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March of the Women - Ethel Smyth 

Virago Symphonic Orchestra
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Performed by Virago Symphonic Orchestra and orchestrated by Lara Denies, Constance van Gog and Marlies Hollevoet, conducted by Pascale Van Os.
Intro text written by Michèle Delagrange based on texts, interviews, quotes, letters by the composer:
There I am
Beating the rhythm of The March of the Women with a toothbrush
from the window of my cell in Holloway Prison.
My fellow suffragettes are dancing and singing around.
It's 1912.
We're here because we pelted government buildings with stones, in our fight for the right to vote.
I taught my fellow women how to throw a stone.
I'm a proud, militant suffragette, called Dame Ethel Smyth.
They can't make me feel small.
At a young age, I decided to devote my life to music, against my father's opposition.
If someone's trying to make you small, you have to become so big that you're inevitable.
So I went to study music in Leipzig, met Brahms, who came to visit often,
met Grieg and Tchaikovsky even advised me to study orchestration.
I'm the first woman whose work was played at New York City's Metropolitan Opera. (it wasn't until 100 years later that a woman got that chance again, unfortunately).
I'm known for many things:
I've conducted my own operas.
I like sheepdogs
I usually dress in tweed, and I've even performed in it at winter afternoon concerts.
I've written books
Delivered speeches
And don't keep my hat straight at all times.
It was also said of me that I compose like a man, that I think in masculine terms: comprehensive and powerful. That I've surpassed my gender.
In reality, I write like a woman: extremely powerful.
I'd like to demonstrate that with a stone's throw.
Because if you have to make me a man in your head
Before you can admit I'm good
Well, that, ladies and gentlemen, is sexism.
The March of the Women, became the body song of the Women's Social and Political Union, but it's still relevant.
Hear my stones and my toothbrush.
Hear that you can't lock up a revolution.
Not many composers can say that their work directly has influenced the rights and freedoms of millions of people.
I can say that.
And I'm a woman.

Опубликовано:

 

31 июл 2020

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Комментарии : 6   
@isabellemarrillet8135
@isabellemarrillet8135 3 года назад
Voici une très belle interprétation, pleine d'émotion et de sensibilité! Bravo et merci!
@violainesanson-tricard8951
@violainesanson-tricard8951 2 года назад
L'essentiel est la musique et c'est une réussite, mais quelle belle surprise aussi de voir un orchestre habillé de couleurs, c'est tellement rafraîchissant !
@johnallard8466
@johnallard8466 Год назад
A Marvellous introduction!!
@evelyneaveline8407
@evelyneaveline8407 2 года назад
On a l'envie d'aller chanter avec eux tellement c'est beau.
@hanwengu5160
@hanwengu5160 Год назад
Shout, shout, up with your song! Cry with the winds, for the dawn is breaking; March, march, swing you along, Wide blows our banner and hope is waking. Song with its story, dreams with their glory, Lo! they call, and glad is their word! Forward! hark how it swells, Thunder of freedom, the voice of the Lord! Long, long, we in the past Cowered in dread from the light of heaven, Strong, strong, stand we at last, Fearless in faith and with sight new-given. Strength with its beauty, Life with its duty, (Hear the voice, oh hear and obey!) These, these, beckon us on, Open your eyes to the blaze of day. Comrades, ye who have dared First in the battle to strive and sorrow, Scorned, spurned, nought have ye cared, Raising your eyes to a wider morrow. Ways that are weary, days that are dreary Toil and pain by faith ye have borne; Hail, hail, victors ye stand, Wearing the wreath that the brave have worn! Life, strife, these two are one, Naught can ye win but by faith and daring; On, on, that ye have done But for the work of today preparing. Firm in reliance, laugh a defiance, (Laugh in hope, for sure is the end.) March, march, many as one, Shoulder to shoulder and friend to friend.