POWERFUL AFFORDABLE GUITAR PROCESSOR - NUX TRIDENT 

I agree somehow but I did not like how extreme he writes and attacks good people on X. I was stunned when I found out. Very sad!!

Who’s he attacking? (I’m not on X)

I'm on X. The other day I clicked first time on his X-Link and was shocked after few reads. I never thought he would be so extreme and aggressive.@@ArvidNielsen

@@fgo5872 just read some...lol..needs to look closer...

Smart move. We think alike.

I bought a Boss ME-90 for a decent price but I still got the Tone Master Pro. The ME-90 is like a Toyota Corolla, functional. The Pro is a Ferrari, functional but also thrilling in design achievement. The updates are amazing. The Computer Control app is so easy to navigate. The sound is stellar. 8 processor cores make it future-proofed. More updates at Xmas. The Bass amps. More guitar amps. More effects. Sampling. The 7" color touch screen is crystal clear high resolution. I would like to see Pete's presets on the TMP. The price is 4 years of R&D intelligently designed at Fender. When you have it in front of you it is easy to see it's greatness.

The presets do not sound like this I have the board and talk about this very reason! You have to remember you’re listening to a digital signal compressed. You also do not know his pickup, pickup height, his string choice in every preset nor guitar he used to make them, you don’t know what preamps he recorded the signal audio interface he made patch with eq setting in his recording software. Too many factors one of two of his presets are usable out of the box now the chop tones are very good but again not all are usable or will sound like there demos. A lot of reviewers leave out a lot of tonal information. The unit is good. I also have done my own patches with my own it’s on my page. I have about 7 patches done useable that I a/b through a pa and an amp head and cab.

In Germany the Fender Tone Master Pro costs barely under 1,900 Euros. The Trident is available at 399 Euros. If you are on a budget, this is a really great alternative. Different from Kemper, Fractal etc. you don't need to be a rocket scientist to operate it. The sound is of course not quite up to the big elite. But it's phantastic given the price point. Any more questions?

I have the tonex for stereo and IR-X for center dry with plethora x5 with three pedal board amps with three 1x12's for the most inexpensive professional wet dry wet set up's.

Or ToneX plus Line6 HX Effects. But that's more than twice the price of the Trident.

Was about to say the same.

Lol

I'd venture to say no. Could he? Absolutely!But he's got better stuff to cover a vast array of situations. This is a great pedal for it's price range, and this video exemplifies that, nothing more, nothing less.

I mention in the video, I’m running guitar straight into the unit and then straight into my recording interface

It’s not analog

66BT

@@zaphodrahja What a great sounding guitar!

It's the fingers and brain

@@rodolpheponthus2948 exactly your not going to sound like him on his amp and guitar lol my point

What exactly is the definition of plugin ?

@@benallmark9671 Like GuitarRig, usable in a DAW to access all the sounds directly with no hardware.

@@benallmark9671 Software on a computer

Yes it has an input for a expression pedal. Also has a effects loop an aux in and 2 DI outs plus 2 1/4 inch outs and a headphone out. MIDI in/out and USB

Great player and great guitars going in helps. He could sell ice to eskimos.

10 years too late 😂

That would be Cerberus, i have that too.

Yes, it's packed away it's Box, currently, but might break out for a Wet-Dry-Wet Rig... ? Might get this, though I'm considering the New Fender TONEMASTER Pro, but the Price for the Whole Rig, especially with a 2nd FRFR Cab, is Outrageous!!

Howdy brother! Pete sounds fantastic! I am continually amazed at his chops and vast knowledge of gear!

@@earlcoli5607 Yes Pete is a Classic humble man that can match licks I think With anyone, Hate U missed the Primer, But this is a great price on a processor with tons of plug-in Amp sounds, Effects, Looper, and plug in to phone and more, $450 or so is a great price, Take care Brother and Music-In-Law 🤘🎸 o

Most modeling products have latencies in the range of 2ms empty box rated which is roughly equivalent to 2 feet away from the speaker. Example: an empty block in Fractal Axe Fx III is 1ms latency so when you add a amp & drive pedal it goes to 2ms, if you use 3rd party IR's your latency can go up especially if there's leading silence in the capture. Delay, Reverb and Cab do not add latency unless your using stereo selections. But some 3rd party IRs can add latency This is why I don't like IRs! If you use mono pedal selections they won't add latency, legacy stereo selections add a slight amount of latency, I always load last block with a legacy stereo pedal all my other selections are mono. With most any of these newer modelers when you add amp and a drive pedal your latency goes to from 2 to 3ms. Fractal goes from 1ms to 2ms. I suspect Nux latency is around 2ms empty block, no way is it 1ms! it's just when you add a amp & cab the latency go's up to 3ms latency. But even at 2ms empty block if you load your blocks correctly and use 48kHz sampling rate you'll get roughly 3ms latency which is close to instantaneous.

@@IshredGuitar appreciate the info. I'll have to check the IRs I made to confirm the beginning space. I run an FM3 and really only notice the latency when I take the headphones off and place them around my neck. I can hear the natural string sound and the sound from the headphones at the same time and notice it then. But obviously I don't generally play like this.

I'm a bit of a latency and sampling rate sound nerd lol! I also strive for better guitar tone these days. They went away from 96kHz sampling rate for pro modelers because using 96kHz sampling just uses more DSP and they figured out that the 96kHz just adds more "aliasing noise" which hurts your tone when you use gain. 48kHz is the best and considered pro standard, I wanted to stay with Zoom and Boss products since I've been using them since I was a teen but they won't let go of 44.1kHz sampling rate and in my opinion it does affect perceived latency as well as overall latency as the sampling rate converters take a snap shot of the guitar signal coming in and converts in a micro second to digital and when you take just a bit bigger bite with 48kHz your getting the signal conversion faster and our ears can hear it! If the artists hears it and feels it then his tracks become even better through artist inspiration. Thus we're the creators, the studio sound engineers are not the artists. Even though the engineers believe they doubled Nyquist theorem, I'm referring to Zoom and Boss sound engineers, they're not near the engineers as Fractal or Line 6. I find this stuff fascinating and I read as much as I can on sound engineer data and study it a lot when I should be practicing my guitar chops. lo! Anyway, I believe the true reason is both these companies Zoom and Boss purchased large amounts of DSP core chips that have architecture written for 44.1kHz, it's about money for them. Nux Trident , Hotone Ampero II and Fractal get it. Line 6 Helix floor made a solid unit with their floor model with its dual core DSP's. FM3? That's a powerful board modeler your FM3 but it's only 25-35% as powerful as the Fractal Axe FX III. I think I would probably love it though.

I noticed that too. I have seen that type of finish before as I am sure you have. Its an agrestic look which gives the unit a “feeling”. Marketing is everything and I am sure this “distressed” look has a subconscious affect to our impressions of the device. Maybe its cheaper to produce; this finish might be a byproduct of not using as high of pressure painting technique. Who knows?🤷🏼‍♂️

@@onethousandtwonortheast8848 Oh it gives it a feeling, alright... it's called "stupid", lol.