Thank you for keeping Grants tutorials available for us. We love and respect him very dearly. And how noble you are to allow us to watch his tutorials. Thank you
Oh no! I just found these and i find this wonderful mentor while he is already gone! Im so sorry to hear that but grateful for the improvements to my wave paintings. Im gonna watch this over and over!
I thoroughly enjoyed your tutotial. The biggest reason was that you just got to it and didn't talk down the viewers whom many are familiar with wc terminology. Thank you it was a lovely rendering and inspired me to do mine with the boat being much closer and the the detail. I learned a lot by your waves and used it as a how to reference. Thank you.🤗
I've been looking all over RU-vid trying to find a video of someone painting a stormy/choppy ocean scene. There are few and far between. I think your video just saved my fifth art piece in the series. This piece I'm working on though will be moonlit with stormy dark clouds. At least I now understand how and what colors to use for a basic start. Thank you so very much.
For an artist just beginning water from oil(on fine china), your tutorials are the richest of usable information and the most doable projects of too many I've watched. Your efforts and tutelage are deeply appreciated. Thank you
I LOVE how you teach! You don't give too much information like as in talking too much and no background music, which I find very distracting. You explain everything clearly and percise in a way I can understand. Also you explain what colours you are using and brushes etc. Thank you so much, I have already gone in and subscribed to your channel!
JUST GREAT GRANT, THANK YOU SO MUCH, WILL CONTACT THE WEB SIGHT FOR SUBJECT MATERIAL. THAT ALONE WILL SAVE ME TONS OF TIME CLIPPING OUT SUBJECT FROM MAGAZINES. NI HAVE WORKED WITH JOE MILLER UP IN ASHVILLE NC. GREAT GUY. THANK YOU AGAIN. YOUR SLOW & EXPLAINED WATERCOLOR TECHNIQUE HAVE HELPED ME A LOT. CHUCK BODNAR, HICKORY NC
I have a photo given to me, but i need the sky to be orange bit of yellow and gray clouds and the sea isn't as choppy as that. Trying to utilize techniques to alter it..
Thank you It was fun watching you work however I would like to know how you made it look as you did at the end when you’re finished because you had an unfinished piece and now you have a finished piece don’t understand it did you do anything else to the picture to finish it I think several of us would like to know
Thank you Grace for letting me know he was a good artist and sorry I missed some of his pictures but I’m impressed with the rest will still are here with us I love the paintings I love the way everyone works together I’m enjoying it very much
why deos my paper dry really fast? the top of the ocean is usually dried when i am finished with the bottom. but in the demonstration, the paper seem to be wet right until the details of the ocean is finished?
Different papers have different drying speeds depending on how much water they absorb. Try Arches or Winsor & Newton 100% cotton cold pressed if you want paper that dries slower.
+Bondroit Hi, I use a liner brush for the fine rigging. (sometimes called a rigger brush). You can see a sample of this at the 11:50 point in this ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-wsf7Ygm8_Do.html
This is fraud .. your last image at 10:23 is NOTHING like the demo .. there is MUCH more work being applied at some later stage and for me that's just not the type of demonstration I enjoy .. EITHER YOU SHOW THE ENTIRE WORK PUT INTO PRODUCING THE FINAL PAINTING OR DON'T BOTHER
Fraud means one of two parties didn't live up to an original agreement made by both. Did you have such an agreement with Grant? Ridiculous. Grant... can you tell me approximately what angle you worked at for this painting? Great demo of the techniques by the way. Always look forward to your great productions. Thanks.
+Tim Koch I always keep the board at a slight angle. Its an adjustable drawing board or easel, but each painting wants to be set to its own requirements. If you want it to drip like Charles Reid, work vertically, if you want more control, keep it closer to flat, about 3" higher at the top.
