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Advanced Mastering - Focusing the Master Bus Compressor 

Reason Studios
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29 окт 2024

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Комментарии : 148   
@VANDYKEDAN
@VANDYKEDAN 4 года назад
For those of us who use the Control Room Out for our monitoring, I just used the Spider Audio Merger & Splitter, put the CRO to the Spider input, then one out to the in of the filter, and another out back up to the Audio IO, (and of course the filter output to the Sidechain Input).
@jeffbray2809
@jeffbray2809 10 лет назад
So simple, feels like it was right under my nose and I refused to smell it. great tip.
@niqulusviii987
@niqulusviii987 2 года назад
Did this using the built in Channel EQ. Put it on the rack the same way Ryan does using the High pass filter on the EQ and it does WONDERS! Just dial in what you're looking for.
@user-uh2cr9so8l
@user-uh2cr9so8l Год назад
Ive been going mad about this - been trying all sorts of compressor settings and knew the bass was the problem but didnt realise this idea. Thanks!
@danpate3825
@danpate3825 2 года назад
This is an amazing tip I just picked up. I don't even think it's a subtle difference, I think it makes the world of difference! Just recently turned out one of the best beats I've ever made and I just chucked this sidechain onto the master bus compressor and it's added so much! Thanks!
@tothefinlandstation
@tothefinlandstation 10 лет назад
Would love to see more videos like this! Maybe another 52 weeks series?
@djalexia
@djalexia 7 лет назад
+tothefinalstation; Exactly, so many different and derailing videos" tutorial" on this DAW, misleading or better confusing. R9 a fun and intriguing DAW yet, still have to wrap my head around, again, if more proper videos would have made, I wouldn't spend my time on jumping through all this Reason "tutoria"l channels rather work(ing) it! Still want to dive more into it and have phun wit it, yet I have work to do, so I stick with LogicX and Studio One ( as I know these DAWs from long time and editing it comes easier and faster.)
@acespadesone1
@acespadesone1 10 лет назад
This is exactly what i needed today. I was struggling mixing a bass heavy track the last couple of days. It seemed to lose it's punch and sparkle when it went past the Master Bus/ Mastering Suite stage. This works like magic thank you so much for this tutorial!
@nickhindman
@nickhindman 8 лет назад
Great tip as always Ryan. For those who have the RE, the Fxpansion Dcam bus compressor has a high-pass filter effortlessly built in, and is also modeled on the same SSL master bus compressor, so works great in the mastering chain. Softube's FET also has hp and lp detection filtering.
@MixingGBP
@MixingGBP 10 лет назад
What a great tip! And all this time I have been avoiding the MBC like the plague because it made my tracks sound horrible. Now I see how to use it! I tried it on a mix and already saw a great result! Thanks. You guys desperately need to do more vids like this one!
@taylorf4206
@taylorf4206 4 года назад
I bought the extension after watching this video, wow what a difference. The double bass in the metal track I have was getting way too compressed no matter what settings I used to make my drum samples sound better. It makes the mids of the guitar, snare hits, and high hats sizzle much more nicely with a strong punchy bass to back it up. Thank you 🙏
@hamtramckchronicles
@hamtramckchronicles 4 года назад
Now that we have the Master Buss Compressor as an individual rack device in Reason 11, we can group individual tracks and compress them that way as well. The M Class Compressor does a great job of this as well, to my ears. YMMV.
@Shane-zo4mg
@Shane-zo4mg 9 лет назад
I just bought reason 8. So stoked to play around with every feature it has to offer!
@mangoaoa
@mangoaoa 10 лет назад
Gary Bronham talks about this concept in this video Reason 6 Mixing Masterclass mit Gary Bromham (Englisch) but he uses an MClass EQ to shape the keyed signal. Also, he splits the signal so you can still use the unaltered output signal to monitor the busses etc.
@hamtramckchronicles
@hamtramckchronicles 4 года назад
EXACTLY!
