Pushing the GH5 colour to the limit - Amazing results 

This is great. The three dimensionality of color spaces is something not a lot of people really understand, so I appreciate you taking the time to explain how complicated the various attempts at managing the color space really is. Different Log converters tend to have different priorities, and yours are obviously focus on the blending of colors and more fully saturating the color space. Nicely displayed. This is also why I started focusing less on just having 'more dynamic range' and more on what am I doing with my midtones, highlights, and shadows. We get our best and most vibrant colors in the midtones so we should manage our light and our exposure to use that well.

This also works incredibly with the GX8 which share the same sensor and Im blown away!

Just wow! Checking in with this channel after a few months and that initial edit was just insane. Even though you always had the technical know how your shots didn't feel artistic or cinematic enough in the past. You have taken things to the next level now!

You, SIR, are AMAZING mate, I really like how you cover many things and I find it understanding your teaching style very easy to understand. I will do your course a little later & save up for your luts. Cheers from Western Australia

giving for free huge experience in this field is so priceless...thank you man

Great, really helpful video, thanks! Just one point of clarification for those who are interested. 18:05 The "safety line" on the Premiere vector scope - connecting the six inner boxes - is an indication of whether colours fit within what is safe for broadcast (PAL/NTSC). That is, it shows where colours will be clipped because of bandwidth limitations (with a safety margin) within the broadcasting system. So while it might be helpful in this situation as a rule of thumb, that's not strictly what it's there for, especially if the intention is to produce the most saturated colours that the colourspace itself will allow. The six outer boxes on the vectorscope equate to the remaining six corners of the cube (after black-white) in the 3D Lut Creator vectorscope, so these are the limits of the colourspace. Unless you are creating content for broadcast, it's debatable whether you need to stick within the safety line - although on the other hand you never know what it's going to look like on someone else's screen!

thnx! seriously the best (and simplest) to use lut package for the GH5. Panasonic should work with you to create these things

Aweome Joonas! This is seriously like the best purchase I've made. Totally transforms the GH5. Keep it up!

FANTASTC!! I got the kit recently and love it!! Thanks a lot for making it!!🙏😎👏

Woo Hoo! just got my link for the update to Version 5.0. Thank you so much for not making us pay again and supporting existing customers.

Colour is so important to videos!

Very Nice Video with a perfect explanation! Can´t wait to test it my self :)

Your knowledge about the GH5 have helped me a lot, keep it up man!! :)

I have seen you before but this video convinced me to subscribe to you! 🙂 You described it really well and I love that you are yourself and take the time to go thru every detail instead of rushing thru it! I will take a look at that course for sure since color grading is something I want to improve in 2019! 💪 Go Finland! 🇫🇮

As always ... impressive! Jonas, you did a great job, I love your approach and it's always a pleasure to learn from you, keep it up!

I really love this video. ✔

love the way that you explain your work flow! i will buy the kit for sure

I use your color correction pack for all my productions thank you Joonas!

Thank you so much for continuing updating the kits on the GH5.

Wow......learnt a lot here. Thanks bud!

Great Video. I just purchased the Kit. Looking forward to testing them out with GH5, Mavic Pro, Gopro 6 and Osmo Pocket.

This dude just like some crazy scientist in the sifi movie...Always doing magic works...

Thanks! Have a great holiday as well!

So inspiring. This is what I've been looking for for a long time. Huge THANK YOU!

It looks great but you didn't really tell us how you have achieved these vibrant colors without just pushing the saturation slider. How did you do it? I don't use V-log nor do I have a GH5, but I'd like to know how I get the most color out of my footage.

Thank you VERY much! This is by far the MOST useful guide and LUTs ever! Thank you! Tack så mycket!

Great video, happy easter Joo and keep going strong. I love the colour correction kit and I am using it on test footage before I go and shoot my documentary in a few weeks (using gh5s).. cheers :)

Wow i love it... i have my gh5 just a view months and learning much more every day. I am on my way to gran canaria. So after it i gonna see your mini cours.... love the explaining. Nice work man

well explained will never get this much information, thank you

Hey I have the 4.0 kit but I do not see the Colour 1 - 4 - where is that?

it all begin at 00:27 ends 00:45 such a shape

dope hair bro!

This was such a great explanation. Thank you so much for this video.

very informative, I learned a lot! I do however have a couple tips for you: 1 - The pushing your face again glass metaphor did not work to well, perhaps it wouldve been easier if you just explained that you get less diverse colours if the gradients clip or something? It's a hard concepts to explain though. 2 - Given that this method would work with any camera shooting with a flat color profile, I guess you could appeal to a much broader audience with a less specific title. Nonetheless, awesome video! Keep it ut:)

when you use models like that in your video its hard to follow what you are trying to teach

Great job! I just tried your CineD to Vlog LUT on my CineD shots and it worked perfectly. Thanks!

Wow! Just wow! Blows my mind!

Impressive. Love the 'science' behind it and going into 3D color space to figure things out. Really on to something with that with great results without it all being overused Red Giant Magic Bullet Looks pushed footage.

Very interesting! Definitely gonna try this.

