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L C R Panning & Mixing in Mono - Warren Huart: Produce Like A Pro 

Produce Like A Pro
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🛑STOP! Before you start mixing, make sure you download the LCR Panning & Mixing and Mono Cheat sheet:
➡️➡️bit.ly/2KWX43M
Get Mixing EQ & Compression with Phil Allen here:
bit.ly/2rFKv53
The song featured in this video is ‘My Final Hour’ by Snakebite.
✅ You can mix this song yourself if you get the Mixing Rock with Ulrich Wild course: bit.ly/2IjEfGe
I often think about a conversation I had with David Foster, who I recently had the pleasure of working with on a Diane Warren song- he talked about walking around a Mall and going in and out of stores.
What do you hear?
Predominantly Vocals and Drums.
This goes to show that in any mix the centre, the area unaffected by stereo imaging, is THE most important part of our mix!
While most Mixers don’t mix in Mono, they do very often check in Mono.
Understanding the basic concepts of LCR is a great tool to add to your mixing arsenal!
Most professional mixers have a great understanding of what EQ points work to help support the sides and the centre.
“If you don’t understand the concepts of EQ and Compression at a very bare-bones level, if you’re not making the right moves, throwing an expensive plugin or hardware compressor on it won’t help you at all.” - Phil Allen
Want to learn more about mixing with EQ & Compression?
In the following course, Grammy winning engineer Phil Allen gives you a deep understanding of the most important mixing tools, so you can effectively apply them in mixes.
Get Mixing EQ & Compression with Phil Allen here:
bit.ly/2rFKv53
Sign up here to get exclusive videos and content producelikeapro.com
Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.

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13 май 2018

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Комментарии : 338   
@Producelikeapro
@Producelikeapro 6 лет назад
Hi Friend, while most Mixers don’t mix in Mono, they do very often check in Mono. Understanding the basic concepts of LCR is a great tool to add to your mixing arsenal! Please check out the video and please give me your opinion and share what you do! Do you sue LCR or Mix in Mono?
@miasampaoli7587
@miasampaoli7587 6 лет назад
Truly amazing content
@darlenesheffield9835
@darlenesheffield9835 6 лет назад
THE best information as usual Warren!
@josephvalo
@josephvalo 6 лет назад
I do both. During the choruses I LCR and during the intro and verses I do like you said in the video about panning 50% on each side. Also I mix in mono during the initial mix set up before doing the EQ stage and then check often in mono to check the low end and so forth.
@Producelikeapro
@Producelikeapro 6 лет назад
Mia Sampaoli thanks ever so much!!
@Producelikeapro
@Producelikeapro 6 лет назад
joseph valo perfect!! I’m with you my friend!!
@kobalt77
@kobalt77 5 лет назад
I love Warrens no nonsense or ego based attitude, one hell of a generous guy to be sharing all this incredible knowledge with us .................. greatly appreciated Warren, as always.
@WhiteHeat
@WhiteHeat Месяц назад
My favourite RU-vid channel
@episcope3316
@episcope3316 3 года назад
Really enjoyed this video! Thank you for taking the time to make it (and all the other videos you do). You rock!
@DavidStockden
@DavidStockden 6 лет назад
Thanks for all the knowledge you share Warren! Been working through your In the Box Mixing tutorial. Great stuff! Each time you make a change I find myself going for CMD S as an auto response , driving myself crazy! Think I'm going to sign up for the big bundle offer as your tutorials are so great! Cheers!
@calwells5612
@calwells5612 4 года назад
LCR isn’t merely assigning parts/instruments strictly left, center, or right. It’s a time-honored way to pan individual tracks, but you still end up with elements all over the stereo field, including the infinite number of in-between positions. Think of a stereo pair of drum overheads. LCR says pan those mics full left, full right. The kit ends up spread across the stereo field, and the width of that field is determined by how the mics are placed. Snare will be centered, while a tom might be off-center, even though the mixer is adhering to LCR. Think also about a two-mic acoustic guitar recording. Assign the mics full left, full right and you get a nice stereo spread rather than the guitar assigned only to left, center, or right. Just seems that too many folks don’t really understand what LCR really is and what it’s advantages are. If you take a mono source and try to place it 30 degrees left, for example, the only person that will ever hear that source at 30 degrees will be the one sitting perfectly between the speakers. It’s going to move around for everyone else depending on how far off-axis they happen to be. LCR can provide a more stable and predictable image, while still using the entire stereo field including the “in-between” position.
