Basically - if you warm up the ZV-E1 by turning it on for about 10-15 mins then giving it a rest for 15 mins before your long-form recording, it seems to be able to stay on longer. However, I wouldn't use this "trick" as a guaranteed way of getting consistent long-form recording out of the ZV-E1, but I have used it multiple times and it seems to give better results than when I just do a recording from a "cold" start. Ultimately though, if you want a reliable camera to do long-form recording, the ZV-E1 is not your camera. Cheers!
Wow! You actually used the camera in real world situations and based this video off of that!? If only the 15,000 videos I watched before I found this one did the same 😅 Thank you so much, the first good Zv-e1 overheating video. Keep up the good work, you've earned a sub!
My copy of the AZV-E1 actually shuts down after 37 minutes of 1080p standing by (on Temp = High). All it has to do is HDMI out and those cool new tricks like auto framing and showcase. No recording. I would like to use it as my webcam and I need it to go on for like 3 hours. That is as real world as it gets for me. What settings do I need to apply in order for it to last longer? Thanks!
@@GeertDelmulle - hmm interesting. What's the environment you're using it in? I think depending on your use case and what the room temperature is, it may affect the operating time. However, I have heard people getting very varying results - so maybe not every copy of the ZV-E1 is exactly the same. For me, 1080p is not really an issue, it's only for 4K stuff that it would shut off. Are you just setting the stream output to 1080p or is the camera's recording setting also set to 1080p? Maybe that might help since then the sensor would not be reading out 4K then downsampling to 1080...
Thanks for making such a practical and considered video on this subject! I feel like so many of the videos on the ZV-E1 can be pretty vague. I appreciate all the work that you put in to testing and giving us such great feedback. This is also the first video of yours that I've seen and you've got a subscriber straight off the bat!
Can this thing handle 4 hours of streaming (no recording) in 1080p 60 and perhaps even 4k 30 without any tricks? I was considering a fx30 but then I found I could go for full frame paying almost the same price. EDIT: I wrote this as I was watching the video. You actually tested it and only got 1.5 hours at 1080p! Wow that's seems bad (for my purpose)
Yeah - it's not really meant for long-form recording or streaming. However, if you buy a fan for it, it will run longer. I use this one: amzn.to/47Gmy0b
Very good and useful video. I'm wondering if I should buy this particular camera because of the stabilization and the price. Mostly I will shoot videos 2-3 min or maximum 5 min 4K/24-30p. The only thing that worries me is that I will be using it mostly in the tropics (Bali, Thailand, Philippines, Malaysia). It's really hot and humid there and I don't know how she would handle the temperature.😉
Hey! So, for short burst filming it should be fine. Even on hot summer days here, I can count on at least 20 mins of recording without heat warnings. If you're really concerned, buy a clip-on fan for it and it'll cool it off well enough for longer recordings. I bought one for mine and it's been working great! This is the one I use: amzn.to/47Gmy0b
I've actually tried it both with my rig/cage and without and I didn't find any significant difference. So, idk. At least for me, it didn't really make an impact.
Great video, thanks! Could you tell us please how the ZV-E1 reacts in overheating situations when you record long video (for example recording 30min in outdoor with sun and 35 Celsius) at 1080p at 50fps?
I haven't done as extensive testing with 1080p since I mainly film 4K for my work. However, the few tests I've done, 1080p doesn't overheat.... but I haven't tried it on a hot sunny day outside for a long period yet. (We've been having some cool rainy days lately, and I have other client projects to work on at the moment) But if I do more tests on it, I'll be sure to post an update. :)
I think you're right, on my rigged out zve1, it would overheat after 1 hour one time, but the previous day, I was just leaving it on for a while to see how long it would stay on and deplete the rig battery........ then I tested again, and it recorded 4 hours straight of 4K recording, 4 frigging hours lol. When I'm filming, I like to leave the camera on for the entire time I'm shooting....... but I couldnt replicate lmao, until being pointed in the right direction, will be testing.
haha yep... that sounds similar to how I stumbled upon this trick. Now, to be fair, it's not 100% fail-proof... so I still use my FX3 when I need to be sure that I can get long run-time. But, this little trick has come in handy a few times for me.
