This song is one of the best doom riffs in 21st century so far for definite in my opinion, just can't beat it for the heaviness and is fun to play on guitar, this like the signature Sabbath riff of the 21 century. This song is Epic!!!
It was written in the 20th century though. At least as far as i know. But whatever, this riff beats anything Black Sabbath ever made man, this is the highest tier riff of all time to me. (Only Doom Mantia bass line is that good IMO).
would love to see you in miami, usually Churchill's in Little Haiti is the spot where doom bands play like it's home to Shroudeater, Holly Hunt, and recently Kylesa played, Thrones, Corrections House, etc.
@@mateusmastelofaro6595 that's not actually true. Blues is the result of a melting pot. Guitars weren't invented in the platations, nor were the scales and chords blues used. Music wasn't just invented by one people. One of the earliest blues artists, Charlie Patton was mix, native American, black, and other. Blacks weren't the only ones in plantations. Just listen to Charlie's singing. It's clearly narive American influenced. And it's equally true that what we call blues following Charlie Patton were majority black, British kids, who had deep obsession for black American Blues artists, built new music off that influence. They contributed to rock heavily. Music is a true melting pot of creativity.
I would wish the woman quit playing smart and just kept to playing her solos, original or improvised where the solos in the song actually are, otherwise the cover seems okay until now.
