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Schumann: Piano Concerto, Lipatti & Karajan (1948) シューマン ピアノ協奏曲 リパッティ 

Deucalion Project
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Robert Alexander Schumann (1810-1856)
Piano Concerto in A minor, Op. 54
(00:05) 1. Allegro affettuoso (A minor)
(14:27) 2. Intermezzo: Andantino grazioso (F major)
(19:52) 3. Allegro vivace (A major)
Dinu Lipatti (1917-1950), Piano
Herbert von Karajan (1908-1989), Conductor
Philharmonia Orchestra
Rec. 1948 [EMI]
ロベルト・シューマン
ピアノ協奏曲 イ短調 作品54
ピアノ:ディヌ・リパッティ
指揮:ヘルベルト・フォン・カラヤン
フィルハーモニア管弦楽団
録音:1948年 [EMI]

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15 мар 2017

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Комментарии : 110   
@seuradu8065
@seuradu8065 Год назад
Dinu Lipatti is considered by the piano chairs of major universities in Europe and almost all over the world to be one of the most virtuoso and special pianists in the history of this instrument.
@izu9860
@izu9860 4 года назад
この演奏は個人的な想いが強い演奏です。このリパッティ盤を聴くと、どうしてもウルトラセブンの最終回が思い出されてなりません。劇中の演奏はこのリパッティ盤でした。
@iseimor
@iseimor 3 года назад
やはりそうなんですか。いろいろな人のが出てますが、リパッティ版が一番悲壮感がある感じですね。
@valicalin17
@valicalin17 Год назад
,
@valicalin17
@valicalin17 Год назад
f c
@valicalin17
@valicalin17 Год назад
@@iseimor ccc . c
@KI-zj7rj
@KI-zj7rj 3 года назад
To all the listeners around the world, This Lipatti/Karajan 1948 recording is especially famous and popular in Japan because it was used as BGM for the las scene of a Tokusatsu TV program “ULTRA SEVEN” (1967). Almost all the people around the world would hardly be able to imagine how deeply we Japanese Tokusatsu fans love and thank for this beautiful, emotional play by the these great pianist, conductor and orchestra. With tears.
@martincook318
@martincook318 Год назад
I didn't know that and I've got in My own Record Collection the 1955 Columbia Reissue on a 10-inch Blue and Gold label Record Number 33C-1001 as well as the Grieg Piano Concerto in A Minor Op 16 again on Columbia 33C-1040 and both Performances are as good as the Solomon Recording I've got on a His Master's Voice White and Gold Stereo off Solomon Playing the work Record Number ASD-272 which came out in the late 1950's and both Performances are equally as good in both of terms of being as good as each other in Recording's and the Lipatti Grieg and Schuman was issued on a Australian Blue and Gold Columbia 33CX-7518 and I should imagine that is very Rare as I've never seen it on a British Blue and Gold and the Blue and Gold went out of Production in 1965 the after His Master's Voice changed all there Record labels
@CarmenReyes-em9np
@CarmenReyes-em9np Год назад
Es.muy conocida la música.
@ynruru
@ynruru 6 месяцев назад
amazing!! he's absolutely one of the greatest artist
@MrGelusion
@MrGelusion 6 лет назад
one of the real recording of the century
@mankiperukangas7785
@mankiperukangas7785 5 лет назад
Lipatti’s handling of rhytmics is here beyond masterly. And the tone: incredibly poetic yet never sentimental.
@mikedaniels3009
@mikedaniels3009 Год назад
This recording stands head and shoulders above all others. What a difference even to the Ansermet recording.
@lampadairevisqueux5247
@lampadairevisqueux5247 4 года назад
Best version of all times
@iseimor
@iseimor 3 года назад
セブン最終回はこの演奏かな?
@knuthartmann4846
@knuthartmann4846 Год назад
Ich bin kein Karajan-Fan, aber das hier ist wirklich klasse. Pianist fantastisch.
@martincook318
@martincook318 Год назад
Knut Hartmann if you want to buy the 1950's Columbia Reissue it's on 33C-1001 and it's also on 33CX-7518 and Coupled with the Grieg Piano Concerto in A Minor and I should imagine that 12inch Australian Blue and Gold is very Rare as I've never seen another copy
@alessandrovilla5832
@alessandrovilla5832 2 года назад
sublime, assolutamente perfetto
@secretosecreta4307
@secretosecreta4307 Год назад
ロベルト・シューマン作、ピアノ協奏曲イ短調、作品54「ウルトラセブン」ですね。明けの明星が輝くときに聞くとますます感動します。
@franklinhill4341
@franklinhill4341 6 лет назад
This is the first recording I would give to any young pianist or anyone interested in one of the finest interpretations from both soloist and orchestra of one of Schumann's crowning achievements.
