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Amazing, Guille! It's so clear. And quite astounding how your brain has organized and compartmentalized all these various rhythmic qualities. Excellent video, as always. Thank you!
I really do like your way of explaining flamenco issues and your sense of humor😊 It's the first time I understand the compáses structure and map. Thank you for legology!
That's a very mathematical approach, not in the calculation kind of way but with the true mathematical intent: what can we define as big classes, what things are actually the same in vast but accurate definitions, and then how do we make particular cases with each. I think it's the most effective approach, very well done!
I knew it was “just a handful” from watching your other videos. Compas = rhythmic pulse (in this context). I watched this video twice and it’s so interesting! Just from *feeling* the very pure pulses and as a novice I group it in 4 - the most basic is 6 count (fandangos like a waltz) then the four-count tangos adds a pause, then the 12-counts, more complex- the solea/alegrias, and bulerias. I put seguiriyas on it’s own due to starting point and it feels very different then the other 12-counts maybe because doesn’t accent 3 and 10? I’m memorizing the 9 types and the legos. Thank you for your wonderful videos. 👏
Thanks Audrey! 🙏 Yes siguiriya feels very different! The articulation and dynamics of tension>resolution is unique and it makes it a fascinating compás 🤩😉