Sony ZV-E1 Hello can you please answer my 3 question I would be grateful. 1: at 4k 120 FPS or FHD 240 FPS which stabilizer can you activate? E.g. you can activate the speech stabilizer. 2: Does focus training work at 120 FPS and 240 FPS? 3: at low light is the same as FX3 and A7siii?
1. I didn't know there was a speech stabilizer... does that help with stuttering while talking? lol. In terms of other stabilization, the camera defaults to normal stabilization in 120p. 2. Auto focus is great at 120p. I don't think there is 240p on this camera. I've not tried focus tracking at 120 FPS though. 3. Yes. Exactly the same. I've tested both.
Great review my man! Looking for a new b-camera to replace my A7c. Currently shooting on the FX3 (Acam) but I always use my Bcam for longer takes so I definitely need a reliable camera that can shoot in different temperatures for long form content. ZVE1 looks awesome for non client work, broll, shorter takes but I’m hoping what Sony announces later this month will be the upgrade I’m looking for 😉
Yeah - for sure man. You gotta get the right tool for the job. I think from their current line up, the A7IV or FX30 are great options for a long-form recording B-Cam. But ya, I'm looking forward to what Sony will announce next. They've been killing it IMO!
oh 100% - very true. You can tell the difference just between recording in summer vs spring/fall/winter here. If I were recording in a hot climate, I wouldn't count on the ZV-E1 for long recordings at all. But that's why I have different cameras for different needs. You just have to choose the right tool for the job.
Yep - I've heard of some people getting very different results. All I can do is share the results I got. I don't know if maybe there are manufacturing differences in the units of the ZV-E1 possibly? I'd say, if you want to be safe for long-form recording, the ZV-E1 is not the right choice though.
The best review of ZVE1 that Ive seen so far, wow!! So, I sold my a6500 for buy a new câmera, and for preference, full frame. I'm so divided on take zve1, a7iv or a7cII... Your video brings so many things that others don't do, but still, idk. My a6500 served me so much, even with the thousands of "Battery exhausted" that I witnessed, and because of that, I think that I can live with the overheat issue for the dream of see in the night with 12800 ISO.
Ya - I'd say that if low-light performance is more important to you - then the ZV-E1 is a great "budget" choice. However, if long-form recording is more important and you want to keep it full frame and 10-bit, then the A7IV is the better choice. Otherwise, the FX30 is a great crop-sensor option for a similar price range. It really just depends on your use case. :)
@@shahabaskt1291 hey - thanks for the question. I'd say it depends on what your needs are. Short answer: if you need long-recording, then don't buy it. But if you primarily do short-form content, it's amazing. If you want my more detailed answer, check out this video: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-JlxQfOCSFwY.html Hope that helps!
When recording in 4k24 H.265 10-bit 4:2:2 on a V60 SD card, my ZV-E1's battery gives out after 90 minutes. I got no problems with oiverheating indoors with the heating turned on.
Hmm... interesting. Are you using a Sony battery or off-brand one? I wonder if anyone else has noticed this too? Right now I'm using Sony batteries and Joiry batteries on mine and haven't noticed anything... but I've not done extensive battery life testing since I usually have it plugged into a USB-C power source for long recordings. I just use a USB-C powerbank and it gives me hours of battery time. This is the one I use if you're interested: amzn.to/3Tje8qo It adds some weight, but usually for long recordings I have it on a tripod anyways and I just mount it with a MagicArm or one of my clamp mounts on my SmallRig build. I don't know if that's an option for you... :)
@@KuriosCreative i dont think so its just with less customizable options than the fx3 but has nearly same image, and you cant choose that high bitrate with zv e1 but for me a non professionell, its enough and the 1800- 2000 dollar are not worth it but for professionell it is maybe, and overheating is not an issue if you not shooting podcast or so, zv e1 is just not for podcast but any other normal shooting where you not shoot 30 minutes straight
@@KuriosCreative thanks for your humbleness tho, most youtuber think they are a big deal, so they dont answer some normal comments or so, nice that some dudes are still humble these days, stay like you are,
very interesting review. as i'm also considering getting this as a B cam and worry of overheating, i am still unsure as i live in a much hotter climate and am the madman that doe's the occasion long form shoots with 50/60/120fps...anyway i find your results positively but conflicting with the rest regarding external recording via hdmi...i wonder how would external power affect this isue also
Thanks. I ran most of my tests with the camera plugged into a USB-C power source. However, I would say that in a hotter climate, don't count on this camera being reliable and you should probably buy one of those clip-on fans for the ZV-E1 which helps a bit. If long record times in a hot climate are needed - for reliability, you're better with an FX-30 or A7IV in my opinion and they're in a similar price range.
