of 3 beats (Strong - weak - weak - Semi strong - weak - weak). Pls don't mislead others.
Oh yay I'm not the only one having issues finding the instrumental. It seems its all but disappeared from the internet while so many people seem to have access to it. smh
So here are the romaji lyrics: Yume odoru otogi no kuni de Hakaba no yoru ga hajimaru wa Lalalalala lalalalala Tanoshii urami no warutsu Susu ni mamireta Ningyō no me ga Kuroku kagayaki Utage o tsugeru Kanashii yo kurushii yo Bokura wa sawagu KImi ga kuru made Tōi tōi Yoru no hate de Urami tsuzukeyō Aishita hito yo Fukai fukai Jigoku no soko e Michibiite ageru Kowareta kuchi de warainagara Hiru wa akarui yume Yoru wa kurai negai o Dochira mo tanoshii Karakara kishimu Hai to susu no hakaba ni Kyō mo atsumaru Ikita monotachi Negaimashō kanaemashō Yōkoso kikasete Tsuyoi inori o Kono yo no Saihate kara Noroi tsuzukeyō Aishita hito yo Kurai kurai Yoru no soko de Moeta karada to Kowareta kokoro maichirasete Tōi tōi Otogi no kuni de Yukai na nakama ga Yume o kanaeru Hiru mo yoru mo ā Tōi tōi Yoru no hate de Urami tsuzukeyō Aishita hito yo Kyō mo kikasete Yukai na oto o Urami no warutsu wa Kizu ni mamireta Anata no koe Lalalalala lalalalala
yume odoru otogi no kuni de hakaba no yoru ga hajimaru wa rarararara rarararara tanoshii urami no warutsu susu ni mamireta ningyō no me ga kuroku kagayaki utage o tsugeru kanashii yo kurushii yo bokura wa sawagu kimi ga kuru made tōi tōi yoru no hate de urami tsuzukeyō aishita hito yo fukai fukai jigoku no soko e michibiite ageru kowareta kuchi de warainagara hiru wa akarui yume yoru wa kurai negai o dochira mo tanoshii karakara kishimu hai to susu no hakaba ni kyō mo atsumaru ikita monotachi negaimashō kanaemashō yōkoso kikasete tsuyoi inori o kono yo no saihate kara noroi tsuzukeyō aishita hito yo kurai kurai yoru no soko de moeta karada to kowareta kokoro maichirasete tōi tōi otogi no kuni de yukai na nakama ga yume o kanaeru hiru mo yoru mo ā tōi tōi yoru no hate de urami tsuzukeyō aishita hito yo kyō mo kikasete yukai na oto o urami no warutsu wa kizu ni mamireta anata no koe rararara rararararara
Yume odoru otogi no kuni de Hakaba no yoru ga hajimaru wa LaLaLaLaLa LaLaLaLaLa Tanoshii urami no warutsu Susu ni mamireta ningyou no me ga Kuraku kagayaki utage wo tsugeru Kanashii yo Kurushii yo Bokura wa sawagu Kimi ga kuru made Tooi Tooi yoru no hate de Urami tsudzukeyou Aishita hito yo Fukai Fukai jigoku no soko e Michibiite ageru Kowareta kuchi de warai nagara Hiru wa akarui yume Yoru wa kurai negai wo Dochira mo tanoshii Kara Kara kishimu Hai to susu no hakaba ni Kyou mo atsumaru Ikita monotachi Negaimashou Kanaemashou Youkoso kikasete Tsuyoi inori wo Kono yo no saihate kara Noroi tsudzukeyou Aishita hito yo Kurai Kurai yoru no soko de Moeta karada to Kowareta kokoro Maichirasete Tooi Tooi otogi no kuni de Yukai na nakama ga yume wo kanaeru Hiru mo yoru mo Aa Tooi Tooi yoru no hate de Urami tsudzukeyou Aishita hito yo Kyou mo kikasete yukai na oto wo Urami no warutsu wa Kizu ni mamireta anata no koe LaLa
@@lemondrop8203 Seems to be. If I were to hazard a guess as to what it pertains to, I would say the singer is a deceased child (of coarse) and feels real angry about dying. Given the context of the dolls waiting alone, I would say the recipient of the song is a parent who neglected the singer, causing their death, and the singer wants nothing more than to make this parent suffer and die.