@dumle223344
@dumle223344 6 лет назад
As always, great material! Thanks Warren, have a marvelous time recording&mixing! See you on live.
@Producelikeapro
@Producelikeapro 6 лет назад
Thanks! See you soon!!
@chazguitar
@chazguitar 5 лет назад
This is one of the most helpful and well explained mixing AND engineering demos I've ever encountered. Extra well done, sir!
@chelazo54
@chelazo54 6 лет назад
FINALLY! Waiting this vid for so long. Thank you so so much!
@Producelikeapro
@Producelikeapro 6 лет назад
Eduardo Sam fantastic!! I’m glad to be able to help my friend!!
@Agropio
@Agropio 5 лет назад
Thank you for this and for all your videos! I'll admit, I used to mix without high-pass filtering because I was afraid of losing low end. You have opened my eyes and ears with your videos and, ever since I started high-pass filtering, I have realised that not doing it was precisely the reason why I was losing low end in the first place! You always give out a lot of pieces of great advice, but if I had to pick the one that totally changed my mixes, it's the high-pass filtering tip. And to anyone who is currently not high-pass filtering, get in the habit. It'll change everything. Thank you, Mr. Huart!
@LeevRoage
@LeevRoage 6 лет назад
Thank you so much! You are a huge inspiration on my life
@Producelikeapro
@Producelikeapro 6 лет назад
Aw shucks thanks ever so much Ohad!!
@Marcin79W
@Marcin79W 4 года назад
You're amazing Warren! Thank you for sharing your knowledge!
@bradcazden8624
@bradcazden8624 3 года назад
Well, it took a while (more than a year), but this video has changed my life. I feel like I have a fundamental tool for the mud in my mixes. Thanks!
@dannyp941
@dannyp941 6 лет назад
Warren I'm not gonna lie .. you are amazing brother. I truley can't explain how many videos of yours I have watched countless times. Really appreciate the work you do. I'm finishing school , about to intern at clear track studios and already got a job working and booking sessions for recording/mixing at a studio. Too sum this up I am 100% confident I will get to meet you soon. I just know it! Thanks for everything and all the people you help man
@DatAnydeks
@DatAnydeks 6 лет назад
This video makes so much sense, and is actually liberating. Checking in mono sounds so much more sensible than reinforcing ‘mixing in mono’. I’d like to add: The high pass on the bass followed by the low pass technique was brilliant. Such an intelligent way to bring it out ... then clean it. I never stop learning from Warren. Thank you! 🙏🏻
@aarondoering4613
@aarondoering4613 6 лет назад
Being very much the neophyte to mixing I must emphasize my appreciation for how many questions this video in particular has answered. Brilliant! Thanks so much!
@Producelikeapro
@Producelikeapro 6 лет назад
Aaron Doering wow!! That’s so maxing to hear! Very glad that I can help in any way I can!
@dancunninghammusic9372
@dancunninghammusic9372 6 лет назад
I really dig when you upload fundamental recording/mixing techniques like this one! I'm comfortable with panning, but when I try to create depth with reverb I start to lose the mix. Time to review your reverb tutorials!
@beyondmywildestdreams6942
@beyondmywildestdreams6942 Год назад
You truly are an inspiration to many of us who follow your tutorials and footsteps, thank you so much for sharing your years of experience in audio engineering with us for free🙏
@Producelikeapro
@Producelikeapro Год назад
Wow! Thanks ever so much! That really means a lot! I hope you get to check out my book! It took three years to write haha!
