You should do the Doctor from voyager. You did Star Wars... Now you should check out Star Trek as well: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-fSW2gaZwmdM.html The Holographic Doctor from Star Trek series Voyager is known to sing. Actor Robert Picardo is an accomplished singer. Here is him singing to the Cassini spacecraft: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-pPnZQIkSNmU.html Here is him singing for the character Tuvok in the ST Voyager series: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-qIjOifRG-u8.html And there is lost more stuff around him singing.
So I don't know if you've done any more looking for Il Dolce Suono sung by Inva Mula Tchako From Albaina but there are a few on youtube like this ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-XdAZxeIHqJ0.html
Do a react to the ACTUAL queen that nailed this song live and for real. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-kJl2uPNsJEk.html&start_radio=1&rv=tQwVKr8rCYw
They just misunderstood what "they are within me" means... ilke the christ saying the word of god is within me... like if they kill him and get a big ass book from his stomach.... The elements just like the word of god are in spirit and can not be harnessed materialy...
the girl at her home studio was the best. She didn't skip a note. her low notes were as clear and intense as the high, the performance was lively to its entirity. Congrats to that baby girl , too, for having the cojonas to do it live, with half the experience of the others, she didn't skip the difficult parts and she did it all live!
@@nightseeker83 what's there to question? You can easily distinguish her voice from the backing track. If you can hear that it's there you should be able to tell it apart. For the most part she sings much louder than the backing, for example she drowns out the fake synth noises from the movie recording.
@@peersvensson9253 Come on now, everyone knows singing over vocals can sound good. My thing is, can we hear her sing only with instrumentals ? If it sounds as good, then I can rate her #1.
On a technical level Laura’s was literally perfect. She sang every note in perfect key and time. It was incredible. However zhang has absolutely beautiful high notes. Her vocal chords are probably more comfortable in that range because they were so clear and bright and easy for her.
It’s a shame there’s no live performance here by Inva Mula, the original singer for the movie. She’s the true diva , the grand champion: “She sang 85% of what I thought was technically impossible” - Eric Serra (excerpt from interview in Trax Magazine 2016)
@@kirabouwerviraltyd I completely agree. I just started watching The Charismatic Voice and really enjoy her reactions and critiques. so when I saw this review I was pretty excited to hear what she has to say because Fifth Element is one of my all time favorite movies. When we got into the video I had to pause it and then throw in my DVD of the movie (Yeah, I'm old) to verify that what I was hearing wasn't what was in the film at all. So, kinda bummed that she couldn't review the actual song from the movie. Probably has to do with copyrights of the film and RU-vid and all that jazz. Maybe she'll be able to sometime in the future.
haha! I really like Laura's version. For me, I'd still like to hear Laura perform it live, but she was the most convincing to my ears. To me, she was the most technically accurate compared to the others, and that's what we're comparing: who is most accurate overall, right? Anyway, if anyone feels another female singer is more accurate, then please let me know because I'd love to listen! I really like this channel. So, thank you for this!
Actually no one succeed to do exactly the same song ^^ so yeah they can continue to try ^^ in the film they use two voice simultaneous to do it so yeah good luck ^^ but laura is still undefeated in being the most accurate one since forever :D
Just to be the Debbie downer for everyone xD This IS "technically" impossible to sing. No one is hitting that low G# they are singing the note in the parenthesis, but otherwise Laura hit everything else. This song spans 5 octaves.....The alien does hit that low G# though lol.
Sure in many cases. However if you listen to the song in the movie closely the impossible part IS impossible. That is a ton of quick sharp note changes in no time flat. These girls can do a decent work around but even Laura couldn't pull that one off. No one can.
