Skrjabin: Prométhée - Le poème du feu ∙ hr-Sinfonieorchester ∙ Dmitri Levkovich ∙ Markus ∙ Stenz

hr-Sinfonieorchester – Frankfurt Radio Symphony

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Alexander Skrjabin:
Prométhée - Le poème du feu ∙
Aufführung mit notentextgetreuer Realisierung der »Luce-Stimme« ∙
hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙
Dmitri Levkovich, Klavier ∙
Frankfurter Kantorei ∙
Konzertchor Darmstadt ∙
Markus Stenz, Dirigent ∙
Frank Kraus, Lichtdesign ∙
Jens Schubbe, Dramaturgie ∙
Alte Oper Frankfurt, 26. September 2014 ∙
Website: www.hr-sinfonieorchester.de ∙
Facebook: / hrsinfonieorchester

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Опубликовано:

18 окт 2014

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Комментарии : 34

@DaveD5929 2 года назад

I believe Scriabin would have thoroughly put his stamp of approval on this stunning rendition of this outrageously original work. There is truly nothing in the repertoire that even approaches anything remotely similar to what one can only refer to as a this musical 'experience.'. Outstanding job by all involved with this production. Kudos to the lighting designer - the use of projections onto the organ pipes as the main 'canvas' for the color and visuals was brilliantly done. The final resounding F-major cadence always gives chills, especially the way this final tonic chord evolves and emerges from Scriabin's unique 'mystical' tonal pallet is so thoroughly and deeply satisfying. One can only speculate as to what wonders this musical genius would have created had his life not been so tragically cut short. -- and just as his signature harmonic language was beginning to evolve and expand into something beyond what most mere mortals could ever conceive, much less find a way to notate! And what a rich and fantastically complex score it is, which this performance somehow executes in a nearly seamless manner. A near perfect blending of the current (as of 2014 anyway) non-musical goings on that always strikes a tasteful balance between the various extra-musical activity and the actual score.and IMO never distracts but enhances. Just....wow....

@tonyduncan9852 8 месяцев назад

Indeed so. You saved me such effort. Ta. 😎

@bomcabedal 6 месяцев назад

The whole light show is getting to be something of a gimmick by this point. It makes a nice change, sure, but no one uses Scriabin's own light organ (I'll leave the question whether he really was a synasthete aside for now) and it's just "something with pretty lights". The music really doesn't need it. Kudos to this performance for not staging it as a faux piano concerto though: that happens way too often.

@Dionysus_333 26 дней назад

Here here!

@udomatthiasdrums5322 11 месяцев назад

love his music!!

@TheMahlerfan 9 лет назад

Eine Stern"stunde" des hr-sinfonieorchesters, Vielen Dank!

@notaire2 9 лет назад

Fantastische Aufführung unter dem fantastischen Lichteffekt. Danke!

@thomasgunther18 3 года назад

Ja, die Lichteffekte sind fantastisch: Aber so weit ich das einsehen konnte, reichen sie noch bei weitem nicht an das heran, was Kurt Laurenz Theinert nunmehr heutzutage dazu beitragen könnte: In der Kunst des Farbenklaviers verwirklicht er genial, wovon Skrjabin damals nur träumen konnte.Da wäre ein Zusammenspiel mit einer Komposition von Skrjabin nur äußerst erwartungsvoll hochspannend: wir sähen grandios-bombastische Licht-Klang-Explosionen, Eruptionen, wie von Skrjabin nicht anders zu erwarten.Ich möchte gerne nochmals anfügen, dass Skrjabin immner von der Idee eines Farbenklaviers stark eingenommen war.Also hierzu passte eben grandios dies Farbenklavier von Kurt LaurenzTheinert optimal dazu.Es wäre schön, wenn sich das irgendwann mal noch ereignete.Mir genüge nunmehr dies kraftvoll aufgeführte Musikstück durch das hr-Orchester: Super gut!

@YUMINLEE3514 4 года назад

HBD Scriabin

@debussy69 8 месяцев назад

I never understood why this piece is about the piano solo. It’s should be an overall effect not about the soloist. It’s not a concerto. Beautiful performance, even so

@fazliddinerkaboyev6568 2 месяца назад

It's almost a piano concerto.

@ForeverFall Год назад

Scriabin has some amazing works, but I wish there existed a composer that managed to mix atonal sections with moments of peaceful tonality, like a beautiful sunset that fades away but still leaves an impression on you.