The second session in the conference 'The Women’s Art Collection: Artworks & Artists in Context' held at Murray Edwards College on 15 March 2024.
'The Porous Temporality of Gwen Raverat' by Eliza Goodpasture (PhD Researcher, University of York)
'Still Life: Nerys Johnson and the Configuration of Practice Through Pain' by
Rachel Boyd (PhD Researcher, Laing Art Gallery and Northumbria University, Newcastle Upon Tyne)
'Pose for a Portrait? The Agency of the Subject in the Work of Rebecca Fortnum and Ishbel Myerscough' by Kat Chimonides (Writer and Artist)
Q&A chaired by Elisabetta Garletti (PhD Researcher, University of Cambridge)
19 мар 2024