🥀🥀🎚🪕🎚🥀🥀 Mr.Bill This with "Bluegrass" So you know like banjo mandolin dobro fiddle the resonator guitar harmonica... Most people hate the idea... But i love it... Im trying to learn how to achieve this... which the guitar in this was giving me ideas.. 🪕🎻🎚🎛🎹 So many blessings bill you're awesome...🔥🤘🔥
love this tune would love to see a full tutorial on mixing/mastering or if there is one which video is it covered in? and THANKS MR.BILL youve helped me advance my music by a million
Hi Mr.Bill! To begin with, thank you, thank you, thank you for all the amazing tutorials. I couldn't been more grateful! Could you maybe show us how to make like big ethereal pad sounds that for example Jon Hopkins uses in a lot of his music? I've been struggling with it for a while and can't really nail it, it always feels so flat and kind of dead. Not interesting enough. Thanks again man!
Great vid, I've touched on this method before but I don't use it enough. I'd like to see some more practical examples as your vids that are focused on one thing like, sub + mid interactions would be my pick, as you get more mileage out of the ideas that way instead of just the underlying techniques
At first I wasn't convinced, but then I getcha, by the way have you used Gladiator 2 and Ohmicide, with my kicks I tend to use the bounce preset from Ohmicide and it fattens them well!
I have been working on my side chain compression, I don't know if you have a video on it or not, you do mention it here. Wouldn't you want the side chain compressor working off of the different frequency's from the kick and snare to have it punch through better? If it works just as well thats awesome! I would just assume you want the high end like the transient of the kick to trigger the side chain and the lower end of the snare to trigger it as well and I don't know if you can accomplish that with one same pasted in the same spot.
Dear Mr. Bill Real Noob question here. I'm pretty much new to producing on Ableton. I use to be a LPX user. I couldn't get over the fact of how quickly and smoothly you were going through Ableton. Any guides or sites you can recommend to learning useful shortcuts for Ableton?
the ad before this video literally told me I couldn't learn ableton from youtube….. I call bullshit mr bill has taught me more then my 6 month certified course hahaha
Ok, thumbs up if you have to rewind a lot when watching Bill's videos!! Goddammit MrBill you're just too fucking fast!!! (love your shit tho, keep it up)
Actually what I've learned most from is actual realtime footage of you making something you're gonna release. Like the collab with Tom Cosm, just with talking like in The Art of Mr. Bill.
Wow this was a great tutorial, thank you a lot dude! I was wondering where you get your instrumental samples from, like the guitar and bells heard in this example?
Jerome Blazé Just sound design packs and stuff really. The main clap in this particular one though is from this pack - www.wavealchemy.co.uk/claps-&-stacks/pid102/
So if I use a drum kit, being that all of my drums are midi notes, how would I achieve this since midi tracks don't use faders? is there a way to put the whole thing together on a midi channel and then extract all of the drums to different audio tracks? I feel like this is a feature ableton would have.
I'd like to know more about how you made those guitars. art they samples? do you have a video for that alredy? couldn't find anything on your channel. cool vid though thnx!
Uhhh, well, if you are using Sampler, there's a second tab with env control. If you are using something like Slicex or FPC, there is per-slice env control. That's a really vague question.
@@baronvonbeandip When you put audio clips directly into the playlist, I don't see any way to put automation or envelopes directly on them, which is disappointing, because it looks so quick and easy in Ableton.
my only question Mr bill is this. I mean you are good at what you do, but you don't address the possibility of phase issues occuring. How do we deal with phase issues? I am pretty good at dealing with them now, but I do a lot of careful eqing and really have to dial in on the samples. Your so good you can do this very quick with no problems. By the way, I love what you do with the transients. I was doing this yesterday out of lazyness oppose to layering transients, and I was like, am I doing it wrong.... now I am like, shit someone confirmed I am not crazy
Fair call. I've only had problems doing audio production on a Mac, so just lashed out and got a good MacBook Pro for Ableton and Logic. Dual boot to Windows for gamerinos
I guess the only way to make such complex music is to always look at everything as if it is too simple and doesn't go anywhere instead of jacking of on your ego for having created a nice beat.
