Paul, I often listen to your tours of stops, on these various wonderful organs, as background when I am writing my sermons for Sunday. They are inspirational! 🙂
Wonderful. Moved to TV and surround sound to read the stop names. Family have evaporated and neighbours are away so had a fantastic afternoon with this and subsequent pieces. Thank you
Hi Paul, wonderful organ demonstration thank you! This instrument definitely has a unique character, but seems quite comprehensive. I especially enjoyed the Cromona which has incredible character! And the reeds had a nice French edge to them. Take care John
¿Isn´t something...!innefable¡ to play this magnificent sampled organ at my home? THANKS to you, I have discovered a new fascinating combinations ¡Gracias!
Hi, Paul, Once more, a great performance. Would like to let you know that I'm midifying an old 3 manuals Viscount organ, specifically for this Haupwerk sample. The upgrade: just built a complete mechanical system for the stops. Will share it with you as soon as it doce. Congratulations once more.
Amazing Organ. Now I see that Metzler Chamades can do a punch. I did try this sample set and I must say this organ is a 3 manual version of Rotterdam also. Lastly Sonus Paradisi made a new sample set on the EM Skinner Organ of Temple El - Bethel which has 4 manuals with a Shofar Horn.
In my opinion this organ is very different in character compared to Rotterdam. This one is more suitable for French, Italian, South German baroque compared to Rotterdam, which is better foe North German, Dutch baroque and French romantic. Only the Spanish reeds are alike.
OMG, what a fantastic organ! The voicing & regulation of everything is superb, especially the reeds, such as the Fagott. If you don't know the big Metzler in the Grossmünster, Zürich, look it up, and you'll be amazed: it's green with copper facade pipes! Also, one of your best demos ever, Paul. BRAVO! 😁🐧
Hallo, lieber Paul. Deine Präsentation war wieder sehr gut! Das "Full Organ" zeigt mal wieder was in der Orgel und auch Dir steckt. Danke fürs zeigen. Bis bald. Viele herzliche und liebe Grüße. Steffen aus Görlitz.
Wow! Sehr coole Vorstellungen und super gespielt! 🥳🤩👍🏻 Die Orgel klingt im Tutti ohne die Charmaden etwas zu „Quintig“ besser gesagt zu „terzig“ , da normalerweise im Tutti 1 3/5 nicht mit registriert werden, bessonders nicht das Cornet im HW. Das Cornet im 3. Manual kann man bei dieser Grösse des Instruments durchaus drin lassen. Das Cornet im HW und eventuell den 1 3/5 im RP würde ich persönlich im Tutti nicht mitziehen. Aber sonst wie gesagt genial! 🤩🤩🤩
Dankeschön! 😀 Jep, das stimmt - ich finde die Chamaden auch fast schon zu grell im Tutti. Ich denke aber, dass es für viele interessant ist, wie die Orgel im ‚richtigen‘ Tutti - also wirklich alles gezogen - klingt, deshalb diese Entscheidung inkl. des Cornetts und der Terz 😀