Let's build up some rhythms from the "West Coast Swirly Bird" MATHS manual patch. Check out Pete's Swily Bird patch on our Instagram channel for a pretty different take! / cogd4tlrc_9 www.makenoisemu...
Ditto coffee. There is a trend in synth videos now where at some point the presenter says 'and now for a delicious sip of coffee.. oooh yum!' and it annoys me. Real modular people drink straight mescal with the rim lightly dusted with crystal DMT. That's what gets the ideas flowing, at least it helps me.
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Spectacular patch! Another trick I like to use with Buchla 281 is to trigger a function from a slow master clock but have the function set to loop a number of times between triggers. That way you can create as many repetitions as you like within a bar, including fractions since it will stop wherever it is in the cycle when it receives that retrigger from the clock. You can get some really odd and interesting patterns. Even if you modulate the A/D times the pattern will still fit within the same time frame due to that master clock retrigger. Or even just modulating a slower A/D by a faster can imply some sort of sync like this: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-gDwYsCmctKM.html . A consistently restarts every 12 cycles of B. In this one A is master clock retriggering B after an imperfect 16 cycles: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-tf7xhsbtyaY.html . Off kilter and quirky.
I wish my strike input sounded useful though unfortunately mine is an almost inaudible click rather than a pluck sound so I have to send the mod input a tight envelope to a mixer along with other sources instead and my strike input is always un patched ☹️. Any tips to make a trigger actually make a decent sound rather than a glitch/click?