@utsavshrey75
@utsavshrey75 6 лет назад
Thank you so much for sharing your knowledge!
@Producelikeapro
@Producelikeapro 6 лет назад
You're very welcome Utsav! - Thank you for watching and commenting!
@DavidDiMuzio
@DavidDiMuzio 5 лет назад
One of my favorite videos of yours. This a really well put and clear explanation of this subject.
@Producelikeapro
@Producelikeapro 5 лет назад
Hi David! That's ever so kind of you my friend! I'm so glad to be able to help! Have a marvellous time recording, many thanks Warren
@zwsh89
@zwsh89 2 года назад
@@Producelikeapro I have to agree with David! I would love to see an update to this video with a response to the recent videos Dan Worall has made addressing the various issues inherent in LCR and Stereo mixing! I feel like he shifted the conversation by introducing the concept that side elements drop in relative volume when shifted to mono, meaning that LCR mixes inherently break when summed to mono. Even if they still sound OK, the engineers vision for the ideal balance is lost unless you’re actively mixing in a way that works for both stereo and mono simultaneously. Phase is of course as much of an issue as ever, but that’s not the only way summing to mono can break an LCR mix. I’d love to know your thoughts on the topic!
@darlenesheffield9835
@darlenesheffield9835 6 лет назад
THE best information as usual Warren!
@Producelikeapro
@Producelikeapro 6 лет назад
Darlene Sheffield thanks ever so much! I’m so glad you enjoy the information!
@boldbearStudios
@boldbearStudios 6 лет назад
Thanks for this great summary Warren! There were songs when I spent a lot of time mixing in mono on a small Behritone speaker at a very low level. It was amazing to hear how well all the instruments sat in the mix after switching to the stereo nearfields. The downside is that a mono signal is not that inspiring ... so it's kind of redemptive when you switch to stereo, haha! :-) But mixing in mono definitely helps to translate the song into real world listening conditions, for instance a car or a party where you listen to music in a less than perfect stereo environment.
@autodidacticprofessor869
@autodidacticprofessor869 6 лет назад
Great advice! I love summing guitar mics at the source and I use the 80hz HP on the way in but I'll do a similar 6db/oct slope at 200hz during mix. For heavy rock and down-tuned metal, it's absolutely necessary. Also, YES to mono checking!
@MusicianInterviews
@MusicianInterviews 4 года назад
Great lesson. I learned so much more than I came looking for!
@edh3268
@edh3268 Год назад
Your videos are phenomenal! You explain these concepts so well! Thank you so much, you have helped me greatly in such a short period of time. Keep up the great work!
@Producelikeapro
@Producelikeapro Год назад
Thanks ever so much! You're very welcome!
@aesoundforge
@aesoundforge 3 месяца назад
Solid Gold! Answered so many questions I had.
@Mjwestneat11
@Mjwestneat11 6 лет назад
Man, I just found your channel/videos a few days ago and have already implemented a lot of your suggestions. I was just thinking about how I'm struggling with panning and mixing in mono and this video pops up! You're reading my mind dude! Thanks for all the advice!
@Producelikeapro
@Producelikeapro 6 лет назад
Hi Michael Westneat thanks ever so much! I’m glad to be able to help!!
@raymondspagnuolo8222
@raymondspagnuolo8222 Год назад
Such a great explantation of LCR mixing the use of high pass eq in guitars. And checking in mono!
@stevewilliamsonmusic
@stevewilliamsonmusic 6 лет назад
Hi Warren, thanks so much for the awesome video.
@Producelikeapro
@Producelikeapro 6 лет назад
You're very welcome Steve! You Rock my friend!!
@harmonystudios1182
@harmonystudios1182 6 лет назад
Great tips, probably the best video I've ever seen on the subject Warren, by far!
@Producelikeapro
@Producelikeapro 6 лет назад
Harmony Studios thanks ever so much!!
@teddypuccini9824
@teddypuccini9824 4 года назад
Amazing tips !!! Especially that low end advice on Bass (D.I. vs Mic) thank you so much !
