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Philip Hoffman: How we built the largest art investment firm| London Business School 

London Business School
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23 окт 2024

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Комментарии : 9   
@PJBrunet
@PJBrunet 8 лет назад
Fascinating. I have so many questions. Like how many of the paintings just sit in a dark vault vs. being loaned to a museum? What about climate control for shipping, forgeries, security? How to sell a million dollar painting, in terms of photography, or do investors insist to see them in person? Does a buyer ever agree to just leave it in your vault (after it changes hands) and it just stays in there motionless like a bar of gold?
@carloscardenas3057
@carloscardenas3057 7 лет назад
How are conflicts of interest managed between the private accounts and the fund? Ex. When you have a great acquisition opportunity, do you offer it to a private account or do you acquire for the fund? What about selling a piece from the fund to a private account? It would be great if someone from the Fine Art Fund could answer, thanks
@jameswilkinson150
@jameswilkinson150 8 лет назад
A.k.A is THE next thing but you won't be able to find them, ironic eh?!
@thehappyappy
@thehappyappy 8 лет назад
I think you're referring to aka illustration. You think they know your.. onions, thing is, it's more about tomatoes today! :)
@jameswilkinson150
@jameswilkinson150 8 лет назад
+Lucy R yeah that's who I meant but their inpieces NOT illustration. OK!?
@jameswilkinson150
@jameswilkinson150 8 лет назад
+Lucy R FFS!
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