If I were to further guess, I want to say that this is a sequel song to Aishite, given that the rhythm and some of the melodic signatures are similar to that song, and the subject matter regards a child being starved for attention, this song is about that child being resentful postmortem
so, this might be a bit farfetched or weird, but i also have a different theory about this song! tw // discussion of trauma [fictional], discussion of death [fictional], brief mention of abuse and bullying, and other general dark topics you'd expect from this kind of song it could be from the perspective of a child's toy or imaginary friend, and how it tried to shelter it's child from pain and continue to hold onto the innocence they once had. the line "I shall keep holding on to this malice for you," refers to the idea of it sort of taking the child's dark thoughts, pain, and fears, and "holding onto" them in order to protect them from the dark world that it resides in. also, the fact that the "fairyland" or "land of dreams" [which likely refers to the child's imagination] is described as dark, twisted, hellish, etc could imply things about the child's situation or state of mind, leading me to believe that they may not fully understand what their situation actually is [it could be a lot of things really, abuse, divorce, bullying, poverty, just generally something negative and traumatic] and therefore the way it's shown in their mind is fantastical, and so their imaginary friend is almost seeing the tragedy through the eyes of a child. the fairyland is often described as a graveyard as well ["The night at the graveyard is about to start..." "Here at this graveyard filled with ash and soot-those who once lived."] generally speaking, this refers to the child's innocence, dreams, and younger self being "dead", but could also possibly imply someone they knew may have passed away, and so that sort of image and environment of graveyards and funerals is how they picture it. the imaginary friend is aware that it is running a fool's errand, it knows that in the end all it can do is "show you [them] the way to the deep, deep bottom of hell," and yet it continues to "rattle" and "clamor", though it knows it is all for nothing. along with this, it's likely the imaginary friend feels some resentment towards the child as they grow, feeling as if they took away the sweet and innocent one that it once knew. note the line "My once beloved", keyword 'once'. these feelings of malice and pain that they took from the child's corrupted subconscious are seen ["I shall keep cursing you," as well as some that seem passive aggressive, like "Let me make my wishes, and grant yours."], but kept as internal spite, contributing to the "waltz of malice". and yet, in the end, no matter how much time passes, it's child is still it's child, and so despite any spite, and despite knowing it's efforts will be in vain, "The merry bunch goes on making dreams come true, day and night, here in this far, distant fairyland." because that is all any of them can do. "Come, let me hear the pleasant sounds you always make." it's looking for their laughter, for those innocent sounds of joy, but knowing that they're no longer there, as "Indeed, this waltz of malice is made up of your own voice, as you’re covered in wounds.". the "waltz of malice", that dark truth that it had held onto, was now coming from the child who used to laugh so sweetly. in general, the song and lyrics just sort of feel like that melancholy of knowing there is nothing you can really do, and that bittersweet feeling of letting go. i just think it's an interesting concept n i like comparing how different people interpret things, so i thought i'd share!
This is the only kikuohana song that I like the miku version better tbh (which is weird because im obsessed with hanatans singing) idk tho this song is just perfect with miku ig
I LOVE THIS SONGGGGG!!! THIS IS AMAZING!! IT'S WONDERFUL!!! EVERY SONG I'VE HEARD FRLM YOUR CHANNEL HAS A GOOD TUNE IT'S BEAUTIFUL!! MY FAVORITE IS AISHITE AISHITE AISHITE!!
I imagine me in a black suit, holding onto the corpse of my dead partner, looking lovingly into their lifeless eyes and dancing a waltz. Despite being alive, i feel dead. Like a hollow body. I continue my dance in hopes of finding enlightenment that will never come. I move long, black hairs out of my face, just to realize I've been crying this whole time. I give the corpse a kiss on the head and lay them down gently, as i sit beside them, i wonder "Why do I cry if I don't feel?". I walk away from the body, into the hall where i disappear into the shadows.