@redmonkeeproductions5978
@redmonkeeproductions5978 6 лет назад
Hi Warren, thanks ever so much for the clarification on these two topics, highly informative as usual.
@EricGPLAP
@EricGPLAP 6 лет назад
Haven't seen an LCR video yet and this is great!
@Producelikeapro
@Producelikeapro 6 лет назад
Thanks ever so much Eric!!
@DaveZula
@DaveZula 6 лет назад
Very useful stuff. Thanks, Warren! ✌️
@Producelikeapro
@Producelikeapro 6 лет назад
Thanks David!! I really appreciate it!
@hrishikeshsonar9008
@hrishikeshsonar9008 5 лет назад
you are giving away such amazing things!! thank you so much!
@Producelikeapro
@Producelikeapro 5 лет назад
That's ever so kind of you my friend! I'm so glad to be able to help! Have a marvellous time recording, many thanks Warren
@normanlove222
@normanlove222 5 лет назад
As a new producer this is pure gold. I love it ! Thanks. Subscribed. And Im not even a rock producer. :-) This is just the universal language of sound engineering.
@briankingart
@briankingart 4 года назад
GREAT lecture, Warren. I HEAR IT!
@ppgprops
@ppgprops 6 лет назад
Thanks, Warren. Always good stuff. I spend about 80% of my time in mono with my finger on dim solo for levels, EQ and compression details, then jumping back to stereo for levels of delay effects.
@Producelikeapro
@Producelikeapro 6 лет назад
Mike Hay fantastic! Thanks for sharing your workflow!!
@trollstjerne
@trollstjerne 6 лет назад
Awesome video! Thanks Warren!
@Producelikeapro
@Producelikeapro 6 лет назад
You're very welcome trollstjerne! You rock!
@Ryan_Messenger
@Ryan_Messenger Год назад
Excellent discussion, Warren. Thank you.
@TheSeaUponUs
@TheSeaUponUs 4 года назад
Thanks for the video Warren! I recently started mixing in mono but I was getting very frustrated as I mix very busy mixes with heavy guitars so it sounded very cluttered and muddy. Thanks to you I know that I should reference in mono instead of strictly mixing as it depends on the genre! You’ve saved hours of frustration with this video. Cheers!
@HarteMusic
@HarteMusic 6 лет назад
That delay trick at ~14:00 is a marvellous technique! I always start a mix in mono to get general levels and find the masking early.
@LunaticTheCat
@LunaticTheCat 5 лет назад
This is the video I needed to see. Thanks a million.
@Producelikeapro
@Producelikeapro 5 лет назад
That's ever so kind of you my friend! I'm so glad to be able to help! Have a marvellous time recording, many thanks Warren
@MikeBalk
@MikeBalk 4 года назад
Really enjoyed this topic, cheers!
@stevenrempel
@stevenrempel 5 лет назад
EXCELLENT advice as always. Another tip a guy I worked with gave me (just something to try, no rules) is to start off your initial quick sweep mix (leveling, pannings) in mono, really speeds up that initial process- when dealing with a dense mix (metal especially). We would do this very quickly like quick 5 minute pass after you've got your session fully setup. Quick pass in mono, and do your panning and leveling in this pass, you'll be amazed at how much accuracy mono panning and leveling will speed up the rest of your moves through the mix. thanks again !!!
@eikarumba429
@eikarumba429 2 года назад
Thanks Warren, another super useful explainer video!
@MartinLuxen
@MartinLuxen 6 лет назад
I recently did a track where I (for some reason I cannot recall) liked to use a different DAW with different build-in effects... Sounds great in stereo, forgot to check mono... Lose almost my complete guitar in mono I found out later... Lesson learned the hard way... Thanks for reminding me a year later! Great tips as usual!
@darrenross9168
@darrenross9168 6 лет назад
Hi Warren, thanks for a cool vid and for clearing up that we should reference our tracks in mono and not solely mix in mono. Thanks again for your wise tips and excellent channel. awesome!
