Larrabee Studios - The Full Length Feature 

Wow, I thought exactly the same thing. Probably a cultural difference 😜👌

sadly its all cock and balls flying across the youtube screen nowadays especially with americans, people love the sound of their own voices, and yet don't take the time to realize how much others detest it.

@@ruthlesscutthroat4030 This is so well said !

What's up Shedrick!

Frantz Verna what’s up Frantz where you at bro hit me up at oneguyz11@gmail.com

Me too

Lmao

Lol

😂

Mr “Sarcassssssm” has spoken.

Was privileged to have interned at Larrabee. Learned sooo much and can testify to everything said in this video. There's good reason Manny, Jaycen and Dave have been there so long and use SSL. Thanks for this fantastic video!

Me too.

Ich glaube die großen Tische brauchst du nicht wirklich…….wobei son schöner Eq oder Kompressor ist ganz chic ……. Um nen eigenen Charakter den Aufnahmen zu geben ist nen bisschen Hybridtechnik denke ich gut .

🌽🧀🌽🧀🌽🧀🌽🧀🌽

if your music sounds good on Ns10's, it will sound good on any system.......................

NS10 are literally world wide industry standard monitors. They also have Amphion and ATC stuff in there! It’s a multi million dollar studio! I’m pretty sure they know what they are doing!

Please elaborate.

It's what Neve does well that SSL doesn't; TONE. SSL may, in some cases - especially in more modern, big studio situations. (Especially today where you're getting handed a Pro Tools session with fkn 500 tracks) - provide a few more bells and whistles in terms of signal flow, mix busses, sub groups. Again, can be EASIER when mixing a producer/engineer's Pro Tools session with 6 snare tracks, 8 kick tracks, 10 keyboard tracks etc. So I think (again, this is all just my opinion) alot of mixers like the SSL's for that reason. They don't have to think so much in how to handle signal flow. What you lose (again, in my but also many others opinion) is the absolutely incredible sound of Rupert Neve's incredible preamps and EQ's. It certainly isn't a transparent thing but it colors everything in a really fantastic way. When you drive the preamps, it never sounds harsh, it just sounds incredible. On so many classic recordings, musicians have run instruments like guitars, keyboards etc directly into the board and just to use just the Neve preamp to get some really incredible sounds. There have been countless pieces of gear and plugins designed to emulate just that; running directly into a Neve console/preamp. API is a similar story. Alot of mixers/engineers get the best of both worlds in using Neve/Neve style outboard preamps and EQ's into the SSL. Although, I preface this by saying alot of guys who've primarily worked on SSL's will likely say they enjoy the sound of an SSL preamp, overdriven or not. For my money, there is nothing like the sound of Neve compression, preamps, EQ.

Exactly if you're planning on pumping your songs out of stadium speakers you better have it mastered on an analog console are every bad pitch in you're song will get exposed. Which is why any artists signed to Roc Nation for instance will have their music mixed here.

🤡

Yeah you seem totally legit. 🤡

Oh you don’t believe me...ok

@@AnodyneHipsterInfluencer and a Grammy nomination... mmmm

@@AnodyneHipsterInfluencer BPAV Studios

Lol change for the sake of change.

It's nothing to do with being afraid, it mainly has to do with sound. You can't get the sound of hardware from plugins and you can't get the sound of plugins from hardware.

I think they're doing just fine.

no doubt they will have a bunch of outboard pre's

🤔 …………………………no