Thanks for sharing! I can't wait to get my hands on a 1981 DRV. I've been looking for a new heavier drive, and I think that's the one I'm leaning towards the most right now.
you are special to God ... he chose you jeffrey ... you are unique ... I miss that time when you in Jesus culture started to praise God with the same members of that time in 2008 ... I still want to see you and the same team praising .... I felt God's presence very much.
Hi jeff I know this vid is old but I was wondering if you ever use any aby switches since you run 2 amps in your rig or if you've had any problems with ground or phase running stereo?
Hi Jeffrey, Is the Mastermind able to program different affects chain order or do you still need to order the pedals from right to left / ( Inputs -outputs) physically as you should Drives first ect..? Hope this makes sense and thanks for your video's to.
It depends. If you can connect the pedal to the PBC via MIDI you can alter parameters. You can see him do this with the BigSky and the TimeLine in the video. Most overdrives & compressors do not have midi connectivity, but quite a lot of modulation, delay, and reverbs do. Hope that helps!😅
My current board and (and guitar collection) was exactly like your board in your last walkthrough..... dang, now i have to change some stuff out. Thanks for being an inspiration!
Love that u use the delmar on ur pedalboard. Great stuff man! U should also try the Avalanche run from ead. It's my 2nd favorite reverb/delay pedal after timeline, has lots of very cool features man, it has that clear glassy sparkly sound but u need an exp pedal to get all out of it.
So Sweet Jeffrey! Just when I think I have your amazing tone figured out, (a little) BAM you re-create it with a new batch of pedals! I love it!!! SO... I get the Julia out, and the Tap-a-whirl in, the LGW will NEVER leave I get that, but the Deep Six? I am sure "you" can get that same "always on" bite and tone with the 2026, so I am wondering... is it like a step up in quality or what? What does it do the Deep Six does not?
what is that like electronic sound that i hear when youre not playing? It can be easily heard at 10:31. I have it in my rig and i have no idea what it is.
Hi Jeffrey Kunde! Could you please make a tutorial of the music Jesus Culture - Prophesy Your Promise (feat. Bryan & Katie Torwalt) (Live) ? The guitar sounds great!
Question: Do you run your amps a little dirty or was just at the tippy tip of break up? Cause that sounded kind've dirty there in the beginning without any pedals on.
Hey Jeffrey... the TA website says sold out and discontinued for the stereo link what’s up with that? Any other solutions. Sorry I know it’s not your company just seems weird to be discounted after such a recent video.
Check out Jerry Garcia playing mutron filter on estimated prophet and dancin' in the streets (live versions from 1977...you'll never sell your spatial delivery) so much fun listening to him jam. I'd recommend the show from 05-08-1977 Ithaca NY. Amazing playing that tour!
hello jeffrey... I want to know your opinion about the helix line 6 or individual pedals which would you buy if you had to choose? please help i await your reply...thank you
Good job Jeffrey and thanks for doing a playing demo! Glad you are still using the PBC - a great machine! I had a GW board built a couple of years ago after seeing your first GW board build. Love it and now they are going to do a smaller version for me. Great folks, great work and now a US presence. Awesome all around! Thanks again for taking the time to do this. You have a great ear for tone although I don’t always agree with your choices. For instance, for chorus and/or multi-effects I prefer a Möbius (large size tho), H9’s (not a great full chorus tho), Analogueman Bi-chorus or my new fave the Free The Tone Teri-Avatar chorus. If I had to choose 1 I’d choose the Möbius for sound and the H9 for size and overall flexibility. Some great delays and other things also that make it an incredible Swiss Army knife pedal. But since you apparently only need chorus, I’d use the Tri-Avatar as it’s midi-switchable between presets and they sound great plus you can tweak and save! I have to admit the Boss sounded good though. Thanks again!
Harmonic overtones... It’s just something inherent in the guitar and amp setup. Using a compressor can help amplify them. Sorry this reply is 2 years late lol.
I would recommend 2 changes. #1: Add a Jackson Audio Bloom v2 to the bottom row as your Compressor & a Ramble Affects Kismet anywhere you can fit it in. The Bloom v2 has multiple presets you can control via Midi enabling you to match optimal comp settings to a given patch & by putting it on the bottom row you can reach the "Boost" which they call "Bloom". The "Bloom" feature fades in the boost quickly and fades out the boost quickly removing harsh on off of boost operation. #2: The Ramble Kismet has 5 presets available via midi and is a analog pedal with digital control. With an expression pedal you can utilize toe heel functionality that seamlessly blends whatever you have it assigned to do. I use it to add and remove dirt. Having 5 presets midi controllable on the Kismet & 6 presets midi controllable on the Bloom would turn this board loose.
You have A LOT of money wrapped up into that rig, about 8k by my accounting! It sounds really good though. Have you ever played through an Axe FX? you can get all of that sound and a lot more for a lot less and less to carry around!
Remove the milkman and create a slapback with the timeline, then swap out the tap-a-whirl, chorus, and spacial delivery for a Mobius. Save some room right there :D
What's great here is you use real amps. I have tried all modelers, with in ears, monitors, no monitors whatever and nothing works like a real tube amp. I am a Plexi player. Granted I use a load box, and for Worship I use it just to get barely break up sound, then overdrive with an EQ or overdrive pedal. I then mic the cabinets used. At home I turn it all the way up for my main distortion sound but without going through a cabinet. But a REAL amp is a no brainer. At Church, I use it differently, but I MUST use my fave tube amp. What Jeff does is keep everything off stage to control volume. I would much rather invest in balanced cables for longer runs than suffer with a digital amp. Tube amps feel and sound the best. I run effects in a rack as I want to get the same quality I get when recording in my studio. So, using a mixer, multiple Digital Delays, a power amp then a separate cabinet. Whatever Bottom line, there is a way to use tube amps at Church you all. Moving it all off stage as to not kill the front row is key, as Jeff and many others do. Modern day load boxes make it possible to tame those older non master volume amps.
As someone with a similar amount of gear, (albeit not nearly as expensive of gear...yet) it's all about presetting. Get everything how you want it setup well in advance, and then don't change knobs during the gig. Use the controller to keep everything together and smooth, then click on/off when needed.
Jeremiah Jacob he honestly could. It’s just he’s invested in all of this and can use amps and pedals so no reason to downgrade. I mean using those presets is just like snapshots on the helix. I honestly am so happy with the helix and am so glad I don’t have the headache of all this he has to deal with.
Is it weird that I don’t like ANY of his drive sounds??? Sounds like a blizzard of nails.....the regular amp breakup sounds fantastic..... turn the amps up a bit more and use a boost or fuzz as a solo kick and you’re done!