Home studio lady hands down. You don’t get to rewrite notes an call it nailed. One note change equals new song... vanilla ice ice baby. *slaps forehead*
My general impression as a layman: Laura was the one who stuck the most to the original score, but sometimes at a tiny cost to the actual pleasantness of the performance, whereas Jane Zhang sacrificed some of that 1:1 accuracy for the sake of being always 100% in control and thus making her performance the best one in terms of sheer enjoyment. But they also have a vast difference in equipment and probably prep time (home studio alone vs. a whole freaking orchestra in a concert hall), so I'd like to see a comparison on even ground. What I'm saying is, we want an official sing-off between Laura and Jane Zhang. The Operadome, two go in, one comes out. Ticket sales pending. EDIT: ok, after listening to the last part of the video I see we pretty much agree on that. Also kudos to the girl who managed to sing that for The Voice!
agreed. it's good that the chinese lady keeps the song popular, advertising is important but she cheated a bit as far as I'm concerned, and I get it, I can't sing that either XD
@@Shouja198thanks! I heard it and now I see except for the deepest note which she left out what would ordinarily be sung by someone with a deeper range. Still it's awesome!
I don't think it's under rated at all. Everyone, including myself has seen it multiple times and sing it's praises! Maybe because it's old, younger folks may not have seen it, but it's a fun and famous movie.
I agree with both sentiments. I don't think it's underrated from an individual perspective as most folks who have seen it acknowledge it as being a great film. But it is definitely underrated from the point of view of it seldom having been advertised or shown on network TV, etc... Gary Oldman is my favorite actor, and he plays Zorg perfectly (he famously resented his role... Similar to Alec Guinness and Obi-Wan).
I'm SO glad you did Laura's cover! She's INCREDIBLE on this! Zhang may have been more clear and a bit more tone quality, I think Laura did the BEST, but I'm not a professional.
oh my god... I spit out my tea when I saw this... and it happens to be lemon and honey... not an opera singer but dated one for a long time and picked up the "habit" lol
Seeing that Laura sang it while sitting, is even more impressive! Her voice always left me speechless... I wonder how much practice it took her to manage to hit all those sudden variations.
@@emilyworkman Do you have any idea why the performer of the best diva dance available on internet (your amazing sister) gave the performance of a lifetime, only to never be heard from again (no new singing videos)?
Laura is one of the few I've seen to hit & project the highest AND lowest notes, especially the projection of that low note. Those crazy low notes don't always get the same credit as the crazy high ones for how difficult they are to really project. I'm gonna have to find more music from her ASAP
I totally agree that Jane's vocal quality was the purest on both high and low notes, but that Laura was the most impressive for nailing every note as written - which was kind of the point of the challenge given that it was supposed to be unsingable. So I was actually slightly more impressed with Laura's accomplishment.
Laura's was probably the best hands down , you need to consider she didn't have a orchestra backing her , with a bit of rehersal and the people backing her that Jane had , I think it would have been better.
I understand that Laura was natural, but some of her high notes sounded synthetic, Jane made those high notes sound natural. I think Laura sang the high notes too sharply? Natural singing of a single note starts at a slightly lower volume, increases and drops before terminating like a sine wave, Laura’s was a square wave.
you C.R.U.S.H.E.D. it. Full voice, sharp tones, power in the vocals. Incredible. I saw Jane but i hadn't seen yours and I do think you have the edge. Brilliant performance
I wish you had included Dimash Kudaibergen's concert version of this... His "the singer" audition is nice, but his concert performance is just stunningly incredible, one of the best I have heard, phenomenal for anyone, let alone a male singer... That said, these were also great performances.
@@moonfive9065 Yea, I know. But it's not that. It's before all of that comes in. I mean that first part, it's just sung with another level of emotion. Love it
Hi Elizabeth, I read the following interesting comment under a performance of this song by a woman named Tolkyn Zabirova. The commentor is Aodhan Paeder Mac Cionaoith. I found it quite interesting in explaining just what about this song is impossible to sing and why. Quote: "The man who created this song explained why he said the song was 'impossible' - not because the notes were unreachable (the singer at the time hit all of the notes!) but rather because of the very fast parts. He was speaking of a human inability to switch between notes as fast as editing the notes closer together could, with the same precision and sharpness. And so the studio editing in question was simply this: The singer sang the notes more slowly. She hit all of the notes with no assistance. He edited the notes closer together to create fast note progressions. The artificial part of the song wasn't in helping her hit notes but in putting the notes closer together than humans can switch between notes. Since this song was created, there are a number of singers who have practiced singing those notes with a similar speed, and many of them have gotten so close that they sound artificial to some ears. That includes this woman, as well as a Chinese singer named Jane Zhang and an Indic man named Dimash Kudaibergen. You can tell that it's their actual voices because each of them lose control over the notes when they try to switch between the notes so fast. This creates noticeable imperfections-- a wobble here or there, a slight off-pitch note as they transition from one note to another, but most importantly, the speed is never exact. All of them, at some point in their runs, are chasing the background music, falling a little behind because of the difficulty of trying to sing notes at that exacting pace. This woman actually altered the song so that she wouldn't have to make such a large transition from one note to another, thereby allowing her to reach notes more quickly. That's the method that most of these singers use, which is why few of them perform the song exactly the way it's done in the movie". Link to the video by Tolkyn Zabirova is ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-5ZNgJ7-dUmk.html Thought you might like to ponder this explanation.