@@KuriosCreative i already have the FX30 that is a great workhorse...i want this one as an option for extreme low light situations and also be more inconspicuous... would get the A7s/fx3 but just feels it's going to get updated soon...so yeah i'm trying to figure out how much the clip on fan could really help...
@@KuriosCreative Trini bai ✊🏽✊🏽 love the content brudda keep it up….first tech creator I’ve come across that’s Trini 🇹🇹 … just bought the ZVE1 for my channel and love it
It's a question of common sense..One..Many RU-vidrs dislike Sony, so they will always have something dumb to say, have fake testing, and paint some narrative..TWO..Anyone with a working brain knows you take the camera out the box, run it through real scenarios,and see what happens. You have 14-45 days to figure out if you want to keep it..THREE...How an RU-vid be accurate when you have 40 videos that it overheats, 200 that say it does not, and 200 that 'tested it in Arizona summers or next to a volcano...I have never had any camera that shut down because of heat and I have enough of a brain to know that high temperatures, long recording times,and no fans means any camera can get hot. My Note 20 gets hot, so I stop and wait..Many of them are just mad because my Sony does live native streaming and has no recording limits on LOCKDOWN...
For the most part - it performs really well at 4K 24p - that's what I'm primarily using it for. I can consistently get good recording times for what I need. I normally don't shoot for longer than 30-40 mins with it (mostly I use it for short bursts under 5 mins for B-roll). However, I've used it several times to record video podcasts of 1hr 20 mins without issue at 4K 24p. But note, those are all indoors in cool spaces. Your performance may vary if you're in a hot environment. I've heard of other guys with ZV-E1s that get quite different results to me. For me, it's been a great B-cam to my FX-3. Personally, though, I wouldn't use it as my main camera on client shoots... but for using it as a B-cam, gimbal camera or other use cases, it's been great! If you absolutely need longer record times though, or looking for something reliable as a main camera for paid long-form content, then I'd go with something else - maybe the FX30, A7CII or something along those lines. Hope that helps.
Yep - for doing short burst recording, it's totally fine. You'll only potentially see overheating if you're recording for more than 30-40 mins in 4K 24p in a warm environment in my experience... or if you record at higher frame rates (60fps, 120fps) for more than 10-20 mins. Otherwise, the camera does fine for most short-form content needs.
My copy of the AZV-E1 actually shuts down after 37 minutes of 1080p standing by (on Temp = High). All it has to do is HDMI out and those cool new tricks like auto framing and showcase. No recording. I would like to use it as my webcam and I need it to go on for like 3 hours. That is as real world as it gets for me. What settings do I need to apply in order for it to last longer? Thanks!
No problem! Enjoy your new camera. I have found that streaming at 1080p is actually really good with this camera. The overheating thing really is only an issue for me with the 4K for a long period. But the warm-up method does give more consistent long recording. If you get different results though, I'd love to hear. :)
Yes, you can. I just tried it out on the camera and confirmed... however, I would probably rather film 4K and scale or crop in post-production since you'll get a sharper and better quality image with the room for re-framing shots. But yes, the 1080p does have dynamic active steadyshot in video.
Well, I hope you have some hot sauce handy if you're gonna try to eat it. lol But you can see a few of the shots in this video which were just hand-held using the in-body dynamic stabilization. I don't have a video that's purely just stabilization tests though. However, in my opinion, the stabilization you get out of the camera is really great for most needs. I use it a lot on a Ronin gimbal though when I'm doing client work - and that's been great since it's a nice compact body... makes it easy to balance on the gimbal.
Haha - yep... I totally get that. I have an FX3 also. I think if you're looking for a main camera that's gonna be reliable for long-form recording, the ZV-E1 isn't the right choice. But if it's as a B-cam or for doing short-form content, it's pretty great. Actually, I made another vid exploring that here if you're interested... ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-JlxQfOCSFwY.html Cheers!