@EmilMeijer
@EmilMeijer 2 года назад
Still relevant 8 years later. 👍
@celestialBCF
@celestialBCF 8 лет назад
Short, succinct, audibly clear, and very focused tutorial!
@RussDnB
@RussDnB 4 года назад
Seriously one of the best tips out there. But then again, so many of the tips on this channel are like that :p
@crooked87
@crooked87 10 лет назад
finally some tips/tutorials! MOOOOAAAAR!
@rodrigonoales
@rodrigonoales 10 лет назад
Amazing tutorial. Love reason
@callingband4146
@callingband4146 8 лет назад
Could it be, that you guys are the greatest thing ever wandered this earth? I mean for real: Just look at you, really caring about what people want to know about your ingenious piece of software! Who else does this in such a manner? I am a fan from Reason 4 till now, really gets me going in my music! I deeply love what you are doing and how you are doing it! Reason 9 is a whole new level, I LOVE IT, period! Cheers, Calling! :-)
@djbigpump
@djbigpump Год назад
Awesome, thank you so much. I knew that there was one thing I missed to brighten my song.
@typhoonbluemusic
@typhoonbluemusic 10 лет назад
Awesome!! More videos like this, please!
@sahawndada
@sahawndada 8 лет назад
Wow i always used to just tailor the compressor back with my huge sublines this helped me so MUCH !!
@fraicheness
@fraicheness 7 месяцев назад
AMAAAAAAZING tip. Thank you!
@eugenkloster4018
@eugenkloster4018 2 года назад
Great tips. Talks. Like your videos
@graykeyzmusic
@graykeyzmusic 5 лет назад
This was EXTREMELY useful!
@markkthought
@markkthought 4 года назад
Now; New Reason can add the Master Bus Compressor module anywhere as a rack unit. Use this technique on any bus.
@gaz_real6699
@gaz_real6699 Год назад
hi mate, newbie here, how would you do this?
@ConcurrentLee
@ConcurrentLee 10 лет назад
Thanks for the awesome tip!
@BFLATINUM
@BFLATINUM 10 лет назад
I've been looking for a way to compress the bass less. I think this will help alof
@hamtramckchronicles
@hamtramckchronicles 4 года назад
Split the signal and send just the highs to the compressor.
@SubMariner2878
@SubMariner2878 3 года назад
i dont have that filter and i have already had the 30 day trial,is this possible with a different filter?
@markthomas7263
@markthomas7263 7 месяцев назад
Million dollar tip. Thanks a million!
@tonymiranda8302
@tonymiranda8302 10 лет назад
useful and simple
@DelightfulCarrotLord
@DelightfulCarrotLord 10 лет назад
This was very helpful, thanks:)
@derrek_on_youtube
@derrek_on_youtube 3 года назад
Very helpful tip!!
@TheCartoonHead
@TheCartoonHead 7 лет назад
Curious about the logic of this routing. Why does this not cause a feedback loop? Aren't we sending the newly compressed audio back to the Ctrl room which again gets compressed again & again? How does this differ from say splitting the audio from the master sections FX insert with a spider & sending that to the Master Compressor?
@QuicoReed
@QuicoReed 5 лет назад
that was such a great, simple, clear, step by step explanation. Now I understand so much better what was wrong with my mix. Well...one problem! Ha ha ha
@danunderhill6431
@danunderhill6431 7 лет назад
Pro tip! Thanks
@matthewstrange3778
@matthewstrange3778 5 месяцев назад
You can use the stereo imager, it has a HP filter via the crossover 👍🏻
@ErikMKeller
@ErikMKeller 3 года назад
Great tip! Thanks.
@gatorgoforth3097
@gatorgoforth3097 4 года назад
Ryan, you rock!
@claesweicher4023
@claesweicher4023 7 лет назад
This is brilliant!