Thank you for sharing the video link to Tolkyn Zabirova. I have searched many different videos and never ran across 2 or 3 different people until now, reading through many comments from multiple videos. So far, I have enjoyed Tolkyn and another woman named Laura's versions the best. If you haven't seen Laura's version, I suggest checking it out. Although it is not a full orchestra performance, her skill nonetheless is incredible. Tolkyn wasn't perfect, but she does get that fast section better than anyone else I have seen, including the portion right before it. Thank you again for mentioning it and spending the time to provide such a well-thought-out explanation.
I’ve watched the fifth element and versions of the diva dance hundreds of times. The original obviously just punches you, but Laura’s in this video is so far the only other one that has given me goosebumps!
Imo, Laura was the most accurate and I enjoyed her voice the most and wish we could hear her performance in an atmosphere akin to Jane's. Jane definitely has an enchanting voice and did a beautiful job, but Laura actually hit everything exact, which proved it was after all not impossible for a human to accomplish.
The girl in the home studio is actually the one with the best high notes considering her projection for live performance like you said. and she clearly has the power to project without microphones.
Laura is, and will always be the best IMHO. She has way more ability and control over her voice, that just strikes me a lot more deeply than someone altering their voice [synth] or someone altering the notes [Like Jane, or those that key change for their voice]. Her accuracy, and the ease with which she had that accuracy astound me to this day. I'm not sure if she still does them, but she used to do singing videos on YT, and was one of hte first channels I ever sub'd to!
I’m on team Laura! Also, remember that she’s just recording in her room instead of having a microphone and an entire orchestra behind her to add to the performance. The combination of humble setting and that massive talent is... mind-blowing.
@@robertafettuccine Sure, but this might have been her 50th-something take to get it just right. The performers filmed on stage are judged on a single try.
Laura may have the advantage of several takes vs. live? But her notation, tone and power is goosebumps worthy Kudos to anyone attempting to tackle this song
Laura wins the fan award for being most true to the original. Jane's voice is clear as a bell, but misses (drops, changes, or slides into) a few notes. Both are insanely impressive. Eleven alien thumbs up.
How dare you give it it only 11 thumbs up?! Don't you know that's a horrible insult in Tarqualian?! Wait... You're a Tenqualian? Ah, that's a high compliment. My apologies. Carry on.
Laura tricked a little, cause the original one was in the background still. It was not just the music, but also the singing. That helped her voice to sound even better. But still impressive.
@@arturama8581 You have no idea how many takes she did. You're bearing that cross for some personal reason and it's obvious from your multitude of replies along the same lines; you sound rabid and ridiculous, unable to give credit where it's due. You should be ashamed of yourself.
@@arturama8581 wow, did Laura do something to you or what? You seem to really hate her very much. Or you are Jane and desperate to convince everyone you are the best :D So what if she took 200 takes? She still nailed it. The backtrack is not drowning her voice, it is clearly heard throughout the video. And are you saying Jane did not rehearse 200 times as well? I finally found one person who disliked Laura's video...I always wondered who'd dislike such talent...
Laura was by far the very best, so lovely it gave me shivers. And no skipped notes. Most impressive of all. I'd pay to see her live performance of this amazing piece. The youngster was second- imagine her with more years experience in tge future. Last place is Jane who sounded slured and to many notes deleted.