@miquelmarti6537
@miquelmarti6537 3 месяца назад
I like to end up my mixes in mono. For the final touches I usually spend the last hour on my auratones in mono. They are so good to spot mid-freq errors and usually translate great.
@acidhendrix
@acidhendrix 3 года назад
Warren, I do the reverb panning trick all the time thanks to you. It works incredibly well! Sometimes though I find that I don't pan the R reverb hard L, but maybe 80% and vice versa. Seems to give a little thickness.. thanks!
@bandexpress3750
@bandexpress3750 6 лет назад
Excellent advice once again, thanks!
@johnkaufi
@johnkaufi 6 лет назад
Great video with very good information - thanks a lot!
@uwimanasamuel447
@uwimanasamuel447 4 года назад
Amaizing teacher thank you so much
@royabelrh
@royabelrh 3 года назад
Thanks. Super informative as always.
@adrianwagner336
@adrianwagner336 6 лет назад
always so many "toss off" lines that are actually amazing information 20:30 thanks for sharing your breadth and depth of knowledge
@Producelikeapro
@Producelikeapro 6 лет назад
Thanks ever so much Adrian! I try hard to get as much information in these videos as possible!!
@rocknrollguitar
@rocknrollguitar 6 лет назад
Thnx again for another amazing lesson!
@Producelikeapro
@Producelikeapro 6 лет назад
David Ben deWaard you’re very welcome!!
@crttom8413
@crttom8413 6 лет назад
Another great video from THE mixing tutor! Thanks.
@Producelikeapro
@Producelikeapro 6 лет назад
You are far too kind my friend! I am glad to be able to help!
@kobalt77
@kobalt77 5 лет назад
....................and now my "go to" mixing and producing guru as well, I just found you a week or so ago, and the difference your tips and advice has made to my tracks have been invaluable ............. I,m still in a state of bliss after managing to do Sidechained delay and reverb in my antique version of Cubase SX, God bless you Warren . :)
@teologymusic
@teologymusic 5 лет назад
I love you Warren!
@Cangsque
@Cangsque 6 лет назад
Thank YOU Warren!
@Producelikeapro
@Producelikeapro 6 лет назад
CANGA anton you’re very welcome!!
@BobSell
@BobSell 6 лет назад
Hey Warren, another great video! You always put out great stuff! I love your technique of using time adjuster for phase alignment. The thought of flipping the phase (180 degrees) with a plugin and then decide if it’s better or worse was always a little flawed to me. What if your two tracks are out of phase by 90 degrees? Reversing the phase puts you at 270. Still out of phase 90° from the zero point. In this case, you won't hear a difference by doing a listening comparison! The tone will be thin but obviously not as much as 180. We’ve all had great success using a plug-in to flip the phase (180) on something like a snare that has a top and bottom mike pointed toward one another. However, I get better results using a sample delay to more precisely phase align the waveforms of the 2 mics. Thanks again for the great videos and for all you do!
@SFtheGreat
@SFtheGreat 4 года назад
Thanks for recomending me a nice band from my country.
@spikessignal
@spikessignal 4 года назад
Gonna be applying a lot of this thinking to my next mix. Need to cut out space like crazy for melodic death metal! Thanks man!
@locutusmdv
@locutusmdv 5 лет назад
Thanks! Very good explanation. Will use the tips!!!
@Producelikeapro
@Producelikeapro 5 лет назад
That's ever so kind of you my friend! I'm so glad to be able to help! Have a marvellous time recording, many thanks Warren
@martijnvandongen
@martijnvandongen 6 лет назад
Thanks a lot for this awesome video Warren!
@Producelikeapro
@Producelikeapro 6 лет назад
Thank you ever so much Martjin!!
@stevewilliamsonmusic
@stevewilliamsonmusic 6 лет назад
I saw a video with Bob Horn using a new UAD plug called Phase Mistress. I thought it was an interesting tool as it allowed you to dial between 0 and 360 degrees of phase and basically find the phase/sound you like.