@beckywasserman9272
@beckywasserman9272 6 лет назад
I agree.....
@mylittlehouseofrescues8797
@mylittlehouseofrescues8797 6 лет назад
One of my favorite pianists. He was taken way too early... I think this is the best recording of Schumann Concerto.
@yakshaver1
@yakshaver1 3 года назад
Every note on that piano is made of pure diamond.
@olivierbuard
@olivierbuard 8 месяцев назад
The Best above all the others
@prabhudhasivanson7110
@prabhudhasivanson7110 4 года назад
One of the very best performances of this concerto.
@roybrown1529
@roybrown1529 Год назад
What a truly wonderful performance, the best I ever heard of this work. What a joy!
@thomasscherder4891
@thomasscherder4891 6 лет назад
Impressive performance of a genius. Schumanns pianoconcerto never played better. So clear, vibrant and sensitive. It moves me every time i hear it.
@innocenzobarrera1505
@innocenzobarrera1505 5 лет назад
Mancano le parole per definire la bellezza dell'esecuzione, a settantanni dall'evento!
@robertj.mcgehee1798
@robertj.mcgehee1798 4 года назад
The Schumann A minor piano concerto played bi Dinu Lipatti forms the basis of my earliest childhood memories. My parents had a vinyl LP that had Grieg's A minor piano concerto on one side and Schumann's piano concerto on the other side, both played by Lipatti. I don't recall who the conductor was, though, but it may have been different conductors for the two performances. At any rate, I was only three years old when I was introduced to the magical world of Grieg and Schumann, and these two pieces formed a crucial part of my childhood fantasy world as I was growing up in Flagstaff, Arizona!
@francoiseduffy584
@francoiseduffy584 3 года назад
I understand you. I was 9 years old when I was introduced to that Concerto and that of Grieg. It is still for me so special.
@jamesryan8395
@jamesryan8395 21 день назад
@@francoiseduffy584 I was given that same recording (Schumann/Grieg) when I was a sophomore in college and played it till it wore out. Lovely memory.
@federicomoraisortiz7032
@federicomoraisortiz7032 3 года назад
extraordinario, elegante Lipatti
@martincook318
@martincook318 Год назад
Having got a copy of Both this and the Grieg Piano Concerto's in A Minor on two 10-inch Blue and Gold Columbia LP Records from 1955 the Grieg is 33C-1040 and this one 33C-1001 I can listen to both these two Recordings for hours on end as well as the Solomon Recording on His Master's Voice White and Gold which I've also got in My own Record Collection Record Number ASD-272;and it was such a shame that Dinu Lipatti died so Tragically young at 33 on Saturday December 2nd 1950 just six years before I was Born and I was Born on Saturday December 22nd 1956 and even today some 73 years after his Death his Records are still selling and both the Grieg and the Schuman Piano Concerto's in A Minor have been Transferred to a 12-inch Blue and Gold Columbia LP Record and the Record Number is 33CX-7518 and I put the Release Date as Between 1957-1960 just 10 Year's after his Death at the age of 33 and I should imagine that My 12-inch and the two 10-inch Blue and Gold Columbia Reissues are very Rare more so on the former as I've never seen another copy off the two Recording's on the Blue and Gold Columbia label I've Seen the HMV Reissues on Concert Classics Record Number XLP-30072 and on HMV Treasury HLM-7042
@marilynsears6957
@marilynsears6957 2 года назад
Amazing clarity for a 1948 recording - great re-mastering!! Favorite piano master!!
@cbf1258
@cbf1258 2 года назад
1:30からの所はマグマライザーが地底を走るシーンだよなぁ、、、
@xelakram
@xelakram Год назад
This is absolutely superb.
@y3b9922fd7y84a
@y3b9922fd7y84a 4 года назад
リパッティは終楽章の録り直しを強く希望したらしいけど、カラヤンは「その必要無し」とにべも無く断ったとか。 でもいつも何度聴いても素晴らしい演奏だと思うなァ。 永遠の愛聴版です!
@karateru
@karateru 3 года назад
テンポの速さはカラヤンや小澤征爾ならついていける。
@y3b9922fd7y84a
@y3b9922fd7y84a 3 года назад
@@karateru 様 (._.?) ン? 意味不明ですが、コメント有難う御座います。
@alekokvachadze6365
@alekokvachadze6365 3 года назад
Какие"Горящие"звуки!ЛипаттиВоошебник!
