they all amazing, but if you jump from clip to clip you'll find that dm-2 have the best slapback tone. big boys seems cool for crazy stuff, especially the moog
@@kyledonworth3845 Hey Kyle. It´s tricky :-) Soundwise: Slight win for the Memory Toy. But: I´d still take the Carbon Copy because you can adjust the modulation to taste by opening it, just manipulating the trimpods. That´s a huge bonus. Yes, I know, it can be done with the Memory Toy as well, but it´s not without risk because you have to mess with the contacts, not recommended. No sure if you care about visuals but the Carbon Copy looks beautiful as well. At the end I go with : 55-45 Carbon Copy. Both do their job. Wonderful, warm sounds that don´t stand in the way of your playing. They just create another dimension, especially with the modulation on. Go for it!
@@jillesguzman3333I purchased a Deluxe Memory Man Nano a few months back and that pedal would solve your modulation issue. It has knobs for modulation rate and depth.
I know it's sacrilege, but I have been through a fair few analog delays, am willing to spend whatever it takes for magic, and the Strymon El Cap just does it for me. I have previously had Diamond Memory Lane 2, Analogman ARDX20, Boss DM2 (original), and the DMM big box. The DMM is the best, hands down, but without tap tempo it's not practical for me.
@@GriffinJenningsMusic it was cool and had some unique features that were great (I had the II which offers two delay settings, so you can have your long delay + a slapback - pretty much covered my bases) but tonally I never really fell in love with it. The El Cap sounds better to me. I did love the ARDX20 - that's an underrated, really great sounding delay - but the tap tempo and mod being a separate pedal was really weird. I had the old ARDX20 which has a lame design, the new organ box one looks cool as hell. I know that shouldn't matter...but it matters.
@@Find-A-Band it absolutely matters! I feel similarly, the ARDX seems sick but i dont wanna use an extra power slot for the modulation. In my hierarchy of delay pedal needs, modulation and tap are at the top.
I heard somewhere that it's officially pronounced like "Maug". Like, with an "ow" sound. But I think saying it with more of an "oh" sound like in this video is how most people say it. That's the one I prefer, anyway. Ha ha
Nah it was always pronounced Moog, until a few years before Bob Moog mentioned he thought it was originally pronounced Mogue in Dutch, & after that everyone started calling it Mogue. So if you learned the original way (or you’re an actual Dutch speaker), then you probably just pronounce it Moog.
@@Spuzzmacher yep straight up moog. unless youre a cork sniffer, then mogue sounds better. because its posh you know.. i was here back in the day and its always been moog. i have a multimoog synth, if anyone called it the other in its presence i would say, "leave my house" 😆 and liam shepherd, its a play on words for marketing. rhyming is cool 😅dry my eye.
@@GriffinJenningsMusic thanks for taking the time to reply man! Would you say the Moog is worth it at its current price point? I’ve got a Thermae that I love and use all the time but want to get one more analog delay that has a different flavor.
You should definitely look out for the rubberneck. It has effects loop, tap tempo, gain control, tone control, mod and rate control. But these all sound great!