Thanks! Good question. I've not done a comparison test between my FX3 and the ZV-E1 on audio since I normally record audio to an external dedicated 32-bit audio recorder for most paid client work. However, I do sometimes record scratch audio with the ZV-E1's in-built mic, which is surprisingly decent. Maybe in the future I might do that comparison. However, for me, realistically, if I were using both the FX3 and ZV-E1 in a shoot, I'd always opt for the FX3's audio over the ZV-E1. I have though used the ZV-E1 for doing my own filming with DJI wireless mics, and it sounds fine. I don't have to pump up the pre-amps much to get a great signal. Hope that's helpful.
Dude, how do you have so little subscribers? Thanks for that cage recommendation at the end, having a cage with the hdmi holder is clutch, hate those little micro hdmi ports. Great video, I can tell you're shooting with some good glass.
Thanks, my friend. This channel is fairly new, and I don't really do a lot of videos. I'm not a career RU-vidr. I run my own media business. So, the videos I make are when I actually have something I think is worthwhile to share and have the extra time to make the video. But I hope that when I do have the chance to make content, people find it helpful to have honest reviews and opinions from someone who's not just doing it for views (although I do hope people see it! haha). There are some other videos I'd like to make, but right now don't have the spare time between client projects... but hopefully soon I'll get around to them. lol. Appreciate the encouragement though! All the best to you.
thank you for this review, well structured and informative. Gained a subscriber from this. It has helped on my search for upgrading into an affordable hobby based fullframe camera for more video than photos. Particular use in an underwater housing. Cant seem to find much info about in camera charging via USB-C. I would Ideally be charging camera and data transfer while in housing via usb-c accessory so I dont have to remove camera from housing while in or around water. Any idea how much time it takes to charge an empty battery via usb-c?
Hey! Thanks for the kind words. Sorry for the late reply - been a busy few months moving. I can confirm it does charge and data transfer via USB-C. However, I'm not sure how long it takes to charge a battery from zero via USB-C as I usually use my external chargers for that. :)
ya - unfortunately not. I definitely wouldn't take a chance with it in wet conditions. Especially with the big mic grill at the top - that will definitely let water into the body.
I don't find it's a big deal for me TBH. I almost always use S-LOG3 because it gives a slightly better dynamic range. It's not an issue once you light your scene well and are shooting at the base ISOs - which is my normal use case. Noise only becomes an issue when you move further away from the base ISOs. But you can also use DVR noise reduction to help with that...
@@hersh_yt hey - DVR = DaVinci Resolve. It has a really great noise reduction effect that you can add to any clip to reduce the amount of camera noise. And yes - that would be ideal if Sony included SLOG2 in this camera... but they do have it in other cameras. I own a few different Sony cameras and some of them have SLOG2 (although I seldom use it personally). I don't know their reasons for leaving it out of the ZV-E1 🤷♂
@@KuriosCreative I have shot videos with a7m3 for few years and based on my close analysis Slog2 performed better in higher ISOs and Slog3 was pretty much unusable 🥲
@@hersh_yt yes - I own an A7III also and I agree that SLOG3 is unusable on it. But I think that's because it shoots in 8 bit and not 10-bit. Now, I only shoot 10-bit and SLOG3 works fine.