@tatsuyamiki6356
@tatsuyamiki6356 3 года назад
SAZAEケーリー様 その逸話の出典を教えて頂ければ幸いです。
@y3b9922fd7y84a
@y3b9922fd7y84a 3 года назад
三木達也様 ネットでリパッティ&カラヤンPOで検索するのが早いですよ。 音楽評論家の故三浦淳史、故吉田秀和、現役の中川京介氏等の著作でも散見出来ますよ。 リパッティの不満を聞いた、EMIプロデューサーのウォルター・レッグ(奥さんはエリザベート・シュワルツコップ)は、フルトヴェングラーとの再録音を約束したけど、リパッティ逝去でお流れ‥‥‥実に残念。
@richardarnold4437
@richardarnold4437 22 дня назад
Thanks - this is such a fine remastering of a uniquely brilliant performance.
@philipelwell4214
@philipelwell4214 3 года назад
Just stupendous and the sound is fantastic for the year!
@bigbeautifullife7329
@bigbeautifullife7329 4 года назад
Lipatti was looking forward to Schumann's piano concerto with Furtwängler on the deathbed.The record company was planning.
@jacekrozga4285
@jacekrozga4285 4 года назад
Yes, Lipatti was a genius and with Karajan at his side he is doing an amazing job, but what amazes me here is also the quality of the recording. Bravo Deucalion Project!
@pepperco100
@pepperco100 3 года назад
To my ears the conducting has no soul. I agree Lipatti is magnificent!
@CarmenReyes-em9np
@CarmenReyes-em9np Год назад
Violín Richner. ?
@CarmenReyes-em9np
@CarmenReyes-em9np Год назад
En el 48. NO había nacido.
@MrGer2295
@MrGer2295 6 лет назад
Beautiful ! Thank you for posting !
@JohannaCTjia
@JohannaCTjia 5 лет назад
This is so great!
@Julia-ei2wf
@Julia-ei2wf 19 дней назад
Genial!❤️
@galinaprozorova7903
@galinaprozorova7903 Год назад
Божественные Шуман, Липатти, Караян! Праздник музыки.
@dejanstevanic5408
@dejanstevanic5408 3 года назад
Ultimate recording.
@micsibere
@micsibere Год назад
Thanks!❤
@ivocsampai5759
@ivocsampai5759 4 года назад
I love it
@kid7544
@kid7544 3 года назад
アンヌ‥僕は僕はね、人間じゃないんだよ‥!M78星雲から来たウルトラセブンなんだ!
@iseimor
@iseimor 3 года назад
マグマライザー発進!byキリヤマ隊長
@bettinaalmasan8468
@bettinaalmasan8468 6 лет назад
LIPATTI WAS THE GREATEST ROMANIAN PIANIST THAT EVER LIVED.
@mylittlehouseofrescues8797
@mylittlehouseofrescues8797 6 лет назад
Bettina Almășan not just Romanian - he was one of the greatest pianists who ever lived. It's heartbreaking that his life was cut so short.
@helenkurdin
@helenkurdin 5 лет назад
@@mylittlehouseofrescues8797 not just the one of the greatest. He was the greatest pianist. Unsurpassed so far.
@Farahmand1010
@Farahmand1010 3 года назад
@@helenkurdin At least I know no pianist who was such a Master at 33 years old... Michelangeli was as great as Lipatti technically at the same age but not musically (he found his unique style in the late 50', when he approached the 40 y.o.) Mmh... as Arthur Rubinstein said, there is no such thing as "the greatest", but only great artists. And Lipatti was indeed a very, very great artist. Perfect? No, that's exagerated. No one was perfect, not even Michelangeli in his best years, nor Richter in his highest moments. They made choices, and were apllying it the best they could.
@taufikhidayatmahadi9725
@taufikhidayatmahadi9725 3 года назад
It's using the from Ultra Seven in 1967-1968
@pepperco100
@pepperco100 3 года назад
One of my favorite pianists. Too bad, I THINK, that the conductor was Karajan. I can imagine how much better would it have been with Klemperer or Furtwangler.
@yakshaver1
@yakshaver1 3 года назад
I agree. Lipatti, that least ego-driven and most brilliant of pianists, deserved better than the self-centerdness of Karajan's accompaniament. Still, I rather have his Schumann, even with Karajan, than not...
@pepperco100
@pepperco100 3 года назад
@@yakshaver1 You make a good point.
@vurria123
@vurria123 3 года назад
Agree. Karajan loses the concept of forward motion, of tension moving forward. Lipatti finds space for his genius details, but the purpose would be artistically "higher" and more dramatic with a different conductor.
