Music Library CEO Reveals How Producers Can Stand Out From The Competition 

Had the pleasure of meeting Michael in person last year. Good guy, and good company!

These interviews with people in the business are so valuable. It helps so much how the business works. Thank you for all the work you do. There are many channels with “best tips” for musicians but few actually show you the inside side of the industry.

Some useful information was provided in this interview here. More confirmation that there is plenty of opportunity for talented, independent composers to make a living writing music.

Thank you for inviting Amphibious Zoo Music, it was great to hear his insights on sync licensing and the industry as a whole. Now that it is after Covid-19, things have changed. Now, also with the union strikes that are happening, it does make a difference to the companies who depend on the film/tv production to provide a service. 🙂

You just keep bringing it, Jesse, and that's why I just keep coming back for more. 😎👍

Great video Jesse and Michael! Thanks for always bringing valuable content to your supporters, Jesse!

Thanks Jesse and Michael for these valuable insights. Take care and stay safe.

Thanks for sharing your insights Michael! Great content and questions as always Jesse!

Interviews like this keep me focused and inspired. Thanks Jesse.

Thank you so much for this, Jesse!

Thanks as always. Great content!

Thank you for producing this video on sync licensing!

You're the man, Jesse. Thanks for the remarkably useful info, as usual

I enjoyed the podcast! Very enlightening. I really appreciate your gift to share these diamond nuggets, Jessie!

Thanks for these videos!

Thanks Jesse, great information!

Very informative! Took notes. Thanks!

Awesome, appreciate this video

Great info coming from the library owner perspective.

Excellent video. I plan to contact Michael in the future. I also checked out their website. They have a very cool vibe. Thanks, Jesse. Stay safe.

Video has an amazing value! Thank you!! You think we could get more of those? This one is 3y old, lot of it changed since..

Thank You for the informative interview. I will mos def hit up Micheal for some Amapiano submissions.

Such a great informative video!

Bro thanks you for these great content

New to this I’m excited to get started with sync licensing

Thanks for the useful information, I just found your channel and will be watching more.

Very very helpful!!! Thanks for this 🫡🎼💯☑️

Intro music is awesome... 👏👏

Could a possible reason that composers move on, is that the library could not place any songs for a year or two? Did you guys discuss that possibility? It must be the composers just flaking out if they stop submitting music.

Thank you for the amazing content❤️ Do you think it would be worth mentioning in your email pitch that you’ve worked with other libraries also? To maybe show reliability:)

Thank you so much for this presentation. It is very informative. One question. He mentions buying albums/tracks. Is Michael referring consideration fee with sync fee and royalties or just out right buying the music with no further profitability for the writer/composer/producer?

Hey Jesse Why would a music library like this one has a studio? Is it because the quality of the demos that they are getting are not up to standard and they have an in-house engineer to remix them to a better quality or is it because they need to create new music for briefs, or both? Thanks so much!

What audio file formats are preferred for submitting? 16 bit, 24 bit, 44.1khz, 48 kHz, 96khz? Mono, Stereo, 5.1, 7.1, 7.2 Surround? In other words, in your experience, what is necessary and what is preferred? Thanks!

Great video and very informative. 👍👍👍👍👍

Stucky Kojo here, Sound Designer and Audio Engineer from Ghana. I would like to know if there are great sync opportunities for music from this side of the world, Africa. There are so many great original sync-type music from this side, what's the best way to get them through to top opportunities?