Her first part, yes. I didn't feel it when she got to the dancy bit. I remember getting out of the shower and playing the original. Good thing Samsung phones are actually waterproof. 😂
As a flutist, I have to say the Fifth Element version has maybe my favorite “performance” of the flute part. The sound is so round, warm, and dark all at the same time. Just wonderful.
Laura gave me chills, but Jane brought tears into my eyes... I literally go to trance when hearing Jane singing this! This is the first time I hear Viktoria, I dont thing it is perfect, but there is also something special to it that I really like! (Saíing this all as someone who doesn't understand music, just enjoys it!)
In Laura's vid (girl in red), it sounded to me like her voice was ever so slightly sweetened by the movie track underneath her voice. It's very low but it's definitely there. That doesn't detract from her incredible capability, but that does give her an edge in that our ears are subtly hearing the movie track and connecting her voice to them, rather than letting us hear how accurate her notes would be if the recording was purely her voice alone. Again, she's incredibly talented, but I would like to hear her voice apart from the movie track.
The cuts to Lelu and back as the fight progressed were perfectly cut. The music amplified the fight scene perfectly. Music, fight, and cuts were perfect.
I'm sorry, but Laura is hands down the best at this. She hit everything almost exactly as it was written, and it sounded clean and clear. On top of that, the way it was recorded, even though she is singing with the musical accompaniment, her voice appears to be at a higher mic level, so the accompaniment has no chance of covering up any of her mistakes. She didn't make any mistakes, and you could clearly hear that she didn't. I have heard a lot of these covers, and Laura's is still the absolute best one I have encountered.
@@mandrael it may be, the problem is now how easily accessible autotune and melodyne software is and if you use it very carefully you can hide the use of it without a trained ear for it. Most people won't notice the very slight autotune used by the audio engineers that irritated david draiman for his live performance of Sound of Silence.
It's not a live version, but a live STUDIO version. Apples and pears! Put her up on a stage and let het sing it in 1 take there and then. With nerves and without the opportunity to start over and over and over.
I was also impressed that the young girl in her home studio could sing on the intake of air. That made it a little easier to change the notes easily from up-down. You can see her doing it a couple of times when you watch her upper chest movements closely. Amazing skill.
Your enthusiasm and curiosity with every video is heartwarming! Thank you! I know it’s not much contribution, but your next overpriced corporate beverage is on me. 🙏
I liked Laura the best as she was the only singer to hit every note. All the other singers skipped notes either they couldn't do it or to make it easier and not screw it up on a live performance, Even Dimash.
"No digital enhancements" doesn't mean there was no 'trickery' done to 'get it right'. For starters, you can hear the original audio in the background, so she has support for her pitch. Secondly, she for sure did multiple takes and picked the best version. And last but not least, having the opportunity to 'start over', take a break and doing it whenever you feel to it or when your voice is feeling at it's best, is something completely different from singing it 'on command' in a full stadium or hall, with a bit of a cold, having to pee, all kinds of distractions, noises, wind, heat, cold or whatever and the pressure the high note will have to come out, right There and Then! Laura's version is an 'Un-edited Studio Version', not a 'live' one and should not be compared to real live performances! Elizabeth should know better.
"For the scene to work, we needed her to sound like an alien, thereforee we had to create notes that no human could sing. So I purposely wrote un-singable things, some too low, some too high, sentences that were too fast, I would then arrange it with the sampler." "She sang 85% of what I thought was technically impossible. I then sampled and edited her voice a bit. It might seem obvious nowadays but at the time many wondered how I did it."
I'm a metalhead. But I love opera too. Two very different styles, however I enjoy them both equally. Its good to be well rounded and versed in different genres. I believe it enhances your level of intelligence. Opera is very romantic.
Me too. I like old country blues western. All the modern stuff just isn't really good. Hip hop is too 'worldly for me as well. They accuse metal as bad mouthing society but its really them instead.
And I thought I'm alone with my love towards metal and opera. Romantic you say? Sure it could be but some of them are as brutal as a real horror. Puccini's Tosca comes in mind where everybody dies at the end. And this particular one Lucia di Lammermoor is pretty dark. I see a lot in common with metal tbh.