@user-vq4zl3vd8q
@user-vq4zl3vd8q 8 месяцев назад
当時は子どもだったので曲名までは分かりませんでしたが印象に残った曲、でもそれだけにこのシューマンのピアノ協奏曲聴くとウルトラセブンのダンのセリフ及び飛び去っていくウルトラセブンが浮かびます
@somersetuk525
@somersetuk525 3 года назад
Remember Dinu the century's No 1. especially Chopin, Schubert, Schumann. and 2021 ??
@user-ld2oh4sw3m
@user-ld2oh4sw3m 3 года назад
高校2年のとき、リパッティのシューマン&グリーグのLPレコードを買いました。ちょうど千代の富士が初優勝した頃です。
@user-yo5ju4pd3l
@user-yo5ju4pd3l 4 года назад
リパッティ本人がどう言おうと、カラヤン/フィルハーモニアとのこの演奏が、この曲のベスト演奏だ。感動的なウルトラマンが出てくるで!
@user-ch8ez6ds5u
@user-ch8ez6ds5u 4 года назад
リパッティはカラヤンの指揮に不満があった様で、その訴えを聞いたゥオルターレッグはフルトヴェングラーとの再録を企画していたとか。聴いてみたかった!!!
@fuchiryu
@fuchiryu 3 года назад
1950年ジュネーブ、アンセルメ指揮スイスロマンド実況録音がデッカから’70年に出ている。残念なことに疑似ステレオになり、録音の質はよくない。しかし演奏は別格。スイスロマンドはよく協奏していて見事。
@user-qx1cs6wm4p
@user-qx1cs6wm4p 3 года назад
30年以上愛聴してきましたが、そんな事実があったとは!いいことを教えていただきありがとうございました!アンドリュー・カズディンによれば、グレン・グールドがもっとも愛していた指揮者はフルトヴェングラーだったようですね。ひねくれ者(照れ屋?)のグールドは、自分の著作物のなかではついぞフルトヴェングラーに触れたことなどないのに。それだけに、本心だという気がします。
@user-ch8ez6ds5u
@user-ch8ez6ds5u 3 года назад
@@user-qx1cs6wm4pさん 残念ながらリパッティは協奏曲に関しては、指揮者・オケor録音状況にあまり恵まれなかったというのが客観的事実の様です。亡くなるまでのほんの数年間での録音&健康状態を考えれば仕方なかったのかも知れませんが。 ショパンやバッハの協奏曲録音等リパッティの演奏は素晴らしいので、少しでも良い音でとレコードやCDを随分集めましたが何れも大差なく、中にはリマスターでいじり過ぎとんでもない音質になっているものもあります。
@user-qb7gv2od4o
@user-qb7gv2od4o Год назад
アンヌ、僕は…僕はね……人間じゃないんだよ! M78星雲から来たウルトラセブンなんだ!! 00:00 びっくりしただろう……? ううん…人間であろうと宇宙人であろうと、 ダンはダンに変わりないじゃないの。たとえ、ウルトラセブンでも ありがとう、アンヌ!
@iseimor
@iseimor 3 года назад
アンヌ、僕は人間じゃないんだよ!
@rivierenoire4988
@rivierenoire4988 3 года назад
ウルトラセブンから来ました
@iseimor
@iseimor 4 года назад
セブン最終回の音源ってこれかな?
@martincook318
@martincook318 Месяц назад
Having watched the Daniel Barenboim Concert and listening to this Historical 1948 Recording of the Schuman Piano Concerto in A Minor Played by Dinu Lipatti I think I Prefer this Recording as both Herbert Von Karan and Dinu Lipatti seamed to Compliment each other
@teletranoats7491
@teletranoats7491 Год назад
ULTRA SEVEN brought me here!!
@toyodafamily2008
@toyodafamily2008 Год назад
👏👏👏
@Alessandro_da_Rimini
@Alessandro_da_Rimini Месяц назад
🤩
@user-so1xb5sw6p
@user-so1xb5sw6p 4 года назад
His life was very short
@user-vn8yq2et7f
@user-vn8yq2et7f 2 месяца назад
카라얀이 지휘한게 충분치 않아서 싫다는 댓글들도 있던데 카라얀이 분위기를 연주에 잘 맞춰줬다. 리파티의 초인적인 연주를 잘 맞춰준것만 해도 명지휘인듯.
@user-wb5xz5yk7y
@user-wb5xz5yk7y Год назад
素晴らしいお( ^ω^ )
@iseimor
@iseimor 2 года назад
アマギ隊員がピンチなんだよ!
