Mic check Come through, dig the sound (I swear the whole world could feel you MC) Crowd around I used to cop a lot But never copped no drop Hold mics like pony tails, tight, and bob a lot Stop and stick around Come through and dig the sound Of the fly brown six-o sicko psycho who throws his dick around Bound to go three-plat Came to destroy rap It's a intricate plot of a B-Boy strapped Femstat cats get kidnapped Then release a statement to the press, let the rest know who did that Metal Fist terrorists claim responsibility Broken household name usually said in hostility Um what is MF? You silly I'd like to take "Mens to the End" for two milli' "Doo-doo-doo-doo-doo" That's a audio daily double Rappers need to fall off just to save me the trouble, yo Watch your own back Came in and go out alone, black Stay in the zone turn H2O to Cognac On Doomsday Ever since the womb 'til I'm back where my brother went That's what my tomb will say Right above my government, Dumille Either unmarked or engraved, hey, who's to say? I wrote this one in B.C. D.C. O-section If you don't believe me, go get bagged and check then Cell number 17, up under the top bunk I say this not to be mean, wish bad luck or pop junk Pop the trunk on See-Cipher-Punk, leave him left scraped God forbid, if there ain't no escape, blame MF tape Definition "super-villain", a killer who love children One who is well-skilled in destruction, as well as building While Sidney Sheldon teaches the trife to be trifer I'm trading science fiction with my man the live lifer A pied piper holler a rhyme, a dollar and a dime Do his thing, ring around the white collar crime Get out my face, askin' 'bout my case, need toothpaste Fresher mint, monkey-style nigga get dentadent And dope fiends still in they teens, shook niggas turn witness Real mens mind their own business That's the difference between sissy-pissy rappers that's double-dutch How come I hold the microphone double-clutch C.O.'s make rounds, never have 'ox found On shakedown, lock-down, wet dreams of Fox' Brown On Doomsday Ever since the womb 'til I'm back where my brother went That's what my tomb will say Right above my government, Dumile Either unmarked or engraved, hey, who's to say? Doomsday Every since the womb 'til I'm back to the essence Read it off the tomb Either engraved or unmarked grave, who's to say? Pass the mic like "Pass the peas like they used to say" Some M-er F-ers don't like how Sally walk I'll tell y'all fools it's hella cool how ladies from Cali talk Never let her interfere with the Yeti ghetto slang Nicknames off nipple and tip of nipples metal fang Known amongst hoes for the bang-bang Known amongst foes for flow with no talking orangutans Only gin and Tang Guzzled out a rusty tin can Me and this mic is like yin and yang Clang, crime don't pay, listen, youth It's like me holding up the line at the kissing booth I took her back to the truck, she was uncouth Spittin' all out the sunroof, through her missing tooth But then she has a sexy voice, sound like Jazzy Joyce So I turned it up faster than a speeding knife Strong enough to please a wife Able to drop today's math in the 48 keys of life Cut the crap far as rap Touch the mic, get the same thing a Arab will do to you for stealing What the devil? He's on another level It's a word No, a name MF the super villain Doomsday Check the sound Right around
Stones Throw Records discovered and recorded some of the greatest hip hop that most people never heard of. J Dilla MF Doom Madlib (and all his alter egos) The Dilla/Lib collab was 🔥🔥🔥! McNasty Filth and React got a lot of play from me. If you haven't already seen it, there's a great documentary on the studio and all its artists called "Our Vinyl Weighs a Ton: This Is Stones Throw Records." Check that shit out. It's too bad this video doesn't have more views. You'd think a Rush or Floyd or Zeppelin fan would be more open to expand their musical repertoire. Their loss! Also, I think I mentioned Danger Mouse in another post, who collaborated with Doom as someone you should most definitely check out. One of my personal favorites is Little Girl by Danger Mouse and Sparklehorse.
He has such a dope flow, definitely a unique artist, I gotta get more into his stuff. Have you ever heard of Lil Ugly Mane? If not I’d definitely suggest checking him out, virtually all of his songs are insanely good. His lyrics are incredibly good, and his production and sample usage is honestly some of the best I’ve ever heard (the samples he uses in his song “On Doing An Evil Deed Blues” are so, so good, the beat is one of favourites). His album Oblivion Access is really great. Some individual songs that I think you’d enjoy are Grave Within A Grave, Collapse And Appear, Uneven Compromise, and Drain Counter. He’s definitely worth checking out, and really under appreciated in all aspects imo, from his production skills, lyrics etc.
Uhh....MF Doom alongside Portishead alongside Nick Drake???? Yeah that's called the instasub, thank you for your reaction and I look forward to more from you!
@@jayrahvisions Doom met Grimm and they became super tight because they were both really nice and loved comics. Doom pretty much kinda used Grimm because Grimm knew everyone in NY and he had a lot of money from drugs and whatever. Doom then left him to do KMD with his bro Subroc and they eventually got dropped because of their highly "offensive" album cover on their 2nd(?) album. Subroc also died. He then went back to Grimm and they started back up. Grimm was finally about to possibly have mainstream success and had a deal on the table with a label. His manager (/brother) and him left to go sign and when they got in their vehicle they got rolled up on by a few people and got gunned down. Grimm was shot many times, barely survived and was paralyzed + in a coma. When he came out of the coma his deal was gone and he had a case from the feds on him which sent him to jail. When he got out of jail he found that Doom had been seeing huge success and even worked with Ghostface who I think he met through Grimm. Grimm tried to link up so they could pick back up where they left off and he either refused or just ignored him. Which is pretty fucked up, Grimm felt he was also owed money because he did some executive producing for Doom on some of his tracks as well. I think there was also a diss on the DangerDoom project as well.