SO it looks like it works on the relative rise in temperature, do you think this will work for Sony A6700 as well? I want to stream for longer durations(2-3 hours outdoors), I have to buy a camera and have come to 2 options A6700 and Canon R8 , what do you think ? temps are arounf 30-35 C
Hey - thanks for the question. I have no experience with using the A6700 - so, I can't tell you from experience. But here are my thoughts having used the ZV-E1, A7III, FX-3, and A7C... 1. You just can't beat a camera with an in-built fan (like the FX-3 or FX-30) for reliability in long recording times at higher temperatures. I'd say that in 30-35C temps, you should not expect the A6700 to reliably run for 2+ hours. It may do it from time to time, but I doubt that you could rely on it. The smaller camera bodies are not as good at dissipating the heat. However, I have found that the larger camera bodies are a lot better with heat. For example - The A7III vs the A7C both have the exact same sensor and internals - but the A7III (even without an internal fan) will reliably run longer than the A7C just because of its bigger body which helps with thermal management. I've not personally used the Canon R8, but I remember when researching whether to buy it a while back I saw that other users were having overheating issues with it also for long recordings outside. So, I'd imagine that it has the same limitations. Here are my recommendations: If you're shooting professional paid work you need to be sure it will not fail - get a camera with a fan. The Sony FX-30 is about the same price as the ZV-E1 and has a fan plus some pro features that the ZV-E1 doesn't have. Yes, it's an APS-C sensor, but that's fine if you have good lighting. Otherwise, the FX-3 is the next option (but a bit more pricey). Otherwise, if those aren't options, I'd go for a bigger body full-frame camera - like the A7III or A7IV and then use an external recorder for long record times in the heat. The truth is, if you want to do pro work, you gotta have pro gear. But if you're doing pro work and getting clients, after a few jobs the gear should start paying for itself. It's an investment. But you know your own situation and budget. Hope that was helpful! 😉 (Feel free to use the affiliate links if you're buying from Amazon... hehe)
Just ordered this camera very excited but nervous I don’t shoot long format content but I do professional work for small business, promo videos for social media typically. Think the overheating with me ok for this kind of work?
Awesome! Yep - it's been fine for shooting short-form content for me. Typically, if you're recording less than 25-30 mins at a time, you'll hardly have any overheating issues. I've also found that recording short bursts all day on a sunny summer day is fine too. Enjoy the new cam!
I always wonder why they make great camera, sell it for several thousand dollars, and don't put in good audio. Then you buy cheap external mic for $49.99 , attach it to the $3K camera - and problem with audio solved. Go figure ...
I don't personally have an A7IV, but from people I know with it, they say they've never had issues with heat for moderate use. I think if you're wanting absolute reliability though, you can't beat the FX series with the built in fan.
what came do you suggest for long form content like indoor podcast that can record uptown 40-60 minutes and that are not over budget. I was considering ZV-E1 but after your video completely changed my mind. I am a beginner and all this research is so overwhelming .
Hey - thanks for your question. That depends on your budget. If you are looking for something in a similar price range as the ZV-E1, then I'd recommend the Sony A7CII - amzn.to/3QRLESU - it's about the same price and also full frame 10-bit. Really great camera. If you want something cheaper, then the original Sony A7C is a great choice also, but only shoots in 8-bit (which is fine for most needs, especially if you're not going to do a lot of colour grading in your edit) - amzn.to/3SAVcTJ Another option if you want something more professional and don't mind using a crop sensor is the Sony FX-30 which has the advantage of the top handle to use with XLR mics for high-quality audio for your podcast. It's also 10-bit and can be used for professional level work - amzn.to/3QFuUgG (affiliate links above) I think any of those would be great choices for podcast recording. Personally, I would lean towards the FX30 if you can, since the XLR mic inputs would be useful for a podcast setup. Hope that helps and all the best with the podcast!
I have the Sigma 24-70 Art, as well as the Viltrox 16mm f/1.8 - for vlogging (which I don't do a whole lot of right now), I'd use the 16mm as it is plenty wide - even with the crop from the dynamic stabilization. Also the Viltrox lens is a really great deal!
i thought that this camera couldnt record pro res externally...is this via the latest update? i cant find any info on that in sony site of my country...
It wouldn't be on the Sony site. It would be dependent on how you're recording externally. You have to use an Atomos external recorder and set it to ProRes. I use the Atomos Ninja V to record ProRes 10-bit 4:2:2 S-LOG 3 externally from the ZV-E1. Cheers!
I have not found that info verified on the Sony website. However, it does say for the ZV-E10 that it is splash-proof. The ZV-E1 to me doesn't seem like it would meet the requirements to be considered "weather-sealed" since it has that big mic grill at the top that would let moisture in. In any case, I don't trust it outside in the rain. Light splashes should be fine though.
