Learn How To Mix Part 4 - Frequency Competition - LearnReason.com 

One thing I always like to do before I finish a project is to hear it start to finish on different amps and a few very different environments, like leave the studio and hear it in a car, maybe a couple cars, on a small handheld stereo, even just on a crappy phone speaker, just to hear how all the frequencies balance together when elements of their medium are increased or decreased, or when they're competing with external environments ie. Noisy car rides, dead quiet, empty rooms, my small studio room then my garage, so on and so forth, I always catch something new I didn't notice before from hearing it so many times on my studio monitors

I'm so glad that you are making these videos.

So happy we now have multilane edit @9:20

omg these are good. I just applied the techniques from the previous one to a track I'm working on and it's transformed it. Also, I like your explanations because some of the mixing decisions are also informative at the general songwriting stages. This is really great stuff - thanks!

still learning...after using reason since reason 4..you are the best!!

Excellent presentation, and attention to detail. A++ Matt my dude!

Excellent tutorials mate.

Hey Matt I hope is well with you bro. I’ve been watching your videos for 3 weeks now. And I find very useful, I’m just saying thank you and keep up the good work. Thanks again for helping guys like myself who don’t have the money to go school to learn this. One question I have reason 10 and I would love to see a video on how to use vst.

Thank you for the knowledgeable instruction.

It's hilarious(ly sad) how this video clearly demonstrates the need for multi-clip editing and a proper multi-track spectrum analyzer, so we could easily see clashing frequencies... Also, I was expecting this will be about using kick (or whatever signal) to trigger a dynamic compression or - better yet - dynamic EQ on the other tracks. Removing the offending sounds altogether should be a last resort solution. After all they were placed there for a reason and usually only a selected bands (low/mid-range) overlap and everything else is fine and adds to the overall sound of the music.

Life saving info... I appreciate these videos

Great stuff!

Thank you

Loving it thanks! °¬)

_Great tutorial. keep going

Good ship pops

Niiiiiiiiiiiiiiiiiiiiiiiiiiiiice.........................

Videos are great bro. Does the explode feature work on kong?

this is the same song did they let you use it??

What happens if I get this loop in a wave rather than an input that can be separated by reason?

Is it a way once you seperate the drums to their own lane that you can make them into separate tracks??