Quick tip for you: Low cut your sound at around 120 to 150 hz to remove those booming sounds that appears in your zoom recorder when you put your arm on the table, like at 2:23 :)

Thank you!🙏🏽

Great advice. Need to test this with my Premiere CC.

magician at work

any tips for pushing a natural profile in a camera like gh3 to its limits?

Great video. You always make me think of colour in a new way. I never thought about how much colour I was getting from Sony's corrective Luts. Did you make your GH5 corrective Luts in 3D Lut Creator or Photoshop? I'd like to see if I can improve Sony's log lut.

Nice video and tips

Incredible! Would love to buy this for Sony Slog2/3!

Beautiful! I learn so much from your videos. Any chance you'll make one for Sony users regarding pushing color to the max?! Thank you!!

Could this lut work with the Panasonic g85 and a custom set flat profile or cine-d?

Thank you very much for that explanation. Now I have my face against the glass. I will send you a test of some video with that theory and your Luts applied.

Dam, I'd loved really the previous Version of the Kit but the new Luts are awesome. I'd testet with old footage of my GH5 in Cine D and it Looks so great. Do you have experience with the Mavic Air (Cine D) Profile? Love your channel and you deserve much more subscribers.

hi joo! can you make a video on exposing vlog correctly on the gh5?

Do you have your camera settings saved anywhere for download or on your website that shows what in camera settings you use? profile etc

Dayum!!!! Those colors! 0:26 ❤

I'm a big fan of the Sony A7 II standard color profile. How do I extract it and turn into a lut? For my Gh5. Please help Joo.

Joo. Sick video man!

Awesome video loved it. iam FCPX user does it works on FCPX by any chance?

The most interesting part was missing. How did you manage to create that precise LUT? What the tools are?

Your honest comment at the end of the "one-time" offer clip convinced me to purchase the LUTs(JK!), Thank you for the great LUTs! These saved me from a headache!

YES THIS IS WHAT I NEEDED THANK YOU SO MUCH❤️❤️❤️

I have your kit. So useful! Would like to see how Resolve Color Management do this expansion of colors. Can you provide me the image of the colors in vlog so then I can send you with RCM treatment?

The website is down :((

this is great thank you so much.

Love the video and the whole explanation of the cube. If you make this for Sony a7iii i would totally buy it to support you . After watching on how to edit faster on premiere we use that technique now on all our workflows. I would like to thank you for showing us an easier way and better way to do things.

You`re very strong guy, thanks again!

Great! as always!! thanks so much

hey joo, as always amazing video and so motivating to watch. we just bought the kit. we wonder if you can make a video in the future how your workflow will be in final cut. we are struggling a little bit with it. thanks

Hi there this looks amazing. Will it work with Lumix s5 footage?

Love your work! Keep it up!!

You are an inspiration man

Thank you Joonas, youre 6/5 dude!

Do you shoot with V-log L or HLG on the GH5? Your LUTs work well for both. Just curious as to which you choose.

Please add Blackmagic film conversion to the pack.

Good Job Joonas! Can you Export your videos in 4K instead? We would see more detail then, even if you shot and screen record in 1080P. RU-vid allow much higher bitrate for 4k content.

What were the camera settings and kit you had for this? The quality is amazing in such low light!!

Hi Joo, your videos are great. Color is so good. What sort of lens do you use? I think if you can add those technical details in description, that would be a great help. Thank you

BMPCC 4K CANT WAIT TILL I GET MINE!

Is the audio in this video coming from that zoom

Top work!

I guess this doesn´t apply to Lumix G9, or does it? The color science is very similar to GH5, and the G9 does have Cine D.

Great work! Did you shoot the surfing scenes in 10 bit?

Where can i watch the whole beach sunset edit?

Great video, thanks so much for posting! I'm currently using the Leeming LUT, and one thing I find particularly useful about it is that it works in any light as long as I'm doing a custom white balance when I shoot. I wonder, if you were to do that with your LUT, would you still get the same results without running into the issues you did in the waterfall example?

Helpful !

Nice so the HLG to vlog works with Cine D for example if I understand ?

Hi... Gorgeous footage, I will give the Kit a try soon, just purchased it... :) Which lens and gimbal did You use between 0:22 - 0:45 in this video...? Stunning work...!

What are your thoughts on the leeming LUTs for skin tones? Curious on your thoughts on that.

is that you surfing?

Can i do the same with a GH4?

Awesome!

So this Luts are best for the color correction basis and afterwards you can start grading like in the third clip of the free mini-tutorial-course?

If you ever plan on updating the LUTs do we have to buy them again or do we get a free Update?

Is there a way to get the LUTs your using???

Impressed👍

Hi, what HLG/cineD/standard profile settings do you use for gh5?

Interesting! would it be accurate to say that any LUT including yours need to be fine-tuned depending on the ISO settings? Meaning that a theoretical "perfect" VLog to 709 LUT for ISO 800 would not be perfect if I used ISO 2300 where can I get the official gh5 luts to compare it myself? thank you very much.

Hey Joonas, do I have to buy 5.0 if I bought 4.0?

Master, could you teach how you did it so I could do it same way with the colours with other cameras and their LOG.

Is it works with GH4 please?

Just wow