When you had it connected to your Ninja V, were you able to get it to trigger recording in the Ninja V when you pressed the record button on the camera? For some reason, I can't get it to trigger recording in my Ninja V when I initialize recording in camera. I have to press record manually on the recorder. I don't have that problem when it's connected to my A7RIV.
mate - kudos for the time you put into following your curiousity :) Awesome vid. My two reservations on this have been around the lack of thumb-dials and short-cut buttons plus the overheating issue. Now it's just down to the ergonomics. And whether there's really that much benefit to switching from my beloved micro four thirds Olympus OM-D EM5 Mk II. I love the small form factor - it's just so easy to throw into a rucksack and head off skiing or camping / trekking, etc,... but I also LOVE bokeh and there just aren't that many MFT fast wide-angle lenses for talking-heads (hence my temptation to switch to full-frame). That said, I already have the DJI RS2 Pro with LiDAR so maybe I just go for the Voigtlander Nokton 10.5mm f/0.95. It's a hellova lot cheaper than a complete change of eco-system!!! But love your presentation style and the detail you provide - the numbers don't lie and really do help to make an informed decision ;) Keep up the great work!
Thanks so much - I appreciate the kind words my friend and hope that it helps you make the right decision for you. For me, I just love the look of full frame and the low light capability is really important for me. But, I know that's not everyone's situation and MFT is great too. In the end, they're just tools - so get what helps you create best. :)
THANK YOU THADDEUS M. I LOVED THE VIDEO INFORMATION ON THE ZV-E1. NOW I REALIZE THE RIGHT CAMERA IS THIS ONE....... P.S. I LOVE THE PART OF WARMING UP THE ZV-E1 IN THE OVEN😂😅🤣😎😂
Sorry dude, but I'm not going to buy this overheating excrement. There are far better options available. For example, the Panasonic Lumix S5 II or the Sony FX30 - they have internal fans.
That's fine. Buy what works for you... no need to call it excrement. It's a different tool for a different job. It's not going to be the right tool for every job.
Great video and information! I have a question that sony never answer me but I am sure you can. I am using this camera for weddings. I know. This is not the best choice for that kind of work, but for me it is Ok because I record in 1080 60fps HLG. Now my question is, Is it possible to record at the same time on an SD card and in a Atomos Ninja V with this camera? I would be great to work safer just in case my SD card stop working... Thank you!
Hey, thanks for your question. YES. I can confirm that you can record both internally to SD card as well as externally to an Atomos Recorder, simultaneously. I've done it many times. Also, you can record internally at 1080p and externally at 4K. You just have to go to the menu>Setup>External Output>HDMI Resolution... and set it to 4K. Also, make sure that "Rec. Media dur HDMI Output" in the HDMI Output Settings is turned "ON". This allows you to record internally while outputting a signal via HDMI to your Atomos. If that's OFF, it won't work. NOTE: I'm not sure how outputting a 4K signal and recording 1080p internally will affect your quality or potential overheating issues since I've not tested that - since I only record in 4K. So, just be weary of that and maybe run a few tests doing that before you go shoot a paid job. haha.
Hey! So, I don't see that mentioned on the Sony site - do you have a link? I know that the Sony ZV-E10 - different to the ZV-E1 (confusing, I know!) - is "splash proof" but not weather sealed. This means that it can have a little bit of water splash on it no problem, but you probably shouldn't take it out in downpouring rain. I think it would be the same for the ZV-E1 as there does not seem to be any significant weather sealing on the body, and the big mic grill on the top would definitely let moisture in. At least for me, I won't be taking the chance with it.
@@KuriosCreative ok got man and what do think I am gonna buy this as my first camera, I am into cinematography and past 2 year was renting and using camera but now want my own ! So should i take it or look for another options like fx30, a7M4. I am from india and the average weather here is 35 to 40°C as an expert please guide me 🫡 appreciate your reply
@@MEWARIGUY hey - it really depends on what you're using it for. If you're primarily going to shoot long form content, then get an FX30 or A7IV or perhaps even one of the new A7CII models. But if you're just using it for short form social media content, or primarily indoors in controlled climate, then the ZV-E1 might be fine. For me personally, for paid client work that's not short form social media content, I wouldn't use it since my FX3 is more reliable. But for doing short form work or gimbal work - that's what I bought the ZV-E1 primarily for. Hope that helps!