I've been watching Laura's version for years. I just go back and am mystified all over again. I think she won this one. She didn't change around notes to suit her voice, she just did it.
"No digital enhancements" doesn't mean there was no 'trickery' done to 'get it right'. For starters, you can hear the original audio in the background, so she has support for her pitch. Secondly, she for sure did multiple takes and picked the best version. And last but not least, having the opportunity to 'start over', take a break and doing it whenever you feel to it or when your voice is feeling at it's best, is something completely different from singing it 'on command' in a full stadium or hall, with a bit of a cold, having to pee, all kinds of distractions, noises, wind, heat, cold or whatever and the pressure the high note will have to come out, right There and Then! Laura's version is an 'Un-edited Studio Version', not a 'live' one and should not be compared to real live performances! Elizabeth should know better.
I loved the fifth element version. The entire movie was brilliant but this specific scene and song really moved my emotions as the song really projected what was happening in the scene.
Laura's version is my ultimate favorite of all of them, as you said, accurate to as it was written and closest tonally to the movie recording. Her breath control and the way her mouth moves so slightly to accommodate those pitch changes (I forget the term) is absolutely enrapturing to watch. She has some serious experience Id assume to have that much accurate control at the drop of a hat. I also love her face/eyes change as she hits that very last note, you can see the calculations happening in her mind to make sure the note stays on target. Immaculate! I never tire of listening to it!
I enjoyed all three unknown female singers. I thought the girl from Russia did a great arrangement on the song without changing the original music except a few notes. I felt that the the girl's interpretation expressed the mood of the song as the songwriter had intended. If not, it was a happy accident and beautiful artistry. I look forward to hearing what all three of these ladies will do in the future.
@@TheCharismaticVoice Actually since you are an opera voice coach I strongly suggest Ogni Pietra ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-GxFm0gmSZbQ.html Also the performance that brought him to world wide recognition SOS ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-JEz1qGS0T1Q.html flawless and effortless techniques, wide vocal range with impressive dynamic and stage presence (or the operatic version of it ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-W29zEuZVaxs.html ) For last and maybe best, Sinful Passion at Sochi ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-W9FlDMCo8LU.html Speechless performance. ps. Personally the best version of Diva Dance from Dimash is at Singer instead of Bastau. He shows more of his bel canto technique ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-23HYymUjIHE.html
Thank you, I haven't heard Laura's performance before, and to me, it's the most technically impressive, even if it is the oldest here by far. Added to my playlist... and this channel added to my subscribe list. Lovely video analysis!
Laura was my favorite. Her nots just were so filled with emotion, and matched the feeling from the movie the most. Also her last note gave the the best chills out of all of them.
"No digital enhancements" doesn't mean there was no 'trickery' done to 'get it right'. For starters, you can hear the original audio in the background, so she has support for her pitch. Secondly, she for sure did multiple takes and picked the best version. And last but not least, having the opportunity to 'start over', take a break and doing it whenever you feel to it or when your voice is feeling at it's best, is something completely different from singing it 'on command' in a full stadium or hall, with a bit of a cold, having to pee, all kinds of distractions, noises, wind, heat, cold or whatever and the pressure the high note will have to come out, right There and Then! Laura's version is an 'Un-edited Studio Version', not a 'live' one and should not be compared to real live performances! Elizabeth should know better.
Have to applaud everyone that sang this song that was meant to be impossible for humans to sing 🤩👏👏 i do have a soft spot for Jane John because she's so tiny but roars so elegantly 👌
Don't forget Jane Zhang is a self-taught pop singer. Growing up with a single mum, she started singing at local pubs when she was still in high school due to poverty, and used to learn English by listening to Mariah Carey's songs... until she became famous from one of the earliest talent shows in China at the age of 21 and signed a contract with a media company. That was probably only then she started receiving any professional training in singing. Point is, she's done well considering her barriers!
Great reaction as always, but I wish you reacted to Inva Mula - the original singer of this song in the movie. She is a beautiful lyrical soprano, and I've had the honor to listen to her a couple of times. That lady is 57 but still sounds so pure.
