"Criticism in the Expanded Field"
Roberta Smith will talk about how she became an art critic; her responsibilities as she sees them as well as the workaday nature of newspaper criticism, how her job and view of her job has changed over time and how both have been affected by academia, by social media and the globalized big-spending art world/market.
Roberta Smith was born in New York City in 1947 and raised in Lawrence, Kansas and graduated from Grinnell College, Iowa in 1969. She has written art criticism for the New York Times since October 1986. She was art critic for the Village Voice from 1981 to 1985 and in the 1970s, wrote for Artforum, Art in America and Arts Magazine. She worked on the Donald Judd catalog raisonnè and has contributed essays to museum catalogs on various artists, including Judd, Alex Katz, Elizabeth Murray and Cy Twombly. Smith has lectured widely and taught at the School of Visual Arts, NYC and the Rhode Island School of Design. She received art criticism grants from the National Endowment for the Arts in 1975 and 1980. In 2003, she received the Frank Jewett Mather Award for Art Criticism from the College Art Association. Smith lives in New York City with her husband, Jerry Saltz, senior art critic for New York Magazine.
The annual Shenkman Lecture was established in 2007 and is made possible through the support of Dasha Shenkman, a Canadian art collector who lives in the United Kingdom.
5 сен 2024
