Did you notice that when applying the in-camera de-squeeze the image is cropped on the monitor? But it's recorded correctly. That's a strange bug and it's difficult to frame because of it.
Hmm, I'm getting a bit insecure now, wether I have used the in-camera desqueeze or the desqueeze feature on the Atomos Shinobi. Anyhow, I have not paid attention to any cropping on the monitor, or that it's different between the monitor and the recorded footage.
@@SHOOTITFilmPhotography I tested it and there's definitely a crop while monitoring, both on the built-in display and the hdmi out, if you use the in-camera desqueeze. That's why I use monitor desqueezing, even though it comes with a few limitations in what regards monitoring tools. For example you can't use the waveform while desqueezing on the Shinobi. Which makes sense, but it's frustrating.
Nice video, thank you! I personally think the flares are annoying and I don't understand the hype about them. As you said, maybe it's kind of cool at first if you've never seen them before. I rented some anamorphic lenses a little while back and the flares got old and annoying very fast and I wished I could turn them off. The flares are what makes me hesitant to buy anamorphics. But at the same time, anamorphics look amazing so....I guess it's a compromise.
Yes it can very easily become too much, I agree. Just posted a new video from yesterday where I used them in sunset inside a moving car. It is very delicate if you get just the right amount of flare or waaayyyy too much 😊 But I think’s it’s a funt thing to experiment with. Would not use all anamorphic on a client shoot though!
