Setting your lighting environment to be as visually convincing as possible has always been the prime goal for any filmmaker, but the tools we have had in the past have limited the ease of this task. In the past, we have used shortcuts like Poor Mans Process and manually creating shadows, but now with Image-based Lighting (IBL), creating realistic and active subject lighting is as easy as playing a video asset. IBL allows you to treat an array of Rainbow 2s or Double Rainbows as a low resolution, high output and fidelity monitor, playing back any asset in real time, perfect for pairing with LED Volumes to correctly match any environment.
Chapters
00:00 IBL Intro
00:53 What is IBL?
01:56 IBL Example
02:55 Expanding on IBL
03:37 Fremont Street Example
04:32 Applying IBL in Productions
05:02 Spectrum & Output Quality
05:36 Data Considerations for IBL
06:21 Creative Advances with IBL
---------------------------------------------------------
Coming Soon...
Episode 5: Color Control
---------------------------------------------------------
Sign up to make sure you receive episodes of The Science: www.quasarscience.com/pages/n...
Thanks to our friends at Planar for supporting this series. Learn more about their LED Wall solutions: www.planar.com/
Follow Quasar on social:
Facebook: / quasarscience
Instagram: / quasarscience
Credits:
Steven Strong - Director
Tim Kang - Director of Photography/Himself
Tom Hand - Producer/Camera Operator
Jeff Maroun - Writer
Ben Dynice - Lighting Programmer/Himself
Ray Gonzales - Gaffer
Triston Strong - Editor
Jeremy Stramaglio - Art Department
Music:
artlist.io
5 авг 2024