@@KuriosCreative Ya generally gonna use it on gimble for b rolls not bigger shots than 2 minute (which is max) but I am from India and weather here is real hott like 38-40 degree Celsius so it really needs to be able to handle the heat since I M gonna use it to shoot in 4k 30 some time 4k 60 for slow motion ! I hope I will find my option and peace soon. Thank you so much for being generous 🙏 appreciate that.
would you recommend this camera solely for shooting Music videos bc I need that uncropped 4k 60 and my budget doesn't allow for a7siii or fx3 btw great video.
Thanks for the compliment! I think it depends on your needs for the music videos. For the most part - you'll be shooting shorter bursts that are under 30 minutes, so you shouldn't see any overheating issues (unless you're in a very hot environment or doing sustained slow-motion of 120fps). Most music video footage will be less than 10 minutes per burst - so I don't foresee overheating being a big issue. The only other things to consider would be the other features you don't get with the ZV-E1 - such as dual card slots, mounting options, weather sealing, etc. Also, because it is so light weight, you will get a bit more hand jitter than with a heavier body (without dynamic stabilization on), and both the Active and Dynamic stabilizations introduce a crop to your footage. But if you get a SmallRig cage and build it out a little, with a little more weight, you could get some pretty decent handheld footage. If you're using it on a gimbal or tripod though - those aren't issues to consider. Personally, for professional (paid) work, I only use it as a B-cam since I like the security of dual card slots for backup. But, I know when you're now starting off, sometimes you have to make some compromises too... so it just depends on if you're willing to make that compromise for now, and then later on you can always buy a different camera to replace this one as your A-cam. Remember that if you're in this business, you'll probably be upgrading your gear as you move along anyways - so try to not get too stuck on the gear and focus more on what tools help you to do the job you need now. Hope that helps!
Thanks so much! Ya, I'm hoping that if I just keep producing honest and quality videos that people find useful, the subs will come in time. At the end of the day, I'm not a RU-vidr - I'm just a guy trying to share stuff that I personally found useful in hopes that it might benefit others too. :)
@@KuriosCreative I've noticed a few others who were "producing honest and quality videos" begin to grow exponentially after many months, or a year or so. Also, with this video, you found an unmet need and filled it. Does Kurios have a flair for curating? 🕵 Your attitude overall and when filming is humble, creative and empirical. One of the few times I eagerly subbed after one watch. Cheers!
@@KuriosCreative You’re welcome. One question, If photo banding occurs when taking photos with LED lights in the background with the ZV-E1, wouldn’t video recording encounter the same issue because video essentially consists of a series of photos? I shoot concerts with my Fuji XS10 and I’m looking to upgrade to this for video.
@@Armanii911 hey - good question. The banding that you see is more related to the framerate and the frequency of the lights. I've found that when I get that issue with video if I adjust the shutter speed, I can usually solve it or at least greatly reduce it. For example, if you're shooting 30fps with a shutter of 1/60 and you see banding in LED lights, try setting the shutter to 1/50 instead. Normally that will fix it since a lot of lights have a frequency of close to 60Hz. You can also switch to filming in 24fps with the 1/50 shutter if that's an option. I had this issue a lot with a venue that I shot that used DJ lights that would flicker like crazy at 1/60, but was hardly noticeable at 1/50. Unfortunately though, it meant I couldn't shoot 60p or 120p slow-mo without it showing up in the footage. But that was just the compromise that had to be made because there was no way to change the stage lighting. Anyways - hope that helps and all the best with your shooting!
@@KuriosCreative Thanks again, it’s greatly appreciated! If I could double sub to your channel I would haha😂 all the best to you and your channel, I’m definitely looking forward for more videos from you, Cheers!
Your video was amazing ! I have a7rV for food photography and reel creation. You think the ZV-E1 will do the job for reel creation multiple sequence recording max 30 seconds, and slow-mo recording ? for 90% indoor environment (restaurant) and 10% outdoor (I live in Dubai) ?
I think the ZV-E1 should be fine for that. The overheating isn't a problem for short burst type recordings. It's only when you're recording over 20 min clips in very hot environment (over 30C) does it start to give overheating issues at higher frame rates (60fps, 120fps, etc). For my tests, at 24p or 30p, it didn't start giving the overheating warning until at least 30-40 mins into recording at 4K. If you record at 1080p, then there's even less of an issue. So, I think if you're doing short 30 second clips, you should have no problems at all with it.