@Hickzy
@Hickzy 7 лет назад
Awesome thanks
@tothefinlandstation
@tothefinlandstation 10 лет назад
Interesting. I had been doing this exact thing, except I was highpassing way lower than in this video (like around 200 hertz). Figured I was simply trying to keep the bass, kick and snare from totally dominating the compressor's behavior. High passing form 1-5khz actually does sound great, but I wonder what the logic of it is.
@ReasonStudios
@ReasonStudios 10 лет назад
The logic is that the information that exists in the upper frequencies, while not pleasing to listen to for humans, still contains a lot of relevant dynamic information that the compressor can use to operate. And so if the compressor has useful information to operate with and none of the lower stuff that can throw it curve-balls then we benefit - even if it's not nice to listen to the sidechain signal for us humans. :)
@kevinsmusicroom1362
@kevinsmusicroom1362 2 года назад
@@ReasonStudios Could you show me how to setup the reason rack to do this? I think I understand but I may have messed the routing up?
@losagentenaranja
@losagentenaranja 10 лет назад
nice tip!
@sapphirewaveproject
@sapphirewaveproject 6 лет назад
Or mixdown without bus comp, then add a new audio channel and send to master comp’s sidechain input with highpass filter..
@alternatingbitmusic
@alternatingbitmusic 6 лет назад
This is invaluable - thank you so much.
@edryan3607
@edryan3607 8 лет назад
thanks brilliant tip!
@garethmillers5453
@garethmillers5453 8 лет назад
Great video. Thank you.
@frankyoualot
@frankyoualot 9 месяцев назад
Is there a case that you would use this for the Low frequencies (not highs)? Seems my bass is drowning things out but my highs are okay...thank you as always!
@VOXELofficial
@VOXELofficial 6 лет назад
GREAT!! Thank you a lot!!!
@na_der
@na_der 2 года назад
Amazing! But, isn't 3K cutoff much for triggering? Why not something like 300 or 500Hz?
@asbelkismedia
@asbelkismedia Год назад
Thank you !
@VSSVSSN602
@VSSVSSN602 10 лет назад
Exactly what I needed
@djalexia
@djalexia 7 лет назад
@Propellerhead, Can I use the the PMS 20 Filter or D A-Filter? Thanks !
@33Tetragammon
@33Tetragammon 10 лет назад
The only one missing in this video is that other guy called 'Frank'. LOL!!!!
@ericmaher4756
@ericmaher4756 7 лет назад
So, what would be the advantage over the built-in compressor on every channel? I usually create a parallel channel dedicated to moving forward the frequency spectrum in the desired shape. I guess you do it for all the tracks at once. But then you also have the highs of everything in the mix.
@monogramadikt5971
@monogramadikt5971 4 года назад
need more tutorials like this please ;)
@SharmaSafar
@SharmaSafar 4 года назад
a really useful video
@UCFmxOlUNt09
@UCFmxOlUNt09 10 лет назад
This is magic. I occasionally use Reason and mainly use Ableton and I want to know how I can achieve this with other DAWs.
@王大妹-n6u
@王大妹-n6u 10 лет назад
X
@neosashi
@neosashi 10 лет назад
X
@KevWest
@KevWest 10 лет назад
Great video!!!
@MarcelPhosph
@MarcelPhosph 10 лет назад
What is the background music? Sounds like Adam Fielding :D
@ReasonStudios
@ReasonStudios 10 лет назад
The opening track IS mr. fielding. Good ear.
@LibertyJava
@LibertyJava 7 лет назад
What's it called?
@kumplexxbeatz4762
@kumplexxbeatz4762 7 лет назад
Does anyone know how to perform Dynamic EQ'ing with stock effects or utilities?
@AlexJohn2us
@AlexJohn2us 8 лет назад
THANKYOU x
@SlapadelicMusic
@SlapadelicMusic 9 лет назад
if I don't have the synapse filter what can I use?
