MICHAEL SPYRES singing the aria "Tu vedrai la sventurata" from Vincenzo Bellini's opera IL PIRATA. Recorded in February 2019 www.fischerarti... www.michaelspyr...
I love that Michael is from my current hometown. He comes here frequently to perform, despite the small and relatively unimportant stature of the town.
Posee un timbre maravilloso , registro de increible amplitud .La voz es dulce , calida ,homogenia.Tiene una simpatia encantadora ..Sii es una voz Rara por todas las virtudes que posee .. Para mi es Bellisima , perfecta . Lo escuche en la cuerda de Baritono .¡¡ Increible !! ..Suena Brillante ..Digno de ser mas Valorado..👋👋👋👋👋👋👋👋👋👋👋👋..
It is quite surprising that Il Pirata is not known at all. I had the pleasure to see this performance. Everything was outstanding. Amazing singers as well as an excellent Geneva orchestra; even the French horns did a very good job!
@@karlheinzkirchmann6469 from watching a lot of videos of him talking about his journey with his voice, most of the work he did figuring out his tenor range came after he was done with school. He talks about how became a bit of a voice scientist, obsessed with the technical aspect of how the voice works, to figure out how to fully unlock the tenor range on top of his natural baritone. His voice is kind of a miracle because his career is proof that the human voice is capable of so much more than what even the most skilled opera singer typically will use. I personally feel that it also goes to show that the modern classification system we use, in a lot of ways, unnecessarily limits people and forces us into a box. It didn't used to be this way. Singers used to be a lot more free to use the full capability of their voice.
Glorious ~ hearing his voice recently in the Wien Staatsoper was a treat and joy - so warm, rich and expertly produced - Bravissimo!! Can't wait to see his Pirata in Paris later this year.
I am waiting for him singing « le postillon de Long jumeau ».Superb voice and interpretation.I remember with emotion his DonJose in Paris in tce with M’N. Lemieux, he touched me a lot and it was my 5th Carmen.I hope to go to Bastille to hear him in this opera with Radvanovski. I cross France, Other countries to hear him’, unfortunately still now in San Francisco, we are not very lucky🌗
I am jealous that you heard him live. The impression I get is that his voice is more sizeable than other Rossini tenors plus he has all these strong low notes you never hear from this type of tenor.
La maggior parte dei commenti sono tutti di apprezzamento ma i rari che denotano contrarietà,come il commento riferito all'inglese dei cantanti USA che li costringe a strascicare le consonanti (come gli emiliani!) oppure sentir dire di Spyres che è voce eccezionale ma ha la tendenza alla lagna...ecc.....Ma come si pensa che Rubini (Voce angelica) cantasse il Pirata,la Sonnambula,i Puritani.....alla Del Monaco?...Si ha memoria di un certo Giuseppe Morino come cantava il Pirata e Bellini in generale? Si perchè ha cantato anche Sonnambula e Puritani....Cantava queste opere come le si dovevano cantare e oggi le canta Spyres per fortuna altrimenti non le ascolteremmo.. Bellini è così,purtroppo nella sua musica c'è la cantilena non lo strascico dei cantanti di madrelingua inglese...
Il y a quelque chose qui ne fonctionne pas. D'habitude j'adhère immédiatement à son chant, alors que là je le trouve absent, extérieur à l'action. Finalement le style bellinien n'est pas ici à l'honneur, mais la direction est pour beaucoup dans cette impression de flottement, pas assez incisive et trop molle.. Dommage car j'adore ce chanteur et Bellini -:)!!
ich denke er ist ein sehr würdiger Nachfolger von Nicolai Gedda, die Stimme ist schon sensationell zu nennen, er ist sprachlich auf der Höhe von Gedda, selbst sein Lohengrin ist in perfektem Deutsch gesungen und er ist auch noch ein filou
Gli USA hanno dato grandissimi cantanti, però l'accento inglese è sempre fastidioso nell'opera italiana, ammoscia e strascica tutte le consonanti e rischia di trasformare tutto in una cantilena.
Helmut Fischer Many of his clips seemed to me to involve almost pick-up forces. Improvisatory surroundings, bad playing and conducting, and most strangely, what sounded like small and distinctly tepid audiences.
It's a pity how little music is valued today, that singers have to take on all jobs they get to be able to survive. There's no chance we can learn all that by heart, because performing is the smallest, yet the only visible part of our lives.
Voce eccezionale, per carità, ma ha una certa tendenza alla lagna, a strascinare le note e a scandire poco le parole. Per questo lo vedo molto meglio nel repertorio francese.
Sono d'accordo.L'aria è noiosa perché è lui stesso a renderla tale,se mettesse un po di più partecipazione,colore e interpretazione avrebbe pochissimi rivali in questo campo.Comunque bravo.