The entire fifth element soundtrack is sublime... Eric Serra did some amazing work, which pulls the entire film together, and gives it a rhythm. The _slightly_ ropey bits from the second clip were all the same points where they used synth in the first. Jane Zhang...just wow!
Definitely synthesized, but for a reason. The singer is supposed to be other-worldly; possibly capable of having a range outside of a mere mortal's capabilities. It plays to the futuristic context of the movie overall.
Ok this is your second video I've watched. I just saw your Disturbed Sound of Silence, and I've fallen in love with your passion, and expression. There is something joyful in watching the delight on your face when you hear beautiful music. I'm hooked. New Sub.
I would say about 60% to 70% of in the first “Diva Dance” was real. That one run in the middle was obviously synthesized, as was a couple of other parts. I honestly couldn’t say if those high notes were real or not. The younger girls was far more real to me. Laura’s though was by far the best. That fast run in the middle was insane.
As far as I know, the only part of the song in the actual movie that was synthesized was that one particular run. The obvious one. That's where they threw it in to make it "impossible" to sing. Everything else is possible to do, as proven by Laura's video. It's that particular run that has obviously synthesized notes (and that's the point... it's not all of them, it's just a few) that makes it impossible to sing. Because no human can make those particular noises.
I trained in Classical Art vocals "John Duke, John Jacob Niles" etc since I was 13 all the way into adulthood and NOTHING impresses me more than Opera singers. The control they have over every piece of their instrument is beyond comprehension. It's not something you can just "do". That is hard work over years and years. 🤯 I graduated in Music Theory and ALWAYS found a way to bring in some form of Opera vocals into whatever I was composing. ❤️❤️❤️
She is the original to be sure and the one who set the standard - but she didn't sing it all the way thru. Her voice was substituted by an electronic facsimile in parts. This video was about proving the impossible to be possible. Until Inva sings it without electronic enhancement, Laura is the one to beat.
Agree with your opinion, Laura nailed it, note-for-note. But Jane's high notes, tone quality and inflection style most closely emulated what was produced for the film. And that little doublet (Eb-6 to C#-6) that releases you from the tension built by the first three melody phrases? Two of the most emotional and high-gravity notes in the piece imho, and Jane delivers like a rocket. She even uses changing distance to the microphone to achieve the swell on the beginning of the Eb-6.
Love me some Laura. I found her version late one night when I went binge watching the Diva Dance. Your Jinjer Pisces reaction was what brought me to your channel and I followed it to this one since I enjoyed it so much. Keep it up you are doing a good job imo.
Movie Makers: This was just something we made to make our movie nerdy cool... Singers: Lets add it to the actual song in liver performances. Luc and Eric must feel like proud fathers..
Laura's is amazing, but it also has the benefit of being mixed in with the original vocal track, creating a blended correction. Would have been nice to have heard what it sounds like acapella.
yeah it sounds like a blended correction in this video, if you watch the original, she split the audio tracks, so you can hear her clearly in one channel, with the movie audio in the other channel.
I agree. And Laura could have re-recorded it as many times as needed. Jane did it live. Very different. Although both were phenomenal and blow me away! I am amazed by these women.
Thank you for these amazing videos! I didnt know i could sing until i was past 30, turns out i have 4-5 octaves and now i am trying to absorb all the information i can! Your videos help a lot and i love listening along and seeing how you break stuff down. You are amazing btw, love your videos and your voice in some of the videos where you sing!
Its one extra NOTE the singer in the original is a Opera star in her own right all the movie guys did was add her voice to a keyboard and instead of doing crazyness she sang so beautifully and perfect they added one note extra is all!
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Thank you for someone finally reacting to Laura!! I've been wanting someone to react to this clip for soo long bc it gives me chills everytime at how accurate it is for her. She really is quite talented!
Honestly I think Laura did it best. I LOVE the fun and attitude of the last one, but I feel the transition Laura did with those reeeeally awkward notes towards the end was smoother, the way she skipped over some of the notes felt a bit better-controlled and dynamic, the other one jarred for just a moment for me.
Excellent commentary. The best is watching your face and reactions during the performances - your emotions are wonderful. Such a gorgeous solo! I had the privilege of performing this as Principal Clarinetist with the Lake George Opera Festival eons ago.