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Musical Analysis - Schönberg‘s Three Piano Pieces Op. 11 

Mattia Aisemberg-Pham
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A presentation of the composer Arnold Schönberg, his work and his musical evolution and an in depth analysis of his Three Piano Pieces Op. 11!
Wether you are a non musician, a pianist, a composer or something else, there is something for you in this video!
Timestamps:
0:00 Introduction
1:18 Schönberg's musical evolution
2:26 The romantic period
5:13 The free atonal period
8:57 The dodecaphonic period
12:31 Some important remarks about Schönberg
14:56 Introduction to the Three Piano Pieces Op. 11
18:58 Analysis of the first piece
19:46 Form
20:56 Bars 1-11
30:55 Outburst Bar 12
39:05 Following the outburst
46:02 Middle section
53:59 Climax
57:47 Reprise
1:00:27 Coda
1:03:44 Short summary
1:04:49 Look at the second piece
1:08:02 Look at the third piece
1:13:08 Conclusion
My name is Mattia Aisemberg, I'm a music student from Berlin and this is my first RU-vid video. Let me know what you think about it or if you have some questions in the comments. I would be happy to discuss some things with you.
I hope you got something out of the video :)
Subscribe if you want to see my next videos!
Creating my videos takes a lot of time and work. If you want to support me, you can do it here. I would be incredibly thankful!
/ mattia_aisemberg
www.buymeacoffee.com/MattiaAi...
My other social media:
Instagram: @mattia.aisemberg
Twitter: @MattiaAisemberg

SOURCES:
-Reinhold Brinkmann, “Arnold Schönberg: Drei Klavierstücke Op.11. Studien zur frühen Atonalität bei Schönberg“
-Hartmut Krones, „Arnold Schönberg. Werk und Leben“
-“Herausforderung Schönberg: Was die Musik des Jahrhunderts veränderte“, published by Ulrich Dibelius
-Dominique Jameux, „L'école de Vienne“
-Resources of the Arnold Schönberg Center
-“Portrait of Schönberg“ BBC Radi
-Tim Page, „The Glenn Gould Reader“
In this video:
-“My evolution“ lecture of Schönberg
-An interview with Schönberg by Halsey Stevens
-Verklärte Nacht Op.4 was played by members of the Ensemble Intercontemporain with Pierre Boulez
-The 5 orchestral pieces Op. 16 were played by the City of Birmingham Symphony Orchestra with Simon Rattle
-The Fourth String Quartet Op. 37 was played by the LaSalle Quartet
-An excerpt of Leonard Bernstein's lecture „The Twentieth Century Crisis“
-The paintings and most of the fotos are from the Arnold Schönberg center website

This is an educational video. All images and audio in this video are for educational purposes only and are not intended as copyright infringement. If you have any concern redarding copyright please contact me first. You can find my email adress on my channel.

