a quick analysis of the incredibly poignant yet noble horn solo from the second movement of tchaikovsky's 5th symphony. karajan: • Tchaikovsky: Symphony ...
How you listened to “And the Mountains Rising Nowhere” by Joe Schwanter? As a fellow Horn player, the horn feature at around the 6:00 minute mark is one of the best ever written.
It never does get old. You can sense a form of remembrance in this excerpt. The 2nd theme of the 6th's final movement also looks back at memories. But while the 5th's has this beautiful serene reverence the 6th's is bitter-sweet and full of longing. Strings.
With all due respect. I am not a horn player but fascinated about how some musical artists are able to have their instruments create waves of harmonic sounds that make you forget that there is someone playing 'an instrument". It is that moment that makes me listening to music played by real artists - not the fact that music never gets old. Since it can get old really instantly - if played by somebody who is not able to play an instrument with the same level of professional competency, it was created at by its composer.
Probably the loveliest horn solo ever written. Tchaikovsky is my favourite composer and this is my favourite symphony. Also love the horns in Romeo and Juliet.
@@cinemagraphymahivara2000 Harmonies are subjective like all things in music, love ❤. If you mean in terms of complexity, complexity ≠ quality. That's one primary reason why composers like Mozart who were known for simple harmonies are praised, but praised equally as highly are composers like Ravel, Ellington and Herbie Hancock just to name a few. Furthermore, harmonies also change based on what emotion the composer wants to express, evoke, or create within the listener. 🌸Sincerely, an eye-protector on the internet🌸
@@spobicity I agree--harmony, like melody, isn't better or worse. Entire compositional skills may be measured superior--like Bach's- or merely competent--sorry Prokofiev--but preferences are not quantifiable.
Honestly, it's that dark opening that does it for me. As a fan of Mvt. I & IV of his 6th Symphony, the opening of this movement pretty well hits the spot
Exactly, and to me Rachmaninoff (my favorite and one of the two best composers imo) is one of the best because all his music is as good as that string opening. After the horn solo starts, it starts to get a little goofy (like some other works of Tchaikovsky - not to say bad, just a bit goofy/noodly)
If you haven't heard of Rach's The Isle of the Dead, then do now. For me it's the darkest, the loneliest, the creepiest and yet the most beautiful piece ever written.
This excerpt is so beautiful 🥺 also awesome job for the harmonic analysis and the comments 🙌🏻🙌🏻🙌🏻 I rarely listen to Tchaikovsky’s music (I only know his piano music tho, like the piano concerto) but knowing this makes me curious and want to listen to him more. Thank you for the video 🙏🏻🙌🏻
I'm so thankful that your channel exists - lovely showcasing of some fantastic melodies and exposure to repertoire that I should definitely explore a bit more. Merci bien. God bless you.
I have loved this passage from the first time I heard it...I love the Fifth in general, along with Tchaikovsky's seldom-discussed _Manfred_ Symphony. Thank you for this.
Thank you very much! I found it while perusing your other videos. It, too, is superbly done, as are all your videos. I'm sorry I didn't explore your material sooner! @@skylarlimex
Tchaikovsky - together with Beethoven and Mozart and most certainly Bach were the ones who in one way or another influenced almost all the others who were creating music during those times.
With me looking to get back into playing the horn after more than 20 years, I figure it's time to at least start listening to some French Horn pieces to help familiarize myself with it.
@@skylarlimex "Annie's Song" was my first thought when I heard that passage as well! And apparently we're not wrong. Look for an article titled "how Tchaikovsky filled up John Denver's senses." In other words, Annie's Song was, in fact, inspired by (ripped off?) this piece!
MORE THAN HARMONIC DETAIL ---- That 12/8 meter is interesting too. None of the beats have been divided into smaller divisions, by sixteenth notes, for example - which makes it impossible for a funk to infect it.
@@ihaveacoolnickname I agree with you, and it 'is', as you say, iconic with regards to Tchaikovsky. That's one of the things that tempers my appetite for too great an allowance of it. Not being of a depressive countenance myself, I don't resonate with Tchaikovsky's almost welcoming resignation, and the indulgence necessary to it. To fight so bravely, as Tchaikovsky elsewhere does, and to concede failure is, for me...a musically disappointing result. It is true that misery loves company, but I broach no purchase for it even recreationally.
That's why some prefer Brahms to Tchaikovsky. This has nothing to do with either of these great musical geniuses, but everything with people having different opinions. Which is not limited to music.