@hamtramckchronicles
@hamtramckchronicles 4 года назад
Alligator.
@joecrippen
@joecrippen 6 лет назад
I use this but i use the main outs to the filter and the control room out to monitor. If for some strange reason someone fiddles with the control room vol knob it will change the input to the side chain and may create issues that are not wanted and you may change a bunch of stuff before figuring out the control room knob has been moved.
@0105rubinho
@0105rubinho 10 лет назад
thx!!!
@JhovelForonda
@JhovelForonda 8 лет назад
hi... thanks for this.can i know also how you did the pitchbend at the end of each chords? automatic or manual.i tried with the curve of matrix to the malstrom pitchbend, but it's not so smooth..
@onzkicg
@onzkicg 3 года назад
Doable with Reason Intro? Are those stock plug ins that you used? Thanks
@ealing2009
@ealing2009 10 лет назад
should you pair this with Mid/Side Processing and Multiband compression, or is that too much stuff going on?
@djalexia
@djalexia 7 лет назад
Any suggestion of other filter plugs to use for this side-chain set up?
@strictly2prohibit
@strictly2prohibit 4 года назад
I would like to know what other VST's are useful to use as a mastering key chain.
@rudigerk
@rudigerk 3 года назад
check out Mixbus TV RU-vid Channel
@PhilipHuston
@PhilipHuston 10 лет назад
Propellerhead What is the title of the song that is used in the example for the compressor?
@DwaasHDS
@DwaasHDS 5 лет назад
Thanks
@kevinstoneham1245
@kevinstoneham1245 3 года назад
Listening to commercial recordings, I always felt like there was something going on at the final output that got around the bad frequency triggering everything. This then is it.
@84Killuminati
@84Killuminati 10 месяцев назад
wonderfull
@7MJK7
@7MJK7 2 года назад
I want to pan the two tracks I have allocated to a bus hard-pan left and right. Does anyone know how to do that?
@Pigiama
@Pigiama 6 лет назад
hi i have reason intro, there is a way to do this side chain without synapse ?? :(
@SlapadelicMusic
@SlapadelicMusic 9 лет назад
this video isn't very helpful because it's focusing on a tool that I don't have - can I use the master compressor without a filter??
@SlapadelicMusic
@SlapadelicMusic 9 лет назад
I'm trying to apply these techniques in different ways and I don't know it seems to be sounding good but it would help to have clarification on a few things
@ShelLuser
@ShelLuser 9 лет назад
+Voltaire Slapadelic That is my main gripe with certain Propellerheads video's exactly. I personally like using the Stereo Imager; simply tell it to solo the low band and make sure not to activate / use the effects. Next there's Thor; requires some internal routing but it has awesome filters which you can use (Low Pass Ladder / State Variable). Last but most certainly not least: create a new mix channel and use the filter section on the SSL mixer itself. Thing is: all of these approaches take more time to set up than simply dragging a filter in, and that's something Reason can't do without 3rd party tools.
@ryan5mm
@ryan5mm 8 лет назад
+Voltaire Slapadelic There are many filters that basically use high pass filters like the one he used. I personally used the Scream 4 Distortion and used it in place of the Synapse filter. With the Scream I went through the patches you can load into it until I settled on the Bitcrush patch in the Fidelity FX folder. Once I chose that I simply turned the Damage Control to 0 and it worked the same as the Synapse. Hope this helps.
@SlapadelicMusic
@SlapadelicMusic 8 лет назад
thank you! I'm gonna try that out I was using the m class stereo imager but idk if I'm getting the same effect, I'll try it with the scream
@substepz
@substepz 5 лет назад
@propellerhead a tutorial about how we can achieve the sound wave effect like in the played music itself?? Please 👏🏼
@vicioussuspicious894
@vicioussuspicious894 7 лет назад
So how to do this with reasons own eq since it has no filter knob and a high pass filter?
