Filmmaking is the epitome of collaborative art, the more of these videos I watch about the wide range of talent it takes to release a film the more I am impressed and mesmerized by the whole process.
This was impressive. A balance of broad overview and some very important details. I was surprised to hear you mentioning conforming ( Color Grading process) and Compression ( Sound Editing). When you start hitting on stuff like that without getting into the weeds. You are really hitting on some important details that will provide the members of the audience who aren't familiar with these aspects of the process, the information they need to begin to take a deeper dive if they want to.
I cannot thank StudioBinder enough for helping me to better understand the entire filmmaking process. I've gained so much knowledge and feel more confident moving forward with my own weird little films! Thanks a million!!!
I've always loved the technical details of filmmaking, but it's been years since I've been crewed on an actual set (and even when I was, it was small-time video production, not films). I love that you've included both the old and the modern techniques in this video. It helps an old-timer like me stay up to date on the industry. Any plans to do more in-depth videos about editing? That was one of my favorite areas.
An interesting aspect maybe for episode 2 could be how to combine all the exports of all these departments together (conforms). Many deliverables can be made, depending on where the film will be diffused, the type of audience, festival outputs. As well for archives, DCP files, etc. As always, beautiful work. I never click so fast when I see a thumbnail on RU-vid.
You’re always using beautiful melodies for these videos. Is there a place where I can find a list of them maybe? What is the song’s name that plays from 08:46? I love it. Thank you very much.
😄Eddie Hamilton looks exactly like Marco Beltrami. Also, I never thought I would hear of SANs or RAIDs in a StudioBinder video! "Just when I thought I was out... they pull me back in" 😂
This is quite condensed. Quite the feat to cram it in to 20 minutes. Each section could be an hour long and it would be diffucult to cover most aspects well. I'm from the sound side of the production and post production fields. The Foley section was a little short, as the artists and mixers often produce sounds even editors will struggle to cobble together. Perhaps you should have quoted a few lines from David Yewdalls book :) . Lots of juicy ones to pick from. Book recommendations "Practical Art of Motion Picture Sound" David Lewis Yewdall , "Dialogue Editing for Motion Picture" by John Purcel , "Foley Grail" by Vanessa Theme Ament. There's probably way more by now too.
Hello Studio Binder! This was an awesome video! I would love to see a video where you break down the dynamics of the movie „The big short“, especially script wise & structure of the story, as well as the usage of montage and breaking the fourth wall! Maybe you could add the movie to the your list and put it into a suitable category of your types of videos! Greetings from Austria
Thanks for the suggestion! We have two videos on montages you would like ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-29xvA9Ly7IQ.html ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-IrNY_WcUtMU.html
Very edifying video ... Terrific work StudioBinder. This is why I feel like the acadamy needs to revisit the category of Best Sound Mixing and Sound Editing; both totally different and hard work to do
Can you explain how the recorded footage during shooting. Like how they manage the footage of the scenes shot in different frames and angles and also different schedules
It's Always Inspiring to learn from you StudioBinder. This Video is A Complete Audiovisual encyclopedia about Post-Production Process. Thousand Thanks.💯💯🌟
@@thisisarmando *Yes sir, you're right that I must put it practical practice otherwise it won't work but I'm saying that in order to learn the theory should I watch it again and again will it work to remember?*
5:30 remembered me about that movie with John travolta, and I forgot the name of it. After a few minets googleing, find it - Blow Out. I like how he disocvered the shot before the crush car in the film. Nice!
I don't thank you enough for your top tier content. I love these series. I can't wait for the MARKETING phase of this filmmaking series. I am to learn more about the relationship between distribution and marketing.
Amazing series and beautiful communication, it is my favorite channel. I think I heard Hitchcock name the cut, instead of ''the assembly''... So many great details in such a great manner and measure, thank you for exciting moments while always being given a chance to learn something. Best regards from Montenegro. Or 'Greetings' like the film where De Niro had one of the first roles//parts if I'm not mistaken.
ln regards to sound design, they really need to sort out differences in levels between music soundtrack and spoken lines. lve lost count in how many productions lve viewed that require turning volume down with sound fx & soundtrack then having to turn volume up to hear dialogue. Or am l the only one who has that problem?
As a musician trying to learn basic 3D VFX workflow for my videos, I wish this segment dealt more with compositing, which as I understand is not done in After Effects but in Nuke.
Please Please make a video on how to shoot film with multiple cameras. Can a film be successfully completed with just one camera? Budding filmmakers who are about to start their 1st film, struggle with these questions. Please make a video for *"a filmmaker who is about to make his 1st film. What all resources he need?"*
Great video :) Cheers 🤩Could explain the difference in offline and online editing. What it is and how it works? I hear it is about the downsizing the files size to make the editing flow easier.
Offline refers to using proxy files, which are smaller, lower quality versions of the originals. This is done both to take up less space and for better performance when editing. Online refers to using the original high quality files, which is crucial for color grading and VFX.
You guys should really put energy into fixing all the bugs in your software instead of making social media vids. Is 2018 really the last time you updated the software?
@@StudioBinderaccepting dual dialog in a fdx (it currently just deletes that dialog without even alerting you), and having undo when editing scripts would be nice.
@@StudioBinder He gives his justification for doing this on his commentary track for the aforementioned film. I haven't listened to it in a while but basically he doesn't want to watch a four hour version of something that is supposed to be two and he just ends up hating everything about it
I disagree with your definitions. CGI doesn’t mean totally created in computer. It means aspects of the shot are computer generated. It can be used in composite shots and mocap shots. Definitions like this are why films like Top Gun can claim to use 'no cgi' when 99% of a captured shot is replaced by digital creations.
![Post-Production Explained - Each Step of the Post-Production Process [Stages of Filmmaking, Ep 4]](/img/logo.svg){kind=logo}