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6 авг 2024

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Комментарии : 70   
@jordanmayberry4510
@jordanmayberry4510 2 года назад
People never do detailed analysis of motivic development. This topic is glossed over so often, saying "(X) composer develops this motif in many ways" without elaborating further. A concise look in to how motivic development functions is rare and this video fulfills that need. Great stuff
@mattia.a_p
@mattia.a_p 10 месяцев назад
Hey Jordan, I somehow missed your comments! Thanks a lot, I’m glad you enjoyed the videos
@gloriaferrandez9247
@gloriaferrandez9247 3 месяца назад
Me ha encantado el análisis del Opus 11 de Shoemberg. Me admira tu conocimiento y seguridad. Gracias. Gloria.
@mattia.a_p
@mattia.a_p 3 месяца назад
Gracias Gloria!
@wh9462
@wh9462 3 года назад
Wahrscheinlich das beste Video auf Ytube für die Einführung in Schönbergs Kunst. Sehr schön gemacht und weiter so.
@mattia.a_p
@mattia.a_p 3 года назад
Wow vielen Dank! Das nächste Video kommt bald!
@heavenly6
@heavenly6 2 года назад
i wish to be as captivating and well spoken as u .. never stop making these videos !
@heavenly6
@heavenly6 2 года назад
also what do u think of ryuichi sakamoto ? a flower is not a flower, lack of love, and andata are my favorites
@mattia.a_p
@mattia.a_p 2 года назад
@@heavenly6 Thank you!! I actually don’t know these pieces. Will check them out later!
@ilonap6597
@ilonap6597 3 года назад
Very well summarized and presented! Thank you very much!
@ulrichknoerzer
@ulrichknoerzer 3 года назад
Bravo Mattia!!! Was für eine unglaubliche Menge an tollen Informationen! Und weiß Gott nicht nur für Pianisten interessant. Ich bewundere dich, wie mühelos du sprechen kann, ohne dich einmal zu verhaspeln! Großes Kompliment :) Joyeuses Pâques 🐣🐇
@mattia.a_p
@mattia.a_p 3 года назад
Lieber Ulli, das freut mich wirklich sehr, dass du das schreibst!! Ein nächstes Video kommt bald :) Ich vermisse es so euch zu hören! Hoffentlich bis bald
@MIDIPipe
@MIDIPipe Год назад
Thanks so much for sharing this Document. Bravo Maestro!
@juanlucasaisemberg7340
@juanlucasaisemberg7340 3 года назад
Well, I don't know how much you absorb from Brinkmann, but I find that this it's a fantastic work. Great analyzing, with sensibility, deepness, intelligence, respect and at all times, great love for Schönbergs composition. It was big fun to watch. Bravo!!!
@mattia.a_p
@mattia.a_p 3 года назад
Thank you very much! :))
@9871mimi
@9871mimi 3 года назад
What a brilliant and sensitive analysis, like your playing! Bravo and thank you Mattia!
@mattia.a_p
@mattia.a_p 3 года назад
Thank you Minh Quyen!
@user-tp4qi1fq8d
@user-tp4qi1fq8d 3 года назад
Very nice, very interesting analysis! Looking forward to your next video!
@mattia.a_p
@mattia.a_p 3 года назад
Thank you! I'm working on it!
@andy_pandy88
@andy_pandy88 2 года назад
Excellent video that has helped me further understand (and appreciate) this music. Thank you!
@mattia.a_p
@mattia.a_p 2 года назад
Thank you! That was my goal so I’m very happy about that!
@someroyee24
@someroyee24 9 месяцев назад
Very interesting! Thank you for this video
@mattia.a_p
@mattia.a_p 9 месяцев назад
Thank you!
@1jourviendra
@1jourviendra 3 года назад
Very good! Thank you!
@MicoAquinoComposer
@MicoAquinoComposer 3 года назад
Thank you, thank you so much for uploading this, this is very helpful and the analysis is interesting and amazing! I am your 100th subscriber! :)
@mattia.a_p
@mattia.a_p 3 года назад
Thanks for your comment! It means a lot to me. And thanks for subscribing! I’m at 99 so someone must have unsubscribed haha. Get a friend on board! I’m constantly working on new videos but they take so long to make. More content is coming soon :)
@violinesurseine845
@violinesurseine845 3 года назад
Impressiv ! Bravissimo, Mattia !
@mattia.a_p
@mattia.a_p 3 года назад
Merci Vinh!
@liemaisemberg7426
@liemaisemberg7426 3 года назад
awesome
@mariam_much
@mariam_much Год назад
This is very helpful, thank you so much for having this rare content. and please add subtitles
@mattia.a_p
@mattia.a_p Год назад
Thank you! I’ll check out your content as well. Maybe the automatic subtitles might work, I’m going to try
@travo6805
@travo6805 3 года назад
Thank you for this incredibly helpful video!
@mattia.a_p
@mattia.a_p 3 года назад
Thank you for the comment!
@yahyamhirsi
@yahyamhirsi 3 года назад
Bravo! Great presentation! Wishing you lots of success for your future videos! :)
@mattia.a_p
@mattia.a_p 3 года назад
Thank you very much Yahya!
@pedropascoali7197
@pedropascoali7197 2 года назад
awesome!
@mattia.a_p
@mattia.a_p 2 года назад
Thank you Pedro!
@amaice
@amaice 2 года назад
i learned so much! thank you!
@mattia.a_p
@mattia.a_p 2 года назад
I’m very happy about that!
@leonel4515
@leonel4515 3 года назад
neuer Lieblingskanal!
@mattia.a_p
@mattia.a_p 3 года назад
:’)
@Hist_da_Musica
@Hist_da_Musica 3 года назад
Great video!
@mattia.a_p
@mattia.a_p 3 года назад
Thanks Paulo!
@drewlitton3843
@drewlitton3843 3 года назад
Would love for you to do an analysis of the Zwei Klavierstucke
@mattia.a_p
@mattia.a_p 3 года назад
I don’t think that I will cover another Schönberg piano piece sorry
@travismclaurin9419
@travismclaurin9419 Год назад
First time hearing his voice
@barsdaghan4296
@barsdaghan4296 3 года назад
Great!
@mattia.a_p
@mattia.a_p 3 года назад
Thanks!