@ernstmach1583
@ernstmach1583 3 года назад
嗚呼刹那的人生一曲。
@user-vn8yq2et7f
@user-vn8yq2et7f 2 месяца назад
3악장 후반 연주는 들어도들어도 쩐다. 녹음 음질만 좋았어도 수백만 수천만 조회수는 찍었을텐데 새로운 슈만 협주곡 녹음을 앞두고 세상을 떠나신게 슬플 따름
@user-vn8yq2et7f
@user-vn8yq2et7f 2 месяца назад
우울함을 받아들이면서 사랑하는것과 우울함을 밀어내면서 사랑을 갈구하려는것 두 가지 관점 모두에 부합하게 느낄수있다고 생각함.
@DonnaSilvia
@DonnaSilvia 2 года назад
Karajan literally destroys the poetry of Schumann and Lipatti. It is insulting for two immortal poets of music as both were. Otherwise, this Lipatti's performance could have been the most sublime ever conceived.
@gongon2156
@gongon2156 4 месяца назад
作品番号M78
@Blue-beautifulLife-sv2oh
@Blue-beautifulLife-sv2oh Месяц назад
リパッティは、この後で予定されていた、フルトベングラーとのセッションを楽しみにしていた。カラヤンが悪い訳じゃないので、勘違いしないでね。
@townsendjean
@townsendjean 2 года назад
Karajan is so vastly over-rated! It's extremely regrettable that Lipatti's uniquely brilliant performance has been compromised by uniquely lacklustre orchestral accompaniment.
@iseimor
@iseimor Год назад
アンヌ、僕はね、僕は人間じゃないんだよ!
@martincook318
@martincook318 5 месяцев назад
Well what are you if you are not Human?
@curry7539
@curry7539 4 месяца назад
​@@martincook318 Ultraseven from m78
@satokomatsubuchi6661
@satokomatsubuchi6661 2 месяца назад
​@@curry7539リパッティ自身が、アンヌ、という人に対して言った言葉なのでしょうか?どういう意味なのでしょうか?アンヌ、とは、誰ですか?とても興味深いですので、知りたいです!🌸
@Nana.Takayama
@Nana.Takayama Месяц назад
​@@satokomatsubuchi6661 円谷プロ放映「ウルトラセブン」最終話です ダン隊員がアンヌ隊員に自身がセブンであることを告白しますが、その際BGMにリパッティのシューマンが流れます ウルトラシリーズきっての名シーンであると言えます
@user-zf8vc4ly2z
@user-zf8vc4ly2z Месяц назад
@@satokomatsubuchi6661これはウルトラセブン最終回でセブンことモロボシダンが、アンヌ隊員に自分の正体がセブンであることを告白したシーンでこの曲が流れたのです。なお、この作品は特撮史上最高傑作と言われています。涙なしでは見られないので一度鑑賞してみてください。さらに後半のバトルシーンでの、リパッティのテクニックが冴えるので、ここも見どころです。シューマンはウルトラセブンのためにこの曲を作曲したのかと思うくらいの傑作に出来上がっています。
@dm_99
@dm_99 3 года назад
ウルトラセブン。見たほうがいいのかな?
@deucalionproject2407
@deucalionproject2407 3 года назад
ウルトラセブンの終盤でBGMとして使われたというだけで、セブンの物語と、この音楽の関連性は無いと思います。 ウルトラセブンは社会風刺が色濃く織り込まれていたり、単純な勧善懲悪とは言えない心の襞にも踏み込んだ、ウルトラシリーズの中では大人の鑑賞にもたえうる作品かもしれません。 特撮や映画・ドラマの脚本や演出などに関心があるなら見る価値はあるかもしれません。 しかし、シューマンや音楽を深く理解したいという動機なら、あまり意味は無いかもしれません。
@motimoti1117
@motimoti1117 3 года назад
冬木透氏はあえてリパッティ版を選んでます。 この頃既にリパッティはガンに侵されおり満身創痍のダンと音楽表現が一致したそうです。
@user-ui9xb7rm8j
@user-ui9xb7rm8j 3 месяца назад
日本語のコメントが軒並みウルトラセブンで笑った。
@czffg9757
@czffg9757 6 месяцев назад
I simply cannot understand his way of playing the piano. Too academic, cool, cannot feel warm sympathy toward the composer. Well played, but I cannot sense his love to the composer.
@jamesryan8395
@jamesryan8395 21 день назад
Listen again.
@user-sv9yk2vy4d
@user-sv9yk2vy4d 2 года назад
シューマンはしょうもない。
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