The dance that Henry Stuart Lord Darnley won the heart of Mary, Queen of Scots with. She was six feet tall, and he was a long tall fellow himself. The dance was all the rage in Paris in the last half of the 16th century where Mary was raised and had been Francis II's queen. Darnley was handsome and athletic and schooled as a prince himself, so he knew the dance perfectly. Plus had the athleticism, height, and dash to perform it well. Poor Mary was smitten.
Gorgeous. So stately, measured, and beautiful music. There is something immediately calming about the tempo, and the formality and restraint of the courtly choreography.
Lovely! I studied 16th century polyphony counterpoint under Professor Bain Murray at Cleveland State University way back in 1981. The piece I composed was a Pavane,and he seemed genuinely happy that I learned what he was instructing me in. Some of the happiest days of my life.
This is what I was looking for true Renaissance/Tudor dancing! Not the crap they passed off in the TV series THE TUDORS. Which bent history so bad it squealed. And don't get me started on the costuming.😝 The dancers her were properly garbed. A wonderful performance.👍👏
fwiw i think Europe was still in the middle of the little ice age then. plus england is actually quite far north compared to the continental US, so i think in general it was chilly enough that it wasn't ridiculous to constantly wear 3-4 layers. i'm not positive but i think renaissance fashion in italy is a bit lighter.
Ah ... A mi estos vídeos me entusiasman me inspiran A estudiar y ensayar ! Arriba Claudio Gracias. Y gracias a todas esas personas que hacen cosas tan bellas
Agradezco mucho por video y por preparacion de esta presentacion exelente.Mucho trabajo y esfuerzo con baile,con vestuario historico y por supesto,con musica❤
I enjoyed this very much. A shame we had to see people in the back room jumping and down and Brenda and Sheila cutting through on their way to have a smoke outside. :)
Pour le battement de la Pavane, Arbeau explique qu'il faut battre 2 fois plus vite que cela est fait ici. (3 battements pour un pas - non pas un pas de pavane, mais pour chaque action qui compose le pas de pavane, qu'il soit d'"un pas" et d'un "pieds joints", ou de "trois pas" et d'un "pieds joints"). Les dates avoisinent e règne de François 1er pour la France dans la forme présentée ici, 1650 à peu près. Elle viendrait d'Espagne ou d'Italie, donc bien avant en date.
Audience moving about certainly could have happened during the time period these dances were performed. Secondly, the drum is too loud at times. But other than that, this was a very helpful video because not much is said about the pavane-galliard combination in my Norton Anthology of Western Music (NAWM). Thank you!
Very nice, but the air of the galliard is in fact an air suited for the "basse-dance". And an opinion : why renaissance reenactors are always dancing the galliard choerographing it, as the common use described by Arbeau was to dance it a couple at a time, man and woman facing each other, the woman using low steps, the man exhibiting its skilnness using various and vigourous steps ?
Galliard and pavan were the same speeds (pulse rate) but with the galliard in triple time. What time period, date, were these from? The pavan was pretty slow. I thought the pavan had more swaying. Thanks.
The costumes here are 16th century, but the dance continued popular until mid 17th century. I read they were in vogue from around 1540 to around 1650, when Louis XIV made the Allemande and Courante more popular.
I'm pretty sure no one would have been banging away (especially that loudly) on a darabukka iat the English court. The "behind scenes" view of the non-participants is weird. The instrumental playing is not bad, though.
춤곡은 그 기능상 리 듬이 확실하고 규칙적이어야 했으므로 모방적인 짜임새는 보이지 않고 주선율이 장식되는 것이 보통이며 분명히 구분되는 몇 개의 부분으로 구성되어있다 춤곡들은성악곡과 관계없이 독자적으로 발생되었으므로 자유롭게 기악곡양식으로 발전될 수 있었고 후에는 독립되어 춤을 동반하지 않는 연주용 기악곡으로도 작곡되었다 그러나 춤의 특징적인 리듬과짜임새는그대로유지된다. 춤곡은중세부터의 관습대로 2-3개씩 짝지어 작곡되었는데 가장 흔한 짝은 파반느(pavane)와 갈리아르(galliar비， 또는 따사메초(passamezzo )와 살타벨로(sa!떠rello)이다 대개 첫 곡은 위엄있고 느린 2박자인 반면， 두번째 곡은 경쾌하고 빠른 3박자이며 첫 곡의 변주이다 따라서 이들은 춤곡인 동시에 변주곡의 일종이기도 하다1 6세기 중엽에는 알르망드(allemande) 또는 알%κa뻐an) 이라는 보통 빠르기의 2박자 춤이 유행하기 시작하였고， 빠른 3박자의 쿠랑트(courante)도 합세하였다 이 두 춤곡은 춤모음곡의 기본 악장으로 남게 되었다 이렇게 서로 대조되는 춤들이 짝지어지는 르네상스시대의 춤곡들은바로크시대의 다악장형식인 춤모음곡(da nce suite)과 실 내 소나타{sonata da camera)의 발전에성행시시- 르네상스 춤곡은 대조적인 성격의 두곡이 한벌을 이루고 일반적 조합은 2박자의 느린 춤곡에 3박자의 빠르고 경ㅋ홰한 춤이 붙는구조 만약 악보가 있으면 가,나 두개로 붙는다. 가는 4/4박자 나는 3/2바자 이런 곡이면 파반느와 갈리아드
niver seen such bad manners during this performance as people walking in and out the the door almost in front of the musicians and performers at such a cultural event of history.
I suspect that multiple historical events were happening at the same time, causing some to enter and cross this room to get to them. Either that, or this is where the restrooms were located.
Je voulais vous confirmer avoir l'avis de 4 spécialistes italiens pour dire que l'agenouillement dans la Pavane ne se trouve nulle part dans les traités italiens, pas plus que dans Thoinot Arbeau, l'Orchésographie, 1589 ou autre manuscrit daté de 1610-12, Instruction pour dancer… ni ailleurs.
lmfao what is the drummer doing. did their percussionist run into traffic so they gave a 5 year-old a stick and said try and bang this at the right times