@abel1186
@abel1186 3 года назад
Prima!!!
@mattia.a_p
@mattia.a_p 3 года назад
Danke Helmut!!
@ZolaNtondo
@ZolaNtondo 3 года назад
Excellent
@mattia.a_p
@mattia.a_p 3 года назад
Thanks so much!
@mattia.a_p
@mattia.a_p 3 года назад
Thanks so much!
@carstenschneider1234
@carstenschneider1234 11 месяцев назад
Dankeschön.
@ronaldhess3496
@ronaldhess3496 3 месяца назад
Greetings Mattia. Love this piece and your discussion of it! Who is the theorist (or pianist) that refers to the outburst sections as disintegration or disorganization fields? I can't seem to locate him on Google.
@mattia.a_p
@mattia.a_p 3 месяца назад
Thank you Ronald! It’s Reinhold Brinkmann, it’s written in the description.
@ronaldhess3496
@ronaldhess3496 3 месяца назад
@@mattia.a_p Wonderful. Thank you so much!
@juanlucasaisemberg7340
@juanlucasaisemberg7340 3 года назад
geiles video du brudi
@evaeva-nr7om
@evaeva-nr7om Месяц назад
Vielen Dank für deine Analyse! Ich habe mich gefragt, warum Schönberg zu beginn des 3. Stücks (T. 1-3) ein drittes System einfügt. Geht es hier darum, die drei verschiedenen Stimmen herauszuheben, oder ist das eine Sache der Lesbarkeit? Ich freue mich über eine kurze Antwort. Liebe Grüße!
@mattia.a_p
@mattia.a_p Месяц назад
Gerne! Ich denke beides :)
@LuisKolodin
@LuisKolodin 7 месяцев назад
the reason for B flat in bar 11 is to avoid the tonal chord G7. with B flat we get minor and major triade at once.
@mattia.a_p
@mattia.a_p 7 месяцев назад
hm yes, but I think it was more of a motivic/melodic decision. It's the inversion of bar 3
@LuisKolodin
@LuisKolodin 7 месяцев назад
@@mattia.a_p It can be both, and finding another explanation only shows how well structured it is. Everything converges.
@mattia.a_p
@mattia.a_p 7 месяцев назад
yes definitely @@LuisKolodin
@ballefranz7059
@ballefranz7059 Год назад
43:50
@beecolor
@beecolor 2 года назад
Any analysis is futile.Schonberg himself said that attempts to explain his works were useless. It's "the flow of his unconscious", nothing is planned. Any attempt at analysis is only there to flatter the analyst.
@mattia.a_p
@mattia.a_p 2 года назад
I think you’re wrong here. Schönberg said that it’s not very interesting to just determine all the rows in his twelve tone pieces because it tells you nothing about the actual music (to which I agree). The work I’m talking about is not a dodecaphonic piece. You can analyse every piece by Schönberg and find interesting and valuable musical information. Op. 11 is particularly interesting to me. Schönberg himself was a dedicated and insightful musical analyst and taught all his students the inner workings of pieces by Beethoven, Brahms and so on. And although Schönberg let his “unconscious flow” , all his pieces are carefully constructed. He didn’t just write random notes down. You probably haven’t watched my video but for example the form and the motivic cohesion of the pieces Op. 11 is remarkable. It’s clearly thought through. And even if he let his unconscious flow, Schönberg was a composer who knew classical and romantic music extremely well and he incorporated the musical thinking of older composers he admired. He was so good at composition that he was able to let his imagination flow and create musically “logic” things, sometimes perhaps unconsciously. Although I think he did most of it consciously. But even if it was the case that most of his compositions happened unconsciously, why couldn’t I analyse them? It would still be interesting to see what structures, what trajectories, what forms such pieces would have, how they function and so on.
@1jourviendra
@1jourviendra 2 года назад
Why futile? Of course one can even try to analyse how the clouds are changing in the sky or how the waves move. Music, and art in generally, is the result of human brain, not from nature. So such an analysis is very interesting and not futile, even if we are not speaking here about THE truth. It is just ONE analysis made with an extrem high knowledge about music history and technic.
@beecolor
@beecolor 2 года назад
​@@mattia.a_p Construction is not necessarily synonymous with consciousness, which is where you are wrong in my opinion. Construction can come from a sense of unity, the elements build themselves... See for example Debussy or Bartok to whom many things have been attributed, the golden ratio etc. But no, it often came from the inside, not from the intellect (although the intellect plays an important role) . But you are right: it is not forbidden to analyse what you want!
@mattia.a_p
@mattia.a_p 2 года назад
@@beecolor I don’t confuse construction and consciousness. The things I analyse in my video are definitely conscious compositional decisions. Schönberg didn’t accidentally write canons with the main motif of a piece or variations of an important figure, he wasn’t unconscious that he was using an ostinato or that pp is a contrast to ff. I think the unconscious Schoenberg meant is more related to the expressive quality of the music. What the music expresses is a reflection of his inner life. And yes, that’s what I meant, sometimes composers do things that turn out to be surprisingly constructed although they hadn’t planned it. They have internalised musical language and architecture on a very deep level. But like I said, most things I talk about in my video are not such things in my opinion.
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