Тёмный

Mesmerizing Violin Performance! | Lalo: Symphonie espagnole | Classical Music Reaction 

GIDI
Подписаться 9 тыс.
Просмотров 960
50% 1

Reaction to Lalo: Symphonie espagnole ∙ hr-Sinfonieorchester ∙ Guido Sant'anna ∙ Alain Altinoglu
Thanks for watching Classical Family!
Original Video: • Lalo: Symphonie espagn...
🆘Subscribe for more content (It's free lol): / gidireacts
👑Want to jump the request waitlist and also support me in another way? (Become a member and enjoy the perks): patreon.com/user?u=78470830&u...
▶️It would make my day if you could also follow and support me on:
🌈Instagram: / kgidi_
💎Discord: / discord
🐥Twitter: / kgidiii
💜Twitch: / kgidi
🖤TikTok: / gidireactss
🥼Support my Merch here! Appreciate the love: classical-pieces.creator-spri...
#classicalmusic #gidireacts #classicalmusicreaction

Развлечения

Опубликовано:

 

24 апр 2024

Поделиться:

Ссылка:

Скачать:

Готовим ссылку...

Добавить в:

Мой плейлист
Посмотреть позже
Комментарии : 12   
@MaggieBoy12345
@MaggieBoy12345 2 месяца назад
Orchestral violinist here. We tend to look at our bow contact point (i.e. where the bow hair is interacting with the string) when we perform. It's pretty unusual for a violinist to look at the audience while performing for any period of time. Singers have the human body as their instrument, but we focus on pointing the F holes (the f-shaped holes on the sides of the bridge) towards the audience to project our sound. Given that we have to angle our bodies a bit to produce this effect, I think peering out at the audience while performing would actually look strange. I have looked out of the corner of my eye on occassion, but I generally try to focus on my own playing; there's plenty to keep me busy!
@andrewhcit
@andrewhcit 2 месяца назад
As an orchestral violist, I think my eyes are constantly going back and forth between the sheet music, the conductor, my section leader's bow, and my bow contact point. There's a lot to pay attention to. I occasionally glance toward the audience when I have the chance (in long rests), and I do like to see smiles on faces, but with most of the light being directed at the stage, it's hard to see beyond the first two or three rows. If I know a friend is in the audience, I may scan the audience before the concert starts or at intermission to see if I can find them, but that's only possible when the house lights are on. The one time I got to perform as a soloist with an orchestra, I didn't really pay much attention to the audience at all until after I was finished with the piece. Most of the time I was looking at my contact point, sometimes making eye contact with the conductor (as a soloist it's more like playing a duet with the conductor than following the conductor), and at one point I was making eye contact with the first clarinet because there was a passage that was mostly a duet between solo viola and first clarinet. I occasionally glanced into the audience when I had a long enough rest, but not enough to see much because I was mentally preparing the next entrance.
@Sh.moon.
@Sh.moon. 2 месяца назад
Lovely work. Never heard this before. Thanks to whomever requested this
@rossini9mozart10
@rossini9mozart10 2 месяца назад
Sometimes if the audience is feeling it and are really happy they can clap at the end of a movement. I remembered Gardiner conducting Symphonie Fantastique and the end of the fourth movement was so intense that everybody clapped because we NEEDED, it was a relief! Honestly I don't mind if there was applause in every movements, like they used to do in 19 century btw, because we can express which movement exactly we like the most, I think it could be good for the artists. This rule is kinda lame in my opinion...
@071949
@071949 2 месяца назад
I think applause at the end of a movement to show appreciation for an exceptional performance is fitting, even if it isn't "proper"... RogerC 4/25/24
@bowlerrollercoaster
@bowlerrollercoaster 2 месяца назад
Listen to the final from symphony no 1 by Alexandre Guilmant. Incredible work for the organ
@thedevcoder
@thedevcoder 2 месяца назад
Crazy to think that he is only 18 years old! Great video!
@namironofreortega1374
@namironofreortega1374 2 месяца назад
He is 18 actually
@andrewhcit
@andrewhcit 2 месяца назад
Although composers as early as Schumann tried to get audiences to wait until the end of the piece, the tradition of applauding only at the end of the piece ended up being driven more by technology than anything else. It only solidified in the 20th century when orchestras started making live concert recordings and asking for quiet between movements in concerts that were being recorded.
@jimschmitz4848
@jimschmitz4848 2 месяца назад
I think waiting until the end of the piece to applaud evolved as a courtesy to the composer; letting the ideas of the piece unfold uninterrupted I'm aware this was not always so. In days past, audiences sometimes had whole movements repeated.
@jonathan130
@jonathan130 2 месяца назад
you should react to chopin waltzes, they are really great
@abderxd1345
@abderxd1345 2 месяца назад
I recommend you Liszt Reminiscense De Lucrezia Borgia or Six Consolations 😊Thank you for this video ❤
Далее
Reacting to Our Childhood Violin Performance Videos
17:55
Давидыч против Тамаева 3 ЧАСТЬ
00:56
Ancient Violin Restoration
20:16
Просмотров 1,8 млн
14 Songs That 'Rip Off' Classical Music
17:46
Просмотров 4,9 млн
Can Cate Blanchett ACTUALLY Conduct?
11:12
Просмотров 481 тыс.