Yet another masterpiece from Dr.Rózsa...the lovely cor anglais solo at 2:18 and such magnificent orchestration are proof that his film music legacy will live forever.
Excellent Score to a not so good film. Rozsa never let his audience down in any project he was connected with. Thanks Fred for the Excellent upload. Out.
Notciably Roza's compositions are have similar make over where in you can pickup one and put the same in another movie, perhaps on the same sound track and orchestra. What makes it enormous is variety and the force within the same themes.As said he was a master at that, and selected for all those movies. Two factors: Marshall music and soft themes, both relative to history. PASSION.
It is very difficult to recreate a soundtrack score 54 years after the original was recorded and when people are so used to the sound of the original recording, but they do a really fine job here. It can't have been easy for them.
Classic music to a classic film. I always remember this as being very shocking for when it came out with (historically accurate) war and fertility deity Moloch and his "manhood" and the lesbian queen and her harem of comely wenches. The scene with the bloody tar-pit battle taken straight from Genesis ("I shall not take so much as one sandal strap from thee...") and so much more, worthy of an epic of literally biblical proportions. :)
Nao me canso de ver e rever esse video!...A perfeiçao e as expressoes dos musicos compenetrados,diante de uma sofisticada parafernalia de um studio,aliada a uma densidade bela e melancolica, dessa composiçao de Miklos Rozsa... E o Maestro,diante da conduçao de um trabalho tao belo,dificil e apoteotico??!!... Indescritivel na sua grande capacidade!!..
J10082017. En ese Score de Rozsa Sodoma y Gomorra; Rozsa, tiene un tema hermosisimo Answer To A Dream : Respuesta para un Sueño : Allí Rozsa ,repite su mejor Finale : Finale Ben- Hur-Rozsa; También repite su Finale King of Kings-Rozsa. También en Answer To A Dream repite su Overture y Prelude Julius Caesar- Rozsa , parte que es y el reutiliza en su Ben-Hur La Procesión al Calvario , misma parte que repite en su Rozsa El Cid Battle of Valencia, misma parte, Vía Dolorosa King of Kings -Rozsa, también en Answer To A Dream Sodoma y Gomorra-Rozsa; Rozsa repite su Prelude King of Kings-Rozsa.
S14042018. En ese Score de Rozsa Sodom And Gomorrah, Rozsa tiene un Tema hermosisimo Answer To A Dream : Respuesta para un Sueño : Allí Rozsa repite su mejor Finale : Finale Ben- Hur-Rozsa. Misma parte Ben Hur-Rozsa: The Burning Desert. The Mother's Love o The Promise. The Lepers Search For The Christ. Valley of the Dead. También repite su Finale King of Kings-Rozsa. También en Answer To A Dream repite su Overture y Prelude Julius Caesar- Rozsa, parte que es y el reutiliza en su Ben-Hur La Procesión al Calvario, misma parte que repite en su Rozsa El Cid Battle Of Valencia, misma parte, Vía Dolorosa King of Kings-Rozsa. Misma parte en Brutus Soliloquy Julius Caesar-Rozsa, al repetirse Prelude de Julius Caesar- Rozsa. Sorrow Ben- Hur-Rozsa: Sacrificio. Misma partitura y representación en Fedora- Rozsa Prelude and Fedora Appears, y en soundtracks Fedora- Rozsa donde se repita su Tema o Prelude. También en Answer To A Dream Sodom And Gomorrah-Rozsa; Rozsa repite su Prelude King of Kings-Rozsa. Es posible que el maestro Rozsa repita su Quo Vadis-Rozsa Ave Caesar-Triumphal March en Answer To A Dream Sodom And Gomorrah-Rozsa.
Why this has so few views?.. youtube now seems to be focusing on selling corporate product only... everything user-made is being depromoted from recommendations.
Otro tema biblico sodoma y gomorra por otra gran pelicula les comento cuantas peliculas vi por eso le doy gracias mi gran dios ya no hay todo esto tan hermoso ahora puras pelculas de narcos ásesinatos secuestros violaciones purá porqueria
It sure sounds like they did...as if anyone cares about the "real" meaning of this theme. I'm sure Dr. Rozsa probably knew the real meaning of this theme when he composed it.
I ran Sodom and Gomorrah in 1963 when I was a cinema projectionist and it was a wonderful film with great spectacle. The Battle by the Dam sequence lasted for nearly a whole reel of film with music from beginning to end and was one of the most spectacular battles ever filmed. Rozsa's wonderful score gave the film an identity and an image that suited the hopeless gloom of the story, most of which was still evident despite censorship and the cutting of half an hour from it.