@Producelikeapro
@Producelikeapro 6 лет назад
Agreed Steve! That looks like an amazing plug in!!
@CarlMazur
@CarlMazur 5 лет назад
Picking the brain of a master. Love it. :)
@Producelikeapro
@Producelikeapro 5 лет назад
That's ever so kind of you my friend! I'm so glad to be able to help! Have a marvellous time recording, many thanks Warren
@MkProductionQ8
@MkProductionQ8 6 лет назад
i always listen to my mix in mono to check if the vocals is too loud or its too low and checking phase issues etc... Great Video Warren !!
@Producelikeapro
@Producelikeapro 6 лет назад
Wonderful MK.Productions! Agreed 100%!
@030yk
@030yk 3 года назад
Try mixing in mono for the whole time except for the end of the mix bro, i feel like i end up with a perfect mix every time and i dont end up having to second guess myself. Maybe just me but try it lol
@441snipes
@441snipes 3 года назад
@@030yk So true, recently i started mixing in mono and once you get it to sound good in mono then u really dont have to second guess...
@030yk
@030yk 3 года назад
@@441snipes yuppp
@joecjoe3783
@joecjoe3783 3 года назад
Sweet sideburns dude. Love the channel!
@miasampaoli7587
@miasampaoli7587 6 лет назад
Amazing content Warren!
@Producelikeapro
@Producelikeapro 6 лет назад
Mia Sampaoli you’re very welcome!! Glad to be able to help!!
@thefuzzboxx1018
@thefuzzboxx1018 4 года назад
Thank you for this.
@sammiller9855
@sammiller9855 3 года назад
Great tips. Ya, checking your mixes in mono is key. I discovered for myself that phase inverting one side (e.g., right) of a mono low-end instrument such as a bass guitar in the stereo field can create some nice effects: the bass appears more in the center and has a deeper low end; however, if the mix is now checked in mono, there will be no bass--complete phase cancellation. It was a blunt lesson for me that something can sound good out of phase in the stereo field but become dull/quieter or even non-existent when it is collapsed into mono.
@mikerimi3092
@mikerimi3092 5 лет назад
Tnx 4 your tips Sir...
@SirEggbertfartalot
@SirEggbertfartalot 6 лет назад
Thanks Warren and team. Funny really, after decades of trying to get information out of a groove, I'm now learning how to put information into a groove ! And it's even more fun ;0)
@Producelikeapro
@Producelikeapro 6 лет назад
SirEggbertfartalot fantastic to hear my friend!! I hear you! It has taken me a long time to get this together! I’m still learning!
@SirEggbertfartalot
@SirEggbertfartalot 6 лет назад
Never stop learning mate, it's what keeps us young ! ;0)
@eugenemichael9833
@eugenemichael9833 6 лет назад
you are a Legend Warren
@Producelikeapro
@Producelikeapro 6 лет назад
Hi Eugene Michael thanks ever so much!!
@themusicolumnistmusictrave4071
@themusicolumnistmusictrave4071 3 года назад
You're such a great teacher! Bravo :)
@Producelikeapro
@Producelikeapro 3 года назад
Wow! You’re very kind! Thanks ever so much
@iwantappledumplings6187
@iwantappledumplings6187 6 лет назад
Thank you thank you THANK YOU!
@Producelikeapro
@Producelikeapro 6 лет назад
IWant Appledumplings you’re very welcome!!
@tomgoodson345
@tomgoodson345 5 лет назад
This is such a helpful episode. I’ve been mixing for several years now and I don’t rightly remember where I heard that it is always better to mix entirely in mono. So that’s what I’ve done all along, right or wrong. When I start arranging a new track I slap a mono utility on the master channel and it never comes off for one second until I am happy with the mono mix. When I’m happy with the mix I bypass the mono utility to listen to the track for the first time in glorious stereo. Of course some tweaking is in order, but usually only minor tweaking. Now however, after watching this vid I’m not so sure this is the best way. Maybe I should mix in stereo and frequently switch to mono to check for phasing issues. Maybe I’ll give it a try on my next track.
