SPARKS ALBUMS RANKED AND REVIEWED - A WOOFER IN TWEETER'S CLOTHING (1973) 

Great to know. I think I hated the album on my first listen, as I bought Woofer and their debut at the same time and Woofer was so much weirder but now of course I love it. I just don't like the last minute or so of Nothing Is Sacred. One of the few times I don't like Russell's falsetto but even that I have warmed up to over the years.

​@@canadianstudmuffin I can really relate to your comments. I'm at a point where, over the last couple of years, I've become a HUGE Sparks fan. I'm at the second period in my time as a fan when I ONLY listen to Sparks (it's been this way for like four months now I think)- I love music, I love a lot of bands and songs and have discovered a real taste for artists from 70's and 80's in the past few years, but I just can't bring myself to listen to anything else right now and it's happened one time before. So I challenged myself to actually go through the entire discography again, a few more times this time around- I did it before and some albums I just couldn't get into, like Big Beat, Halfnelson/Sparks, Woofer, Interior Design, Whomp That Sucker and Pulling Rabbits. So I've fallen in love with Whomp That Sucker and then with Rabbits shortly after and they've become two of my favorite Sparks albums. Halfnelson/Sparks has finally grown on me- I used to find it weird that Sparks has a relatively-quiet album, but I love it for that now. I learned to really like Big Beat's songs and Interior Design's as well, where I could maybe really only listen to Big Boy, So Important and You Got A Hold of My Heart out of these before. And what I still consider to be one of the weirder Sparks album, has become one of my favorite Sparks albums, as I now love A Woofer In Tweeter's Clothing- I used to not get it at all. It was like the even weirder brother of the first album. I loved Girl From Germany and that's it- It just got so obscure after the first song. What basically happened was that I learned in the BBC interview where they premiered the Girl Is Crying In Her Latte, that in the upcoming tour, they are going to play some less known tracks from the more obscure albums, so I began guessing what these could be- Beaver O'Lindy was one of my guesses, even though I didn't know the song that well, I tried to listen to it couple of times to see if it fit my imaginary setlist. I was preparing for my first Sparks concert at the Royal Albert Hall on the 29th. Then, some weeks later, I got spoiled by my own RU-vid recommendations that the Mael brothers have Beaver O'Lindy in the first show of the tour. I squealed with excitement and began learning the lyrics to the song. By the day of the show, I loved the song so much that I started listening to the whole album patiently with maximum curiosity for the first time ever. I recently even went through all the demos and unreleased songs as well as other Mael brothers projects just to soothe my obsession a little, haha. The only missing piece from their discography for me is Anette- HBO is not available in my country and I'm looking for ways to watch the movie somehow. But until then, I intend on not listening to the entire soundtrack (which already has songs that I loved). The best and worst thing about being stuck in this awesome Sparks loop is that there's always more to discover and definitely always an album or two to go back to. And they really inspired my writing which has certainly gotten better since I began listening to them.

The Louvre better than A Song For Europe at Eurovision! Such a surprise.