Of all the reviews I've seen, this once-upon-a-time band nerd truly appreciates you taking the time to break down quarter/eight notes with an audible example in the video. Sure a lot of us here will understand what it means, but it's the effort to explain that goes the extra mile. Cheers.
@@StompboxBreakdown Yes you did! Many thanks again 👌🏻 Actually, was looking for a really good true analog delay for a Worship Pedalboard. Now the ones that are there are digital copies saying "analog delay" *ahem-ahem* *boss*. So was really considering the Deluxe over the regular CC. Looking at the dotted 8ths and other options, it's a really good option.
I really like the carbon copy, awesome analog delay. I find myself using the Wayhuge echo puss a lot more than the cc, very similar but with more tweakability.
Great vid, I have the deluxe but was considering downgrading to the standard version to save pedalboard space but after watching this I think I'll keep it. I do like having the tap tempo, and mod controls where I can access them.
Had my deluxe for a while. Wanted tap. I'm happy. Of course its more space. But this delay creates a big sound. . I'm pretty constant on regeneration and delay settings. I adjust the mix more than anything. I'm not as ambient. More of a slapback repeater
I own the deluxe…. Didn’t realise the knobs and tempo sub divisions don’t talk to each other! So thanks….. very good reveiw. Also the explanation of dotted delays was clearing up some confusion on my part. Nice job.
I come back for everything, but especially the comments like "bowl of cornflakes that you left and forgot about in the kitchen." Bravo, this is The Show.
Love the vid. I was just so disappointed with the deluxe version. The mix knob has a useless sweep, the tap tempo screen is odd and hard to read, and the knobs were just not as easy to turn since they were so close together.
Glad you mentioned the Rubberneck. Lucky I got mine before the price hike. A superb pedal and even without the time stretch function it's extremely versatile.
Very thoughtful and detailed video. I enjoyed it. Take my sub! With regards to the pedal, maybe it is for a different type of pedal (not analog) but I wish it was stereo in/out and somehow turn it into a delay+reverb combo pedal like the Collider. I think both Reverb and Delay go hand in hand and there should be more availability of that combo in a single pedal.
I have a few analog delays, an og deluxe memory man, a boss dm-2w, and the Asheville adg-1. Part of me wants to buy a carbon copy, just to have on hand for comparison. I generally am not much for uber dark pedals but there something musical about the carbon copy, and it’s simple execution. My first BBD delay was the dm-2w but I picked up a carbon copy not long after, I think I preferred the versatility of the dm-2w’s multi modes but I came back to the carbon copy at times for the modulated repeats.
I browsed the internet after you mentioned the Rubberneck. I remember i bought it in 2022 for €180 new and i was amazed that it was so "cheap". But it did have some issues to be considered. Luckily those issues were not a big deal for me. Having said that, i just looked it up as i said and it is now €299 new. That's a more than 50% increase! It is insane..
Jam pedals delay llama xtreme. Get your hands on one. Wins everytime. Mxr is nice but tame. The a-b feature is killer. Love it on my meris ottobit. Every pedal should have it. Great vid man. Rack stuff coming back. Dusted my ol ibanez sdr1000+ of, stacked it against bluesky/ specular tempus… its great. Got mine for 80 bucks. Reverb sleeper: digitech rp1 goes to 99sec of grainy digital heaven.
i really like the comparison to manual transmissions and film photography. i think there are 2 qualities to that group of things that people will always connect with. one is the physical interaction, the second is the quality they provide. viynl sounds better, manuals make driving more enjoyable, film has its quality that is hard to replicate because so many variables effect the outcome. and when it comes to pedals, its easy to see how those qualities will always be desirable. i think that is also a separate player/customer than those who are into the big digital pedals and certainly rack gear. its incredibly hard to duplicate the sounds of rack gear in pedal form, or even plug-in form, but all the tech is advancing to where its possible to put good rack sounds into pedals which i believe is a huge opportunity for pedal makers. and looking at the BOSS SDE3000, if they can bring the price down in the future, it just opens up a new avenue for pedal making.
HI! nice video congratulations! I have a question: does the deluxe version have spillover? so the possibility of maintaining the beats after bypassing the pedal?
@@StompboxBreakdown Do you have time to give me some advice? I have an acoustic set and I'm looking for a high quality delay that is easy and intuitive like carbon copy deluxe, which has 2 presets and tap tempo, but must necessarily have spillover. Practically a carbon copy deluxe but with spillover 😊😂 can you advise me something? Thank you so much
Hmm, so bucket brigade with presets and tap tempo, and tails? Let me think on that. I know the EAE Sending does, but I feel like there must be something that covers those bases.
I think they may have implemented it differently on earlier models but I wasn’t able to find any definitive writeup to confirm it. What’s really interesting is you could potentially use the A/B thing to ease the modulation into your delay. I think it hits a really good price/feature spot.
Nice Couch straps! I love the several that I use. Oh....and the review! I had a chance to try a Carbon Copy about 12 years ago. It was nice, but not having the tap tempo was a deal killer. I went a with a Hungry Robot The Wash instead. But if I had the chance back then to try the Deluxe I may very well have purchased that.
Ooh, that one looks really interesting. I love the vibe that pedal has, at least from the demos I've seen. And yeah, I'm a Couch Strap addict. That blue one is soooo super soft.
Yeah, there’s a bunch of stuff that can be done using the expression pedal input. There’s a cutoff point with these videos where if I’m just reading the instructions manual into the camera, viewership drops off, so I try to stick to the things I think people will find most useful and interesting.
Does anyone know if the Modulation Speed occurs within the repeat or the played note? for example: repeats is 4, modulation speed is 3 = 12 modulations within that single played note. VS. repeats is 4, modulation speed is 3 = 3 modulations within the single played note (which would sound like hell with repeats being 4.
@@StompboxBreakdown I'm not sure if the delay time on vintage analog delay pedal that the delay time can be adjusted to get dotted 8th notes and dotted 16 notes or triplets. How can you tell?
@@waynegram8907 Are you asking about a delay pedal in particular? As long as you can adjust the time of a pedal, you can make it repeat one and a half times longer than the beat for dotted eights.
@@StompboxBreakdown Boss DM2 or Ibanez AD9, I can adjust the delay time but I'm not sure how to set the delay time to get dotted 8th notes, dotted 16th notes and triplets. That is the hard part if finding the delay time settings for these.