@AKAtAGG
@AKAtAGG 6 лет назад
your knowledge and skill is incredible. I'm never going to be brilliant at any of this but you're far and away the best teacher on RU-vid, your explanations make sense and your ability to show exactly what you want things to do is a notch or seven above pretty much everyone else I've seen. I assure you, I've seen way more YT teachers of this subject than could be considered healthy.
@SirEggbertfartalot
@SirEggbertfartalot 6 лет назад
I and many others agree. Warren and team, are right up there with the best educators on the tube.
@Producelikeapro
@Producelikeapro 6 лет назад
Thanks ever so much my friend! You Rock! sticky74351! I am so glad to be able to give back!
@jonasbambrough1790
@jonasbambrough1790 6 лет назад
Cheers Warren!! For certain genres I love creating a sonic landscape with panning, but it's sometimes really tough now that every element has to be all up IN YOUR FACE. It's nice to get that lying-on-the-floor-with-your-headphones-on mix every once in a while :)
@Producelikeapro
@Producelikeapro 6 лет назад
Jonas Bambrough agreed! Thanks for sharing your experiences! Everything as loud as everything else does not equate for beautiful art!
@davidmoralescasillas9893
@davidmoralescasillas9893 11 месяцев назад
amazing, really cool
@mikewhiteman23
@mikewhiteman23 4 года назад
amazing info great video
@stormshadow2k
@stormshadow2k 6 лет назад
Man, you NEEEEED to to a video on how to EQ and compress bass! That sound is freakin massive!!
@Producelikeapro
@Producelikeapro 6 лет назад
Hi stormshadow2k thanks ever so much! I have done many of them! I’ll post some links for you soon
@redbird726
@redbird726 5 лет назад
What I learned: Genre specific choices. Not everything needs to be pushed forward. Groove is created differently, like the early Aerosmith records and early Van Halen. It’s not just interesting panning; it’s effective in creating movement through interplay in spaces. Thank you👍
@HerrNox
@HerrNox 6 лет назад
Great video. Keeping low frequencies dead center is especially important if you plan to have your music released on vinyl. The NUGEN Monofilter plugin can be a really handy tool.
@splashesin8
@splashesin8 6 лет назад
I do hear what you mention at the mall. I use the mall music speakers for navigational purposes. Ha! I used to use the sound of the fountains but they took them out. Recently started testing out audio description headphones in the movie theaters. Sometimes there will be no description, but the noise canceling headphones still let me adjust the volume of the rest of the sound. I often turn the over all volume all the way down letting the headphones protect my hearing from the physical pain of the volume inside the theater without headphones. This makes for a more enjoyable experience. I still can still hear everything, and just not have as much ear pain and then also still be able to find my way home afterwards. I used to go to the movies all the time several years ago, and it didn't seem this painful. I know I don't have any "magical powers" of compensation when it comes to hearing, it's just a development of skill. The extreme volume in the theaters lately is kind of horrific. I take emergency earplugs everywhere I go now, and I'm not exactly a snowflake about it, but even those are not enough by themselves at a theater.
@Producelikeapro
@Producelikeapro 6 лет назад
Audrey Sims wow! I hear you! The levels at Theatres is out of control at times!! Thanks for sharing your experiences
@ralfnolte174
@ralfnolte174 6 лет назад
Hi Warren! Great Tutorial as always! Just one thing about the 3 Channel Cinema Setup (3 Ch recording) you mention at the end of the Clip. For Cinemas with their large screens and wide Auditoriums, this made perfect sense: Other than in a typical audio-setup at home, there are listeners in the theatre, sitting WAAAAY off the sweetspot and e.G. pretty close to the right speaker. If dialog comes through both speakers at equal power, the more you go to the right speaker, the more the dialog seems to come from there. (This is due to two facts: 1. The signal from the right speaker reaches you at a higher level, 2. The 'Law of the first Wavefront' tells the brain to locate the source there.) Thus the dialog would seem to wander from the picture (when using L/R instead of L/C/R) which is annoying. This is remedied by placing a third speaker behind the screen, getting all the dialog (and center signal.) See: Makes absolute sense for Cinemas. Best, Ralf
@mrsconley666
@mrsconley666 3 года назад
Warren, you have made me an infinitetly better musician!
