New BLACKMAGIC CINEMA CAMERA 6K FULL FRAME | OPEN GATE 3:2 Footage | BMCC6k 

I agree in 100%

The camera doesn’t have auto focus?? It’s a problem for someone who always shots with AF? All the black magic cinema cameras doesn’t have it?

Those kind of people have never been on a real set . In the real world we have 1st AC’s for that

@@jorgesgoviano they don’t have AF. I would say Take the Time to learn manual focusing, I prefer no AF

You can have the best camera in the world but if your storyline is garbage it won't matter

Yeah, 3:2 and 2:1 are the way to go!

I was wondering what about the trendy anamorphic style? Thank you.

@@andyz_w3584 I think you can still use anamorphic lenses for flares and oval bokeh, + I think it would work great even with 2:1 cropping. I still love the classic ultrawide (+/- 21:9) aspect ratio, and I don't think it will stop being used. But 2:1 (smartphones and cinematic tv shows) and 3:2 (full frame, closer to a square) both make a lot of sense nowadays

I love this camera

Thank you :)

Thx, i'm glad you like my film :)

Thank you :)

That's what you get in a RU-vid version.

Such a shame, stupid compression@@DeanHarringtonimages

The quality is the same, but the vividness of the image and the blur are a different dimension

@@MichaPalikot Dynamic range is the same you think? Matteo keeps saying that this camera has more "DETAILS" but how is it possible with the same 6K resolution - I don't get

I think this is the beginning of a new BM and full frame series, I guess that subsequent versions will have higher frames and built-in ND filters, but this one is a breakthrough now and it's nice to work with BM graphics on full frame

@@MichaPalikot do you notice any difference with your p6k? In terms of dynamic range, overall quality?

It's surprising that people shoot ProRes with Black Magic cameras. I still don't get it.

@@nigerian-nightmare you don‘t need braw all the time, for example I record a lot of the videos for bloggers etc, where prores is much better as it saves space and less taxing on the computer in editing.

Mega jest zajawka z pełnego sensora

@@MichaPalikot ciezko jest z ostrzeniem w tej kamerze ?

Narazie pracuje na ogniskowej 17-35 wiec póki co bardzo proste, ale zobacze jak bedzie z Laową 28-75mm :)@@sebastianspychala

@@MichaPalikot no to elegancko , czekam na efekty :) poki co zastanawiam sie czy zakupic bm czy znowu jakies Sony , troche sie “cykam” ze bm mnie przerosnie , ale widząc obraz z bm jestem zachwycony

Ten arterafkt to halacja wpadjaca do obiektywu przez filtr ND, bo niestety kamera jest pozbawiona tych wbudowanych :(

Hi! I used Tokina 17-35mm :)

@@MichaPalikot thank you!

i love it too

Właśnie dzisiaj działam z anamorfikami :)

3:2 to jakoś 6k open gate :)

Sony exaggerate their dynamic range claims BTW. A7siii, fx3 have been tested and it's more like 12 stops useable.

Thanks Exorcist fan. Do you know if Blackmagic is making their full frame sensors? No, right? And if not, who is?

Będę testował :)

good eye ;)

U mnie nie mam takiego problemu, a posiadam taki zestaw: C70 + Sigma 18-35 i 50-100 + Tilta Mirage + Vaxis Filter.

@@filiptokarczykto się pojawia w określonych warunkach, przy rozproszonym świetle nie ma problemu, więc może nie miałeś okazji się z tym spotkać. Jak robiłem testy, to najlepiej było to widać nagrywając w dobrze wyciemnionym pomieszczeniu małe okno przez które wpada światło dziennie, wtedy się to okno dublowało i gdzieś w kadrze zawsze było jego odbicie.

Thanks 🤘🏼

Only compressed raw

Jest megas szeroko, aż sie nie mogę przyzyczaić tak przy tego rodzaju kamerze :D

Nooo... prawie xd

lol you've got to be kidding

@@csound55 I'm not. You are aware the S1H is nearly twice the price? of course it looks better. 12 Bit Pro Res Raw from the S1 platform is superior on paper and in practice in most situations. More dynamic range, and dual iso for low light situations. Most people just process it poorly while Resolve does the heavy lifting for black magic users. You are going to see when the side by side tests start coming out, or don't and continue to use a terrible black magic rig and deal with horrible ergonomics, shaky footage and poor battery life for no real advantage...

@@Nemastic Ergonomics? The expense and hassle of requiring an external recorder for a raw format with limited NLE options - for me cancels out that argument. What looks better comes down to personal preference - I prefer the image from the BM FF 6K camera to anything I've seen from the S1H.

@Nemastic Braw shot internally is miles better than recording externally regardless of the codec or flavor of raw. Sure, you can technically get a “superior image” if you want to shoot in ProRes RAW, but that in and of itself doesn’t make the image more cinematic. Your fanboyism is just dumb. Get over yourself.

@@csound55 most people don't process raw S1H footage correctly. Soon I will will be releasing proper PRR DNG comparisons using Resolve, which has only been possible for a few months thanks to Blackmagic purposefully refusing to support Pro res raw. The difference is undeniable, and even if you claim its subjective a half stop extra of dynamic range begs to differ. Besides that with an external monitor a Panasonic set up still has leagues better flexibility in every situation. Not to mention the battery issue which requires a "Terrible black magic rig" which we have entire facebook groups dedicated to making fun of. So many beginner film makers get duped into believing a weird rectangle with poor mobility is the best option and their work suffers greatly because of it. There was a time when these cameras made sense but as of now that ship has sailed. 1. Worse image 2. Worse Ergonomics 3. Worse battery. Where is the advantage? I just don't see it.

Już mam :)

​@@MichaPalikothow did you get it so soon?

IF YOU ARE A GREAT VIDEOGRAPHER then BLACKMAGIC is giving it to you for free : ) @@diamondlabelfilms

Wspaniale! good work! @@MichaPalikot

@@diamondlabelfilms I got it from Blackmagic as a tester

Blackmagic has always been better than RED :)

Komodo beats it hands down, but this new full-frame may come close to Komodo.