Sinfonia in sol minore che rappresenta uno spartiacque tra quelle precedenti e questa che e un capolavoro assoluto dove una tensione spasmodica di progressioni tonali porterà l'ascoltatore ad una tensione sempre crescente.2 tempo dialogante che spiana la strada ad un finale pirotecnico .Magnifiche le esposizioni tematiche dell'oboe ed i fiati tutti straordinari nelle dinamiche e nelle sonorità Bravo.Mozart
The good citizens of Frankfurt are so spoiled to have such an utterly outstanding orchestra in their City.... this orchestra plays with a confidence which is so very audible. Also skill, talent, style - brilliant, and as someone from the UK I can recognize immediately the very "German orchestra" style of their playing. When I am able, I shall go to Frankfurt to hear this superb orchestra. They have a natural affinity with the music of Mozart.
Echt spannende Aufführung dieser erregenden Sinfonie im ziemlich schnellen Tempo. Die rhythmische Leitung von diesem genialen Oboisten ist wirklich eindrucksvoll!
Stimmt. Seine Leitung ist viel lebhafter und erfreulicher als die von Bernstein. Und das Orchester spielt viel klarer und sauberer als die Wiener Philharmoniker.
It is interesting that in the Frankfurt Radio Symphony channel, you don't mention any sequence numbers of the pieces (No. 25 here, for example). Is that a Germany thing? For me, I can't identify the piece without the sequence number - can't never remember the KV's!
More likely inspired by minor key works of Haydn, Vanhal and J.C.Bach, given that Beethoven would have been only three years of age when this was written in 1773.
@@hjo4104 You misunderstand - i'm questioning if it is a logical hypothesis to say that 'This one definitely inspired Beethoven' given the date of its composition and performance venue in Salzburg. It seems more likely that the minor key symphonies of composers working in Vienna at the time Beethoven lived in this city, is a more likely scenario of inspiration. it strikes me as more probable that Beethoven may have heard and been influenced by Mozart's G minor Symphony of 1788 (K.550), given that Mozart was planning a series of concerts in Vienna at this latter date.
This symphony wasn't even allowed to be published by Leopold Mozart because he thought it was bad by standards of the classical era and he told his son in a letter that he will be thankful for the ridicule his father protected him from in the future. It's a piece that is completely out of line with the musical style and knowledge of the time. Mozart was a revolutionary and this was an early showing of that fact.
Excellent orchestre comme toujours et astucieuse idée de mettre les instruments à vente solistes au milieu des cordes. Suggestion donnez l'ordre des œuvres dans le concert de telle sorte que l'on écoute le concert comme les spectateurs. On appréciera aussi le silence du public, pas de toussomania ni d'applaudissements entre les mouvements. C'est un public de mélomanes comme toujours en Allemagne.
A fantastic oboist, one of the best I have heard, however, as a conductor he leaves a lot to be desired. Too many unnecessary gestures. Sometimes it seems like he is conducting something completely different than it sounds.
@@theexcaliburone5933 You mean, do I have a license to have an opinion? ;-) FWIW, the version of this symphony that I really enjoy is this one: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-lYvoSv7YpF0.html