@joebobhenrybob2000
@joebobhenrybob2000 6 лет назад
My understanding is that early stereo mixing consoles often had a pan switch with just hard r/c/l as 3 options - no incremental pan available at all. I always felt late 60's early 70's records always had super hard-panned stuff compared to later music, from rock to folk scare stuff. Maybe a result of hard panning in combination with comparitively sparser arrangements. And the fascination with newfangled "hi-fi" systems.
@JonnyKaine
@JonnyKaine 5 лет назад
Yes, a lot of that 60s stuff has pretty crazy panning with the vocals on one side or the other etc. In some ways it makes it more "psychedelic" I think because there's such separation and on speakers I think those records still sound good. on headphones it can be a bit offputting.
@JsquareProductions
@JsquareProductions 6 лет назад
Greatt vid
@spitfiremusic3997
@spitfiremusic3997 6 лет назад
The best info around
@Producelikeapro
@Producelikeapro 6 лет назад
Spitfire Music thanks ever so much!!
@nathanmarcinek2073
@nathanmarcinek2073 3 года назад
Really glad to see those iLoud micro monitors, makes me feel better about my choice to use them - as a hobbyist, having 8" powered monitors wasn't an appealing thought (especially if desk space is at a premium), but I've been very happy with the iLouds.
@JeffThorslund
@JeffThorslund 6 лет назад
Great video. LCR seemed interesting to me for big rock mixes like you said, but I also didn't feel like it worked all the time, or for every element of the song. It's good to hear you confirm that you can use it in a song without having to use it for the whole song. What do you typically do for guitar intros? If it's one guitar, do you start the song panned hard left until the band kicks in (and bring in the left guitar with the drums etc)? Or do you typically have the intro guitar more mono and hard pan once the drums come in?
@Progmium
@Progmium 3 года назад
Great stuff!
@Producelikeapro
@Producelikeapro 3 года назад
Thanks ever so much
@sonicindustries227
@sonicindustries227 6 лет назад
Wise council as ever Warren
@Producelikeapro
@Producelikeapro 6 лет назад
Thanks ever so much my friend!!
@bluubloodra12
@bluubloodra12 6 лет назад
La force de l'analyse sonore 🔥😉
@Producelikeapro
@Producelikeapro 6 лет назад
Merci beaucoup mon ami!
@1erwayne
@1erwayne 5 лет назад
Good video Warren, as usual.
@Producelikeapro
@Producelikeapro 5 лет назад
Thanks ever so much my friend!!
@acmeyakko
@acmeyakko 6 лет назад
I've started using the Boz Width Knob plugin for automating stereo width in buses. I drop the plugin on some instrument bus, e.g. a "wall of guitars" bus. I can get my rough mix going in LCR. Then in sections where I want to bring the sides of the bus closer together, I can automate in the plugin with the stereo width dialed down and then back to 100% for the wide sections. I could just automate the panning in Pro Tools, but somehow this seems easier to me.
@thebachelordj
@thebachelordj 5 лет назад
Hi Warren, another great video! I love how your techniques are generally transferable to the House Music I make. I think that LCR could be the technique that could take my mixes to the next level. I assume I could do hard pans with different synths and end up with similar results? Thanks!
@jelmar.manuel
@jelmar.manuel 3 года назад
Hey I just wanna say that when I opened your video, I thought: "How the hell does that guy expect to be taken seriously with those stupid iLoud speakers," but then you talked and I subscribed in three minutes. Well done;-) Thanks for the super pedagogical approach, very clear and thought provoking.
@phil42069205
@phil42069205 6 лет назад
Great video as usual.👍
@Producelikeapro
@Producelikeapro 6 лет назад
Thanks ever so much my friend!!
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