Making 3 types of Reese basses in Serum 

Same here💜

Happy to hear that! Thanks man!💜🙌

NO CAP ON THE STACK exactly what i was looking for

Thanks man! Happy to help🧐

Thanks man, happy to hear that!😍

Thanks bro, happy that you like it🤘💜

Happy you found what you've been looking for, buddy!💜

Thank you for your appreciation of my approach to education! Really trying to help producers to understand the sound designing process, not just to make them duplicate the sound.

@@PhenomSoundOfficial I think it is important to learn how to fish, and not just be given the fish! Thank you!!!

Exactly! Especially when you're fishing a bass, if you know what I mean😉

I'm so happy to hear that! Huge thanks friend!😍

Huge thanks for your kind words! Glad you like the tutorial!❤️

Thanks man! Happy you like it!😊

Happy to help!

@@PhenomSoundOfficial super awesome video, def gonna be useful for nailing my first reese bass. 🙏❤️🔥💯

Thanks friend! Glad you like the demo🙌

Thank you!

Hey, thanks for joining, hope you'll find some useful stuff on my channel💖

Thanks man, happy to help! It's my favorite reese bass ever, perfectly fits to any genre and any mood of the track🔥

Happy to help, always welcome buddy!❤️

Glad to help buddy!🙌

Happy to assist!🙌

Thank you!🙌

Awesome, that's exactly the purpose of this video! Always welcome😉

Thank you😋

Thank you man!

Much love man, thanks a lot!💜

No, thank you, sir, for taking time write this lovely comment! I really appreciate that!🤜🤛

same here, I also can't manage to reproduce the sound at this point neither, because there are some effects behind serum. @PhenomSoundOfficial, can you tell which effects you used?

@@lukaskahler9691 It's my case for the three, even with the same numbers everywhere, there is a lack of something in my sounds

@@Phoenik_PV exactly

Following, I'm having the same issue

i copied the exact values he used in 2nd and 3rd basses and they sounds different and imo better on his end, something is different

Thank you I had the same problem

Glad you enjoy this tutorial, thanks!

Thanks man, glad you like the sound! No, you can definitely use the sub OSC if this works for you. I decided to not use it because it can slightly destroy the wobbling of the reese interrupting the phase cancellation of two main OSCs.

@@PhenomSoundOfficial Thank you!

YES SAME PROBLEM

Thanks, much love!❤️

Glad to help!

Absolutely🤘

Have you used the same post processing that I'm showing at 8:02?🤔

Hey I had the same issue with reese no.3 and didnt get a similar sound until i did the post-processing. Was confused too, because i think the post-processing was on while the patch was being made. I'm now trying to figure out what occured and why it made such a big difference: 1. OTT reshaped the spectrum, by turning off the downwards compression completely so nothing above threshold is reduced, then using gain knobs to hugely boost lows and turn down the highs. 2. Then this gives the eq more to work with, bc i think eq determines which frequencies are involved with the beating/phase cancellation (e.g. if u cut too much lowend the beating reduces drastically leaving u with just high end fizzle; if u slightly boost lowend ~75-100Hz it changes character but accentuates the beating). And since the fundamental + lower frequencies are responsible for the main beating rate, leave/boost the lows and clean up the highend to taste. Probably why when u hear the 3rd heavy reese used in tracks, like at the end of a phrase (8/16bars), they often cut out the layered sub if they are using one, and retain the reese's own subfrequencies for the beating. 3. Then the limiter accentuates the dips even more, by (i'm guessing) chopping off above the threshold to focus the sound towards a narrower dynamic range where frequencies are more similar in amplitude so the beating can occur most cleanly?? Not sure if im understanding everything correctly, but its really interesting that u needed all three on and in that order for this particular style of reese. If i disabled any of the three things, it would go back to a mess. Anyways I'm rambling lol have fun making sounds!

@@basho5493 I have the same issue here. in the tutorial it seems so easy but my sound just doesn't get there. at all. I'm on 1.3 as well

once you're going over to global on bass 3, your sound starts with some kind of punch. mine just doesn't have that at all. and yeah, in general it sounds entirely different. do you have any idea? @PhenomSoundOfficial

Going to consider finishing that one, thanks mate!🙌

@@PhenomSoundOfficial Слава Украине!

@@LottsyMusic 🤨🤨🤨🤨🤨

@@SlvYT ой, спалился... 😰

Thanks for the feedback, Willy! Glad you like the tutorial! Sure, in Vital you can go to the Advanced tab and reduce the Stereo unison knob down to zero, instead of reducing the Spread knob. This should bring this wobbly effect, without actually making the bass dead mono.

@@PhenomSoundOfficial It's been a while now, just got back to trying it. Again, 3rd reese is a super cool sound, but I can't seem to get it right with Vital, I never get them phasing in that LFO'y way like it just happens when you show it. More pointers would be greatly appreciate:))

Here we go again😂 I've been already called Tom Holland and Magnus Midtbo before, going to add Macken Murphy to that list too😅

You're welcome friend!😉

There's nothing to show honestly. I'm just routing all of my instruments that I want to sidechain to one insert and automating the volume of this insert to match the kick and snare.

I have no idea😅

@@PhenomSoundOfficial fair enough, tune is fire tho🔥

Thanks🙌