Wow! Amazing design and amazing sounds! But besides that the demos are outstanding. Is there a way to find the artists named at the end and purchase their music? Jake? Meg? Spencer? Do these artist release music? Thank you MakeNoise for the amazing work, also within the community!
Really love the make noise crew patches at the end- both being able to see the people who make these instruments possible and see the way that they each inject their own personality into the same system
And there is such wonder and joy infused into their ideas, design, and presentation. I adore that they embrace anything that will move the eventual user out of a routine into an unfamiliar headspace as a core value to their design ethos. Can’t wait for this.
Very rare that my jaw hits the proverbial floor whilst listening to a module demo but holy smokes the sounds from this thing! Congrats to Make Noise and all involved.
@@MAKEN0ISEMUSIC it would be so cool if u could make a walkthrough> this patch is so lovely it makes me want to add qpas and mimeofon to my shared system!~
I was saving the last 20hp on my system for a third maths module, but… this oscillator sound so good, that I have to save the place for it in my rig, and I have already an x-pan in my system and Qpas and a Erbe-verb waiting for me in the mailbox, this XPO will make everything sound….. ehhhhh … more stereo? 😁
Few months ago I thought that analogue oscillators have nothing new to give us. Then this happened and i realize that only our imagination sets the limits. Jaw-dropping sounds, MN just entered the next level.
well, i made some modules no person this planet has, some contain very old logic ic's controlled by topnotch circuits for input/output, things not for sale but add dimensions to never heard to sound. Albeit not being stereo, my rack is to small, but just as stunning. But requires to understand logic gates (wiki) and i control Make Noise STO with it. My triangle core design supersedes Tony's.
Great your patches are crazy, the possibilities are unlimited, you re so creative and different you should make a crew compilation. Most of my modules are from your office and begun modular with an 0_coast, watching that video will make me go farther…thank u to be so creative, and help us to add more spices in my recipe.😀
@@mwatkins0590 Ohhh! I thought there were some sort of mutant pigeons outside the window influencing the system via telekinesis. Thanks for helping me with that.
I really didn't think I'd get excited for an oscillator like this again but here we are. This is incredible, the sounds right out of the box without any processing are out of control gnarly, and that beautiful patch from Jake at the end shows such versatility.
I need a patch guide for 6:58 Vari-Timbre through Low Pass Gates and 13:58 Patchin’ with Jake unbelievable, I imagine Mimeophon is doing a lot of the action here but holy smokes amazing work with these modules MAKEN0ISE!
Really gives a sense of the depth it’s capable of while at the same time demonstrating Modular’s innate ability to seamlessly correlate Timbre, Rhythm, and melody 🥹
Not sure how Jake pulled that patch off at the end, it sounded polyphonic but I noticed the STO isn't even patched, makes me curious about the the XPO and Mimeophon
Is it fair to say that this is a complex oscillator, in the Buchla sense, with the two oscillator frequencies controlled as a function of a central frequency? Like with the v/oct for each you could potentially set L to LFO speed and R to audio and shift them together with the shared Pitch? This thing seems nuts.
As one or two others have said here, analog VCO next level, so gnarly, FM madness, stereo, so layered sound with just one VCO. You have done something again. Tony I wish you at least one sleepless night like this every year. Thoughts that won't let you go, getting up at night just to implement this patch, just to hear how it sounds. Working on it to perfect it. I wish an effect module, distortion, feedback and horror sound bending.
I do enjoy this module but from the first discussion I fail to see ... immense differences that couldn't be achieved with a the buchla circuitry and the nod to plan b an iffy I use an ana to get spikes think that they are way under used as is the precision adder I feel thos Is worth the dough in so many ways ... I love the first explanation because Tony's thought process is abound In his discussion. Im curious about the hole in the middle. What is that about other than heat dissipation... also the user right corner is phenomenal... looking down. Fm sync the spatial elements modulate r and what appears to be graphics for window comparators... guessing there just like the opposite side does the same thing with modulate L ... Tony seems to have built in alot of audio rate modulation points which means they will effect parts not suspected..... Tony you did a great thing just by including spike and multiple spike wave forms, in my opinion sir...I will be buying one.
Thank you for the Stereo Vari-timbre. I was all set to give you a “Dislike” and leave this demo. “Make Noise?” Well, that first demo wasn’t music, to my ears and I’m a percussionist (Noise Maker) by training and profession. Rant ended: XP0 makes some beautiful sounds. I really like the new MN stereo gear. Okay, the Pulse-width and FM-Index stuff is just too loud! You’re done.
Huey Lewis said it best when talking to Marty McFly through the megaphone 📢 . A good oscillator is the core of an instrument, and as such it needs to have a large range of timbres available, from pleasant and musical to as far from that as possible. Hope you enjoy! ⚡️🎶
Ι saw many other stereo modules announced in 22 but none of them sounds this good and sits well in a system. Sounds and looks like a real instrument,not just another "module."