@BurgardRecords
@BurgardRecords 10 лет назад
This is a great video, but Propellerhead is there a way you can define this a little better, I get lost in translation when it comes to dialog, is there a written form of this; while still maintaing a simple explanation?
@KimStennabbCaesar
@KimStennabbCaesar 10 лет назад
When you feed the entire audio spectrum through the master compressor (which is the default way of using it), the low end is adding a lot of volume to the signal, which makes the compressor lower the volume of everything more than it has to. By adding an EQ and cutting off the low end (at what ever frequency you think sounds best), the master compressor only compresses the mids and highs, resulting in a more stable overall volume.
@BurgardRecords
@BurgardRecords 10 лет назад
Thank You this helped me out a lot!
@Dogboy73
@Dogboy73 10 лет назад
Good stuff. Cheers ;-)
@DerRealeTankwart
@DerRealeTankwart 7 лет назад
sooo Would u say that i should turn the Master compressor on while i am doing the mixdown? because i was always confused about it so i just turned it on when i was Mastering my songs..
@ReasonStudios
@ReasonStudios 7 лет назад
You have it right the first way. The master bus compressor is not actually meant for the mastering process - which surely can cause some confusion, given its name. :) But we didn't invent the name... we just stuck with the standard term. The master bus compressor is just that... a compressor that goes on the master "bus" which is just another name for "output." If it was called the "main output compressor" people wouldn't wonder about when to use it. The answer to your question is that it's meant during mixing and loved by mix engineers as a way to glue their mixes together and give them a cohesive blend prior to the mastering process, which uses the same word (master) to now refer to "master files ready for duplication, broadcast, or digital release." Same word... different meaning. And thus people get hung up on that "main output compressor" :) /ryan
@donbriggs2007
@donbriggs2007 10 лет назад
Very helpful.
@sapphirewaveproject
@sapphirewaveproject 6 лет назад
How to do that in other DAWs? Any idea..
@SlapadelicMusic
@SlapadelicMusic 9 лет назад
Is there a video for mastering hip-hop? I keep seeing all these tutorials but they seem to be just for "edm" - they're hard to follow along with and don't seem to help with hip hop
@Bastelopa_wie_mein_Channelname
+Voltaire Slapadelic If you typing in the search - hip hop with reason -, you can find a lot of tutorials on YT at Hip Hop do with Reason.
@SlapadelicMusic
@SlapadelicMusic 9 лет назад
thanks, I've been making progress. Lol getting good at reason these past couple years has been teaching me patience lol
@KH_1
@KH_1 4 года назад
Its very late reply lol, but you can also apply this technique in your hip-hop mastering.
@FedericoGompertz
@FedericoGompertz 10 лет назад
Great Video ! just one question, the method that you are talking about tells me that we shouldn't compress the low end of a song, until it's the mastering stage. It's that right ? Thanks :D
@FedericoGompertz
@FedericoGompertz 10 лет назад
Also, why set the filter to 3K and not lower ?
@ReasonStudios
@ReasonStudios 10 лет назад
Federico Gompertz The filter is set to 3k because that's what sounded best for this material. At the end of the video I say "try different cutoff frequencies. Maybe the right one for you is 1k or 500hz." There's no setting that's right for everyone. The concept might work for you but the exactly knob positions I use only apply to this mix. The threshold, attack, release, and side-chain cutoff or slope could be whatever works for your stuff. Experiment and good luck!
@ReasonStudios
@ReasonStudios 10 лет назад
This doesn't mean you shouldn't compress the low end. It means that when it comes to the master compressor, sometimes it'll sound better to filter out the signal that the master compressor is LISTENING to. Mind you, it's still compressing the master fader, which includes the full frequency range. Let me see if I can explain a little more... Compressors, when you make it real simple in describing what they do, do this: They listen to a signal and when it gets too loud, they turn it down. Right? Now all this side-chain does is adds a different signal to listen to. So now the compressor listens to a SIDE-SIGNAL and when the SIDE-SIGNAL gets too loud it turns down the MAIN-SIGNAL. Since the MAIN-SIGNAL includes bass information, then the bass is still getting compressed. It's just that the bass information isn't factoring into what the compressor is hearing in order to determine what to turn down. Does that make sense? It's complicated, I know!
@FedericoGompertz
@FedericoGompertz 10 лет назад
Propellerhead they cleared everything that I didn't understood. Great tips and advice, thanks for the answers !
@FedericoGompertz
@FedericoGompertz 10 лет назад
I already tried it in one song and made a sutil but big improvement
@djatomisdabest
@djatomisdabest 6 лет назад
could i achieve the same effect using reasons ECF-42 Filter?
@KH_1
@KH_1 4 года назад
you can't cause ECF-42 have no high-pass, using thor or kong's high-pass instead.
@TresPlanet
@TresPlanet 6 лет назад
how do you pull up the synapse af 4?
@Someone89a
@Someone89a 4 года назад
A great tutorial, but the mix feels decently dynamic without the compressor - the compressor seems to crush it too much (for my tastes at least - Id have changed the ratio)
@Joe-kt7zp
@Joe-kt7zp 6 лет назад
Why would you use a filter that isn't stock in Reason for this video??? :-(
@VANDYKEDAN
@VANDYKEDAN 4 года назад
Yes, I understand the business side of promoting your partners, nothing wrong with that in my opinion. But I think you make it a win-win for ALL of your user base by saying something like, "You can do this in Reason with 'this or this' and this is how you do it; but we really like our partner's product 'product name', that sounds amazing and adds 'such-and-such' functionality, and here is how you do it with this. It's really a let down when you just want to learn and try something out, but it's like, "If you want to follow along, please pull out your wallet." And for those with stacks of money on the living room coffee table, no problem. But you start to watch a Reason Studio video, and you're like, "Ok... what are they going to want me to buy in this one?" Please give us both the "average musician" option, and the "Daddy Warbucks" option. Thanks ; )
@palmtemple
@palmtemple 4 года назад
@@VANDYKEDAN I agree, this should be in the main comment section.
@chasewaikiki2075
@chasewaikiki2075 7 лет назад
Dude...I've been searching Adam fielding songs for hours what's this one called!?!?!
@chasewaikiki2075
@chasewaikiki2075 7 лет назад
The one at the end.
@ReasonStudios
@ReasonStudios 7 лет назад
An Uncertain Future of the Album Pieces. Hope that saves you some time and that you at least got some other great new music during the search! :) /ryan
@ReasonStudios
@ReasonStudios 7 лет назад
Oh wait! The one at the end is not Adam Fielding. No wonder you couldn't find it. :) That's a song by Ali Payami called English. It was a demo song in Reason 7 or 8.
@PauLtus_B
@PauLtus_B 10 лет назад
First of all I'm not trying an arse but here we go: The weird thing about this is, it does not compress the high frequencies, it compresses when there are high frequencies, so how is this useful when there isn't a big booming kick without highs that sidechain compresses the rest of the track. And what other thing are you really doing than flattening out the part that you're sidechaining compression. So what you basically ending up with is pumping kicks and the compressed part being flatted out, don't you get a somewhat, well safer result when you just compress the high frequency instruments in a sort of seperate master, and run all of that through a sidechain compressor. So I don't really know what I'm missing here, can anybody explain?
@izzyleansover7797
@izzyleansover7797 10 лет назад
The Master Bus Compressor covers the whole track, with every instrument and full frequency range. As Lower ends take up more room in mixes, the compressor is working to tame those louder ones over the High end first. The goal in the video is basically filter out/(bypass) those really low frequencies to focus around where the kick drum should be (generally 3-4Hz). Here, at 3Hz, the bass drum frequency becomes the focus for the compressor to necessarily bring out, and lets it come through over every other instrument in the track. Think of this of terms for House music where the drum kick has priority over other instruments. Also there is sidechaining going on before the Master here. It looks like the Bass Drum needs to be distinct or powerful for this to work.
@PauLtus_B
@PauLtus_B 10 лет назад
Izzy Leans Over Well I got that... But even in house music, when you have a break with just a low sub and a melody that does have a changing volume over it, it seems like it'll become messy, the entire thing including the bass would be getting softer. also when you want some highs over your kicks, your kicks will get soft too. I just think this thing is only useful in very particular cases really, and I don't really see a lot of advantages for using this method over simply compressing the high end of the track separately, and then just put it together with the lows and then add a limiter over all of it. I think it's a bit of a shame, I only recently (actually litterally) found this knob, but I didn't get it to be effective any way, I only got it too make the entire track sound more flat, but also softer (yes, I know there's a make-up gain), so even if I was willing to win the loudness war, I couldn't put it to good use. I'm mostly making DnB like music (which also is bass heavy music) at the moment, and I quite often find the music to be sounding the most clear when the drums are nearly twice as loud as the rest of the track, so I was looking forward to a method with which I could compress more effectively.
@RmonikMusic
@RmonikMusic 10 лет назад
PauLtus B Not sure what you mean by softer, the thing about this technique is that it doesn't take into account the low-dynamic bass frequencies which are by far the loudest in any EDM track. You say it gets softer, but how would it not get softer if you hadn't taken out the bass? If anything it would be even more extreme, because you would have no control over any dynamic but the bass since it's overwhelmingly loud and it's the only thing that'll make the meter twitch. That said i do agree that it's not the most accurate way of compressing individual frequencies, but that's not its purpose. This is still a master compressor, meant to compress everything together in every frequency. It's not a multiband compressor (which might be more what you are looking for). Its only purpose is to flatten it out and control the volume and dynamics of the entire track as a whole and raise the overall RMS volume.
@ovenbakedbeatz
@ovenbakedbeatz 10 лет назад
Does this method work with HipHop music? I'm having a hard time with the "Pumping"...
@faithful5361
@faithful5361 3 года назад
huge
@izzyleansover7797
@izzyleansover7797 10 лет назад
Is there a way cutoff the frequency without Rack Extensions (and using Reason 6)?
@izzyleansover7797
@izzyleansover7797 10 лет назад
Such as using an M-Class Stereo Imager and utilizing the High End mode?
@Shy1105
@Shy1105 10 лет назад
Izzy Leans Over that would work I believe
@drumandbassob0007
@drumandbassob0007 10 лет назад
you can use any filter or eq , u could even route your master bus to thor and use thors filter to it give the mix a more analog feel cause it seems to cut off a bit of the real highs i sometimes use it on my drum tracks with new york style compression for a more dubplate sound
@ReasonStudios
@ReasonStudios 10 лет назад
You can use the Stereo Imager's crossover... Thor's filters... the HPF in Kong... or even a mix channel (with the volume down). Someone on Twitter asked us how to do it with the main mix channel filters and I posted a response. I'm not sure RU-vid will let me post a link so you might have to check out Twitter page for the graphic... let's see if it works to paste the link... drum roll... pbs.twimg.com/media/BtQX9KgCEAAyO1q.jpg
@St3r3otype69
@St3r3otype69 10 лет назад
Propellerhead Nice one thanks for that :D
@burtturdison4445
@burtturdison4445 4 года назад
The Synapse AF4 is a $50 download. :-/
@dannydaniel8975
@dannydaniel8975 Год назад
Or maybe, a mix knob?
@jonathangevia4227
@jonathangevia4227 9 лет назад
i want make a pitch on my bass.how i can do it?on reason 5
@Morenob1
@Morenob1 7 лет назад
Or u can use FL studio's gross beat
@mounirbelaouchi
@mounirbelaouchi 3 года назад
Ok what about reason 5? It will help someones. Thanks
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